Attributed William Etty, R.A. (English, 1787-1849), Study for Angels ever bright & fair

Attributed to WILLIAM ETTY (English 1787-1849) Sketch for Andromeda Oil on panel 25 3/8 x 19 inches / 64.45 x 48.26 cm; Frame: 31 7/8 x 24 7/8 inches Label verso from the "Etty Centenary Exhibition Yo

(British, 1787-1849). Oil on canvas, unsigned, attribution and title on old label on verso, 16 x 23 in., framed.

William Etty, RA (British, 1789-1849) Venus and Cupid oil on canvas 70 x 47cm (27 1/2 x 18 1/2in). Footnotes: Provenance With Charles A. Jackson, Manchester. With The Maas Gallery

Attributed to JOSEPH MALLORD WILLIAM TURNER(English, 1775-1851)Study of a Housepencil on papersight: 4 1/4 x 7 1/4 in.; frame: 12 1/2 x 19 1/2 Provenance: Property of a Connecticut Family Colle

After John William Waterhouse (English, 1849-1917). Pre-Raphaelite oil painting on canvas titled "Hylas and the Nymphs," depicting a scene from Greco-Roman myth where the youth Hylas is abdu

Monumental framed oil on canvas painting, "St. Cecilia," signed lower right Eric Reed, after the original by John William Waterhouse (English, 1849-1917), with some overall loss/ peeling to craquelure

Cranberry Cut to Clear Biscuit Jar 7.25" - Fantastic Engraved Rococo Design with Floral Highlights - Attributed to Stevens And Williams - English Hallmarked Embossed Silver (Sterling) Lid and Bail Mar

Framed oil on canvas painting, The Hill Flock, signed lower left T. Sid. Cooper A.R.A. (Thomas Sidney Cooper, RA, English, 1803-1902), dated October 1849, stretcher with red wax seal, sight: approx 23

William Merritt Chase (attrib.), painting, Attributed to William Merritt Chase (American, 1849-1916), "Still Life - Codfish, Kettle & Mussels", oil on canvas, signed at center right "W.M. Chase", insc

Edward Cooke, o/c painting, Villa Borghese, 1849, Edward William Cooke, R.A (British, 1811-1880), "No. 2 Villa Borghese from the Walls of Rome", no signature observed, information card verso with arti

Thomas Gainsborough (English, 1727-1788) Attributed: Study for the Honourable Mrs. Graham,Oil on board, unsigned, framed. Perhaps one of Thomas Gainsborough's most intricate and recognizable compositi

attributed to SIR THOMAS LAWRENCE (English 1769-1830) A PAINTING, "Portrait of a Gentleman in a Maroon Coat," oil on canvas, sitter named on paper label verso, partially visible, "William Mills of Sax

Circle of Joseph Mallord William Turner (English, 1775-1851)Ships off Margateoil on canvassigned bottom edge JMW Turner RA12 1/4 x 18in (31 x 46cm)

Framed oil on canvas painting, Driving Home the Herd, signed lower right T. Sidney Cooper (Thomas Sidney Cooper, RA, English, 1803-1902), dated 1891, sight: approx 29.25"h, 49.25"w, overall: approx 35

William Roberts R.A. (British, 1895-1980) Sam Rabin versus Black Eagle gouache 28.2 x 19.1 cm. (11 1/8 x 7 1/2 in.) (sheet); 22.6 x 17.2 cm. (8 7/8 x 6 3/4 in.) (image) Executed in 1934 Footnotes: Pr

“Fisherman on the shore”Watercolor and bodycolor on blue wove paper 5 1/2” by 7 1/2” 131x191mm painted in the 1820s.PROVENANCE Mrs. Sophia Booth (1798-1875), the artist’s landlady;

Stanley William Hayter (English, 1901-1988), Danseurs du Soleiloil on canvas, signed and dated 1944 at lower right, inscribed and dated to verso, retaining a 1956 loan label from the Minneapolis Insti

17/18th c., attrib. Thomas Pistor (d.1705) and Son (Thomas, d.1717), Ludgate Hill, London 2-part, top section with pair of inlaid doors, the interior with eleven various drawers with conforming inlay,

A Rare English William and Mary Inlaid Walnut Cabinet on Chestlate 17th/early 18th century, walnut veneer featuring burl panels, light and dark wood inlays, oak and pine secondary, two part form, appl

Joseph Mallord William Turner RA (London 1775-1851), and Thomas Girtin (London 1775-1802) A mountainous river landscape with a village by a bridge pencil and watercolour on paper 19.1 x 25.2cm (7 1/2

Sir William Beechey, R.A. (1753-1839), Portrait of Miss Jane Roxbyoil on canvas (lined), unsigned, retains hand-written label identifying the sitter affixed to verso; presented in a period carved and

Y SCOTTISH REGENCY ROSEWOOD CENTRE TABLE, ATTRIBUTED TO WILLIAM TROTTER EARLY 19TH CENTURY the circular top above a bead moulded frieze, raised on four scrolled supports with flower head terminals, on

William Scott R.A. (British, 1913-1989) Untitled signed and dated 'W. Scott 65' (lower right), inscribed and dated again 'For Ken/Best wishes William 1967' (on the backboard) pencil and gouache 20.3 x

A FINE PAIR OF MAHOGANY TEA TABLES, ATTRIBUTED TO WILLIAM TROTTER, EDINBURGH EARLY 19TH CENTURY the fold-over rectangular tops outlined with bead moulding, raised on waisted and lotus-clasped squared