CHARLES L. RITZMANN (active circa 1890s) Panorama of the Brooklyn Bridge.

Early and exceptional circa mid-1880s original 3 x 4.5 albumen portrait of the young Theodore Roosevelt, affixed to its original 4.25 x 6.5 Charles L. Ritzmann mount, signed on the mount in ink, "Theo

Circa 1890s French Silver-Plated Ladle by Manufacture le L'Alfenide (Christofle/Charles Halphen), fluted double spout ladle, twist stem and turned wooden handle, 15" long. Good condition.

CHARLES BEVAN (ACTIVE 1860-CIRCA 1882) (ATTRIBUTED DESIGNER) GOTHIC REVIVAL MIRROR, CIRCA 1870 inlaid and ebonised oak, with mirrored plate(147cm wide, 208.5cm high. 15cm deep)

CHARLES BEVAN (ACTIVE 1860-CIRCA 1882) FOR MARSH & JONES, LEEDS PAIR OF SIDE CHAIRS, CIRCA 1865 sycamore inlaid with ebony, caned seats(41.7cm wide, 82.5cm high, 39cm deep)Literature: Gilbert C. Furni

Guy Wiggins. Oil on canvas. Brooklyn Bridge. Signed L. R. Guy Wiggins. Framed. 18" x 15"

RARE JOSHUA H BEAL 89" PANORAMIC PHOTOGRAPH OF MANHATTAN, SHOWING THE BROOKLYN BRIDGE BEING BUILT. CIRCA 1876, HAS WATER STAINING ALONG THE TOP AS PICTURED. THE ONLY OTHER EXAMPLE OF THIS PANORAMIC IM

JOHN MARIN From the Brooklyn Bridge, New York. Watercolor, gouache and pencil on thick, textured wove paper, circa 1930. 290x387 mm; 11½x15½ inches. Signed in watercolor on the building faca

HOWARD COOK Brooklyn Bridge. Oil stick and chalk on beige wove paper, circa 1940. 692x501 mm; 27¼x20 inches. Signed in oil stick, lower recto. Provenance: Owings-Dewey Fine Art, Santa Fe, with th

CHARLES LOCKE EASTLAKE (1836-1906) AESTHETIC MOVEMENT CHEST OF DRAWERS, CIRCA 1870 oak, with brass handles(106.7cm wide, 99.5cm high, 60.3cm deep )Literature: Eastlake, Charles L. Hints on Household T

CHARLES LOCKE EASTLAKE (1836-1906) DRESSER, CIRCA 1870 oak, with brass fittings, carved inscription CONFIDE/ RECTE/ AGENS(152cm wide, 205cm high, 64cm deep)Literature: Eastlake, Charles L. Hints on Ho

The nickel-plated steam engine with brass plaques and brass steam whistle is in good, complete, working condition. The brass plaque on the base is patent dated 1894, a year after Charles Cretors intro

Charles Tisch (New York, NY, active 1870-1889) Aesthetic Movement Cabinet circa 1884 rosewood, brass, mother-of-pearl, inlays of various woods the cabinet with Aesthetic Movement inlay decoration, Ion

American Colonial Revival Mahogany Tall Case Clock, Charles Korfhage, Bay Ridge, Brooklyn, New York, Circa 1890. The broken arch pediment centering a tall urn flanked by urn and spire finials, above t

André Sornay (1902-2000)Pair of Bridge armchairsOak wood, Oregon pine, fabric and brassCreation date: circa 1935H 89 × L 53 × P 45 cmBibliography:- Signed Sornay, A. Marcelpoil, Galerie

Charles-Edouard Jeanneret-Gris(Le Corbusier) (1887-1965)MirrorWood and mirror glassManufactured by the Établissements Charles BarberisModel created circa 1950H 53,5×L 70×W 10,5cmProvena

After Marc Chagall (1887-1985) By Charles Sorlier Le Coq et l'Horloge (Sorlier 49) Etching and aquatint in colours, circa 1950, on Rives BFK wove paper, signed and numbered 64/300 in pencil, published

DAVID CHARLES JENKINS (British 1867-1916) A PAINTING, "A Summer's Day at Sefton Park," CIRCA 1910, oil on canvas, signed L/L, "David C. Jenkins;" 72" x 48", framed 77" x 53". Exhibited: Liverpool Autu

Gerhard H. Welcher (Swedish (Eskilstuna), active late 18th and early 19th century, circa 1790. A charming Swedish Gustavian (1772-1809) tall case or longcase clock in the traditional Swedish Mora comt

Paquil Laguna de Bay, Manila signed and dated 'C.W.Andrews/1857' (lower right); bears inscription 'L.R Bell (H.V.B's father)/& Georgina Bell " Aunt/Seated/Paguil Lagunade Bay/Manila - Dec. 25th 1857'

Charles Kenneth Sibley (American, 1921-2005), circa 1970, oil on canvas depicting an abstract dining room scene with a birdcage, signed l.l., 20" x 28" canvas, 26 3/4" x 34 3/4" framed.

Tiffany Studios (American, active 1878-1933) Desk Lamp Model #419, New York, NY, circa 1910 Favrile glass, patinated bronze Shade with engraved signature: "L.C.T." Lamp base signed with impressed mark

Artist: Charles Levier, French (1920 - 2003) Title: Femmes au Bar Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 30 x 24 in. (76.2 x 60.96 cm)

A George III Sterling Silver Four-Light Epergne Robert Gainsford, Sheffield, circa 1818 Provenance The collection of Charles Custis Harrison by 1929,Thence by descent to George L. Harrison Jr. by 1931

circa 1750; elaborately carved giltwood wall brackets in the chinoiserie manner, 15 in. L., 11 in. W.; From the Estate of Charles E. Scarlett, Jr., contents of Whitehall, a National Historic Landmark,