Charles Hunt (British 1803-1877), The Original Minstrels, 1873, oil on canvas

After: Charles Cooper Henderson , British (1803-1877) Oil painting on canvas" Mail Coach" Signed lower right. Good condition. Measures 20" x 27", frame measures 23-3/4" x 30-3/4". Shipping $235.00 (es

CHARLES COOPER HENDERSON (1803-1877), BRITISHTHE NIGHT COACH; WELLS-LYNN TO LONDON ROYAL MAILPair of oils on canvas; each titled to the nameplate.Each 13 ins x 24 ins; 33 cms x 61 cmsProvenance:Townsh

Ch. Hunt (engraver), British naval color aquatint, Charles Hunt (British, 1803-1877), "This representation of His Majesty's Ship Majestic, 57 Guns, John Hayes, Esq. Captain", after Pierre-Julien Gilbe

Charles Hunt (British, 1803-1877) Liverpool Grand Steeple Chase, 1839. Hand-colored engraving dated to 1839 20" x 26.5" Frame: 33.5" x 41"

After Charles Hunt (British, 1803-1877), Liverpool Grand Steeple Chase, 1839hand-colored etching and aquatint, 19th century, matted and framed. Frame dimensions 30 3/4 x 37 3/4 in. From the Collection

CHARLES HUNT (BRITISH, 1803-1877) BOXING PRINT, hand-colored lithograph on paper, "THE GREAT FIGHT BETWEEN BROOME AND HANNAN", after H. Heath (British, 19th century), published 1841 in London by J. Mo

CHARLES HUNT (British 1803-1877) AN ENGRAVING, "The Birth Day Team," hand-colored on paper. 20 1/2" x 25 1/2"

Attributed to Charles Hunt, British 1829 to 1900. Oil on canvas painting depicting a scene in the village house. Signed lower right. Framed. Charles Hunt was a painter of contemporary genre, often hum

(British, 1803-1902) Cows Resting by a River, signed lower right "T. Sidney Cooper.R.A./1877", oil on canvas, 17-7/8 x 24-1/4 in.; gilt wood and composition frame, 25-1/4 x 1-5/8 in.

Children Playing in the Countryside. Oil on canvas. Signed with monogram at lower left. From an Ossining, NY collection. - Dimensions: 19.5" h x 35.75" w.

Thomas Stothard. (English, 1755 - 1834). The Bathers (Diana and her Nymphs Bathing). Antique Engraving on wove paper after the original oil on canvas by master engraver Charles Cousen (British, 1819 -

(British, 1803-1902), cows resting in a field, signed lower right "T.Sidney Cooper", oil on canvas. Original canvas trimmed and relined to linen canvas. The painting has been blacklit, and there is mi

(British, 1851-1934), oil on canvas, dated 1900 Some repairs Overall: 34-1/2"h x 54-1/2"w Sight: 29-3/4"h x 49-1/2"w

Original framed British equestrian fox hunt landscape painting, signed by the artist M. P. Elliott. Oil on canvas. Signed lower right in red: M.P. Elliott. Dimensions: framed: 33 in. x 39 1/2 in., can

Arthur Alfred Davis (British, fl.1877-1900) 'After the Hounds' Oil on Canvas 1895, signed lower right, a fox hunt depicting rider, horse and several running hounds in a field; artist information attac

British- American 1819-1905. Monarch of the Glen, after Sir. Edwin Henry Landseer (1802 - 1873), original painting by Sir. Landseer located in Scottish National Gallery. Arthur Fitzwilliam Tait was bo

(British, 1802-1877) The Chestnut Thoroughbred Mundig, winner of the Derby Stakes at Epsom, 1835, with William Scott up, signed lower right "C. Hancock, 1835", label verso "Mundig", oil on canvas, 20

Sir Charles D'Oyly (British 1781- 1845) Raasay House, 1825, oil on canvas. Signed, dated and titled verso. Housed in an original period gilt wood frame. Note: Sir Charles D'Oyly, 7th Baronet, was a Br

"John Theodore Eardley Kenney (British, 1911–1972) After the Hunt Signed and dated 'John T Kenney/66' bottom right; also with original preparer's stencil verso, oil on canvas22 x 36 in. (55.9 x

British School oil painting on canvas depicting a hunting scene with a white horse and dogs while a storm approaches, signed "TSC" to lower left, possibly Thomas Sidney Cooper (British, 1803-1902), ci

ROBERT WATSON 1877-1920 BRITISH. "HIGHLAND CATTLE" OIL ON CANVAS. SIGNED LOWER RIGHT AND DATED 1913. VERY WELL DONE PAINTING. STILL IN ORIGINAL TOLLEY GALLERY FRAME. CANVAS 14"X10" FRAMED 19"X15"

Charles I at the Hunt or "le Roi a la chasse"; late 20th century oil on canvas portrait of Charles I of England after the original by Anthony van Dyck painted c. 1635, now in the Louvre Museum, Paris;

(British, 1761-1807), c. 1802, original frame bore a label that read "The property of Sir Charles Metcalfe, Baronet", together with a letter dated February 1938 explaining the origins of the portrait

(British, 1800-1880) The Love Letter, signed lower left "C. Lees 1856" with possible original label inscribed and signed by artist verso stretcher, oil on canvas, 36 x 28 in.; gilt wood and compositio