Charles Meryon (French, 1821-1868) Entree du couvent

Charles Meryon (French, 1821-1868), "San Francisco," 1856, steel etching, plate signed lower left, image: 8.75"h x 38.75"w, overall (with frame): 15.75"h x 47"w

Charles Meryon (French 1821-1868) Le Pont au Change (Schneiderman 40 v/XII) etching with drypoint, 1854.   6 3/16 x 13 3/16"

CHARLES MERYON (FRENCH, 1821-1868) LE PONT AU CHANGE, PARIS Etching on paper, framed, 6 1/4' x 13 1/2' sight size, 12 1/4' x 19 1/2' frame size. Footnotes: OVERALL CONDITION: Fair. Stains throughout,

Charles Meryon (French, 1821-1868). Apse of Notre Dame. Framed dimensions approximately 15 x 20 inches. Hand pulled Copper plate etching on wove paper after the original by master etcher Amand Durand

*Charles Méryon (French, 1821-1868) Le Pont Neuf, Paris, 1853 etching; seventh state 6 1/2 x 6 1/2 inches. Estimate $300-500 Framed: 15 1/4 x 13 3/4 inches. Property from The Estate of Anne Haffner,

*Charles Méryon (French, 1821-1868) Tourelle, rue de la Tixeranderie, 1852 etching; third state 9 1/2 x 5 inches. Estimate $500-700 Literature: Schneiderman 24 Framed: 18 x 12 1/2 inch

Charles Meryon (French, 1821-1868). "Pont-Neuf", etching and drypoint on laid paper, later state of 10, unsigned. Print depicting a view on le Pont-Neuf, the oldest standing bridge across the Seine Ri

Charles Meryon (French, 1821-1868), "La Pomp Notre Dame", etching on paper, 7th State, edition of 600, signed in plate, measures 6-1/2" x 9-3/4" pl, 12-7/8" x 19-1/2" sheet, good coniditon

Charles Meryon (French 1821-1868)- ''Rue des Mauvais Garcons, Paris'' (Delteil 27iii)- etching, 1854, 2 hinge remnants upper corners, well away from image. 4 7/8 x 3 3/4''

Charles Meryon (French, 1821-1868), Old Paris Ten Etchings by C Meryon Reproduced on Copper by the Autogravure Process and Accompanied with Preface and Illustrative Notes by Stopford A Brooke MA, Whit

Charles Meryon (french, 1821-1868) The Abside of Notre Dame Paris, english 19th C engraving on laid paper, 5" x 9 3/4" for the image and 13 1/2" x 10" for the sheet, for condition see pictures.Dimensi

Charles Meryon (1821-1868). Le Pont-au-Change, Paris. Vintage etching on laid paper after the original by a Master Etcher.Year: 1926. Signed in the plate, lower left. Plate size 6 1/2 x 13 1/2 inches.

Charles Meryon (1821-1868), Eaux-Fortes sur Paris, complete portfolio, Edition Mazarene, Paris, 1926, pencil numbered from the limited edition of 611, containing 20 plates including the portrait of Me

Charles Meryon (1821-1868). Tourelle dite de Marat. Vintage etching on laid paper after the original by a Master Engraver. Year: 1926. Plate size 5 1/4 x 8 3/4 inches. Framed dimensions approximately

Charles Meryon (France, 1821-1868). This lot contains two etchings: Le Ministere de la Marine ("The Admiralty"), published by Cadart & Luquet; and New Zealand - Presqu'ile de Banks, Pointe des Charbon

Charles Meryon (France 1821-1868). 2 etchings. Notre Dame, signed in the plate below the image, plate 4 1/4" x 7 3/4" (sheet 8 5/8" x 11"); The Admiralty, plate 6 3/4" x 5 5/8" (sheet 10 7/8" x 8 5/8"

CHARLES MERYON (FRENCH, 1821—1868), ETCHING, PLATE SIZE: H 6 7/8", W 10 15/16", "LA POMPA NOTRE DAME" :From the Schniederman Collection; image 6 1/4" x 9 1/2"; signed in the plate lower left; i

Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after Della Bella) 1860. Etching by French ar

BAUDELAIRE, Charles (1821-1867) - Andre DIGNIMONT (1891-1965). Les Fleurs du Mal. [Paris]: Editions De La Maison Française, 1947. Quarto. (11 1/8 x 8 7/8 inches). 225pp. Text in French. Color illustr

Alfred Charles Foulongne (French, 1821-1897) The Sleeping Beauty Oil on canvas. Signed Foulongne in lower right corner. 18" x 25"; framed 25" x 33" in a period plaster frame with one corner damaged.

Charles Hoguet (French, 1821-1870) After the Storm. Oil on canvas, signed and dated '59 lower left. Cleaned and restored by the Chicago Conservation Center, 1999 Canvas: 29.5" x 44.5" Frame: 35" x 50"

Porcelain Plaque Assortment (3) 19th century items, all oval format, including a German made after Charles Landelle (French, 1821-1908) of the title character of the opera 'Mignon', depiction of a Rom

Item/Description: Original, petite landscape oil painting on panel. Titled: "Daily Life on the Lock". Signed lower right. Jules Charles Rozier (French, 1821 - 1882) Material: Oil on board Dimensions:

Victor Charles Edouard Adam (French, 1868-1938). An oil on canvas maritime scene titled "Rescue of the crew of Mary A Troop by Capt. Band, February 28th 1904". Signed lower right and dated 1907. Gilt