Charles John Watson Chelsea Antique Etching

Charles John Watson (English, (1846-1927))London Street Scene, 1881etching on wove papersigned in pencil Charles J. Watson to lower right margin as well as CJM 1881 in plate lower left13 x

John MacWhirter. (Scottish, 1837-1911). The Vanguard. Antique etching on thick laid paper after the original by master etcher Charles Oliver Murray (Scottish, 1842-1923). 1879. Signed in the plate. Ex

An antique etching of Elizabeth (Elizaveta) Petrovna by artist Dejardins, printed by Charles Gavard, 1838-1845. Title inscribed in French Elisabeth Petrowna, Imperatrice de Russie, 1762 / Tableau de

John Masey Wright. Thomas Hobbes. Antique Hand Pulled copper plate etching on wove paper after the original by master etcher Charles Charles Oliver Murray (Scottish, 1842-1923). 1884. Excellent. Image

Collection of etching includes Middle Alley Philadelphia by Earl Horter, (2) by John Mcgrath (one with small hole) other titled The Harbor St. Tropez, and Notre Dame Cathedral by Charles Meryon.

John Sloan (American, 1871-1951), "Antique à la Française", unframed etching, 1929, Morse 240, only state, Ed: 100 - of which 75 were printed by Charles Platt, signed with pencil lower right, in

Plate signed in the lower right and dated 1904, pencil signed in the lower left. This print has good use of plate tone and a rich drypoint burr. Plate measures 7 7/8" x 8 7/8" in a 15 5/8" x 16" black

John Watson Benson, Etching, Dry point, signed, approx 16" x 20"

The French Invasion or John Bull Antique Etching, dated 1793. Measures 35 cm x 25.5 cm plate size. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested

Charles Watson "Arles" etching, a study of the front of a church with figures, signed lower left in the plate, dated 1894, also signed lower left in pencil. Provenance: From the Jeffrey M. Kaplan Art

Antique Etching JOHN ST. NEW YORK CITY by Irving Wolfson, Pencil Signed, Original Framing. size: 12.5 x 8.25 matte, 20.25 x 15.75 outside frame

Charles Watson (British, 1846-1927), etching, Abbeville 1903, pencil signed lower left, 6" x 8" plate, 15" x 16 3/4" overall, slight foxing around mat

Title: East Entrance to the cell in the South West Tower of the Tower of London. Artist and etcher: John Thomas Smith, also known as Antiquity Smith (British, 1766–1833). Drawn in 1802 and publi

2pcs Unframed Antique Etchings. Charles Meryon. Larger print has watermark for paper manufacturer. see pic 20. Dimensions: Height: 13 inches, Width: 10 inches. , W: 12 inches --- US Packing and Shippi

the first and second: John Taylor Arms (American, 1887-1953), La Torre Del Mangia, Siena (1927) and Place Planicocau, Tours (1925), each pencil signed and dated; the third: Frank Short after JMW Turne

CHARLES WEST COPE RA (1811 - 1890). Antique Etching Life School, Royal Academy. The provenance of this item is from a WWII veteran collector in Georgia. The plate dimensions are Approx. 7.5" x 10.75".

John Sartain, 1808-1897, American engraver and printmaker. Black and white etching depicting a young woman in profile. The print was executed after an artwork by Joseph Coomans, 1816-1899, a prominent

Original John William Hill etching.

John Charles Moody (British, 1884 - 1962) Etching of San Gimignano. Pencil signed in lower right corner. Measures 7.5 inches x 10 inches. Frame measures 17.5 inches x 19.5 inches.

LOT OF 2 ANTIQUE ETCHINGS. INCLUDES JOHN HAMILTON MORTIMER (1740-1779) TITLED *BEATRICE* 396 X 319 MM. 1813 WATERMARK. AND A 1945 ETCHING OF THE TURKISH EMORER ABRAHAM'S WIFE, THE SULTANA, AND THEIR S

2 Antique Etchings. 1) John Taylor Arms (1887-1953) "Wilby Church, Northhamptonshire, Englan," etching, signed. Size :4.5'' x 2.5'', 11 x 6 cm (image); 6'' x 5'', 15 x 13 cm (sheet); 2) Stephen Parris

ARTIST: John Watson Nichol (Scottish, British, 1856-1926) NAME: Old Man with Bell YEAR: 1882 MEDIUM: oil on canvas CONDITION: Missing few flakes of paint. Minor craquelure. No visible inpaint under UV

Large Framed late 19th, early 20th c. Charles Howard Etching with Cercle Librairie Estampes Blindstamp lower left. Signed and numbered 66 in pencil by the artist. Landscape with figure and windmills.

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio