Charles Watson (British, 1846-1927), etching, Abbeville

Charles Watson (British, 1846-1927), etching, Abbeville 1903, pencil signed lower left, 6" x 8" plate, 15" x 16 3/4" overall, slight foxing around mat

Charles John Watson (English, (1846-1927))London Street Scene, 1881etching on wove papersigned in pencil Charles J. Watson to lower right margin as well as CJM 1881 in plate lower left13 x

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979) Christmas Chickens; The Pig Dealer Etching, 1927, on laid, signed and numbered 25/75 in pencil, with margins, 240 x 190mm (9 3/8 x 7 7/8

Charles Watson "Arles" etching, a study of the front of a church with figures, signed lower left in the plate, dated 1894, also signed lower left in pencil. Provenance: From the Jeffrey M. Kaplan Art

Charles William Cain (British, 1893-1962), etching, A Tigris Night, signed lower right, 10" x 14-3/4" plate, 14" x 18-1/4" sheet, unframed , Property from the Estate of Daniel Dietrich, II

Charles Haigh-Wood (British, 1856-1927) A favourite pet signed 'C.HAIGH-WOOD' (lower right) oil on canvas 53.5 x 78.5cm (21 1/16 x 30 7/8in). Footnotes: Provenance Private collect

John Charles Moody (British, 1884 - 1962) Etching of San Gimignano. Pencil signed in lower right corner. Measures 7.5 inches x 10 inches. Frame measures 17.5 inches x 19.5 inches.

Plate signed in the lower right and dated 1904, pencil signed in the lower left. This print has good use of plate tone and a rich drypoint burr. Plate measures 7 7/8" x 8 7/8" in a 15 5/8" x 16" black

Charles Tunnicliffe (British 1901-1979)- ''Wheatfield''- etching and drypoint, signed and numbered 15/75 in pencil, light struck. 6 3/8 x 11''

Charles Courtry (Paris, 1846 - 1897) Framed etching, signed in pencil in lower right as shown. Professionally framed measuring approx. 22" x 18" including the frame as shown. Image size is approx. 7"

DAVID JONES C.H., C.B.E. (British, 1895-1974). Animals at Rest, circa 1927, Etching on Japon paper. Pencil noted as "Proof," titled and signed at base. Unframed. Note: The artwork is not glued down to

Percy Thomas (British, 1846-1922) James McNeill Whistler, 1874 etching signed in the plate 5 1/8" x 3 3/4"Catalog Note: This print was created as a frontispiece for the first catalogue of James Whistl

Charles Tunnicliffe (British 1901-1979)- ''Kemp Croft Farm''- etching, signed and numbered 51/75 in pencil, slightly light struck, otherwise very good condition. 7 5/16 x 14 3/4''

Charles Chaplin (20th Century) British. "Frog and Toad", Etching, Signed and Inscribed and Dated 1949 in Pencil, 5" x 4", and three others by the same hand, four (4).

Charles W. Cain (British 1893-1962)- ''Rice Fields''- etching, signed in pencil, very good condition. 5 7/8 x 10 1/8''

Group of Approximately 21 Etchings and Engravings, to include Caroline Armington, La Cathedrale De Tours, 64/100; Paul Geissler, Philadelphia; Charles Watson, cathedral; Nathaniel Sparks, street scene

Charles Frederick Tunnicliffe (British 1901-1979)- ''The Sitting Hare''- etching, singed and numbered 61/75 in pencil, good condition. 5 1/2 x 7 1/2''

(British, 1846-1901) Strolling Woman, signed lower right "KG", watercolor on paper, 5-1/2 x 4-1/2 in.; possibly original gilt wood and composition frame,. Provenance: Estate of Marjorie and Charles We

After Charles Hunt (British, 1803-1877), Liverpool Grand Steeple Chase, 1839hand-colored etching and aquatint, 19th century, matted and framed. Frame dimensions 30 3/4 x 37 3/4 in. From the Collection

AFTER E. F. LAMBERT (British, 1790 - 1846). "The Age" Brighton Coach at the "Bull & Mouth", Regent Circus, Piccadilly, Coloured aquatint engraved by Charles Hunt and printed by J. Moore. - 24" x 31";

David Charles Read (British 1790-1851)- Trees; Lakeside City Skyline; Landscape with Mountains and Boat; Landscape with Shepherd; Landscape with Horse and Cart- 5 etching and drypoints, from the serie

Oil on canvas painting depicting a young woman walking by a pond on the edge of the town. Signed Ernest Walbourn and dated 1895 in the lower left. Ernest Charles Walbourn, 1872-1927, was a British lan

(lot of 4) After Francis Calcraft Turner (British, 1795-1846), "Vale of Aylesbury Steeple Chase - Plates 1, 2, 3, and 4," hand colored etchings, published by John Moore (London, England), largest over

Charles Frederick Tunnicliffe O.B.E., R.A. (British, 1901-1979) The Thief; The Stallion Etching, 1928, on laid, signed and numbered 47/75 in pencil, with margins, 150 x 230mm (5 7/8 x 12 5/8in)(PL); t