Cibachrome Print, "Blue Pond," Tom Blagden

Titled "Sweet Gumm Reflections, Four Hole Swamp, S.C.," and "Silicorna, Spatina & Juncus, S. Inland, S.C." RDA# 70065 and 70066 Bin# 124 Sight size: 19-1/2"h x 13"w

RDA# 19314 Bin# 131 Sight size: 13"h x 19-1/2"w

Miguel Rio Branco, photograph, Miguel Rio Branco (Brazilian, b. 1946), "Red and Blue", Cibachrome print, re-numbered 1/5 (originally 1/7) on gallery label verso, purportedly signed, titled and numbere

Abe Frajndlich (German 1946- )- ''Tom Wolfe, NYC''- vintage cibachrome print, signed, titled, dated and copyrighted by the photographer in felt-tip pen on the verso very good condition. 11 3/4 x 9 3/4

RED VELVET POSE #1 STRETCH, c. 1989, Cibachrome print, printed and published by Mirages Editions, Santa Monica, 40 x 30” mounted to Plexiglas, frame 45 x 35” with Plexiglas.

Robert Bateman (Canadian, born 1930). Print on paper. Great Blue Heron in Flight. Mill Pond Press, numbered 104/950 lower left, pencil signed lower right. Printed in U.S.A. Unframed with original MPP

TOM KELLEY SR. (American, 1914-1984), "Marilyn," Marilyn Monroe #1 (from Red Velvet Calendar Sessions), cibachrome photographic print, (approximate dimensions - sheet (sight): 35 1/2 x 28 inches); num

Authentic Tom Everhart Print, unframed dimensions approx. 12 x 8 Inches.

Title: Tom Ford Luxury Blue 275mg Pill (Pink Background Version) Artist: Mr Clever Art Size: Approximately 18"X 24" Inches With 4 Artist Hand Deckled Edges. Specs: Fine Art Print On Luxury Rag Archiva

cut pieces with plant and animal elements of a coy pond. Inside is a striking cobalt blue with gold trim where the lid sits. Lids finished with detailed, gold color metal coy tops. The third piece of

MARILYN MONROE "RED VELVET No. 2", Signed TOM KELLY: Limited Edition #10/300 Signed LR in Silver Ink. Done in the CIBACHROME a Highly Desirable High Gloss Finish Print Process that is Collectible in I

Very good sight condition as shown. "Blue Lotus" lithograph by Joy Dunn depicting a Geisha girl lying by a pond under wisteria blooms. Pencil signed "joy" and numbered #184/225. Approx. sight size 15"

Bright red, pink and blue in an embossed free-form shape. Pencil signed and named by artist, but illegible. The number 37/50 and date '72 are written clearly along the bottom in pencil. Frame is 40.5

S&N George Rodrigue Absolut Rodrigue Print Blue Dog. The "Absolut Rodrigue" silkscreen print is signed and numbered by the artist. This print is #164 out of #200. The print is approx 26&#

Andres Serrano (AMERICAN / NEW YORK, Born 1950) cibachrome print on paper titled "The Church". Signed to verso. Mounted in a black painted wooden frame behind acrylic screen. Paper measures approx. 39

#10 Of 50

Tom Wesselmann (American 1931-2004) ""Jeannie's Backyard Easthampton "" 1989 screenprint pencil signed lower right edition 88/100 published by International Images Inc. Putney Vermont image: 53""h x 6

Estate / Collection: An Important Private Collection from a Prominent Southern Family SERRANO, ANDRES (b. 1950) Crucifixion, 1987. Cibachrome print face-mounted to Plexiglas,

Andres Serrano Pieta II 1990cibachrome print mounted to Plexiglas in artist's frame 40 h × 60 w in (102 × 152 cm) Signed, titled and numbered to verso 'Andres Serrano Pieta II 1/4'

THOMAS DEDECKER (American b. 1951) A PAINTING, "The Blue Pond," oil on canvas, signed L/L. 38" x 50"

Nan Goldin Greer's Life, Chicago 1996cibachrome print mounted to Sintra image: 25.875 h x 38.5 w in (66 x 98 cm) sheet: 27.625 h x 40 w in (70 x 102 cm) Signed, titled, dated and numbered t

NAN GOLDIN (*1953) | ‘James and Kyle backstage’, Magaschoni Show, New York 1995 | Cibachrome print, printed later, in perfect condition From the series ‘James King, supermodel’

Annie Leibovitz (American, b. 1949) Rodney Dangerfield, New York , 1980 cibachrome print signed, dated, titled, and numbered 13/20 in ink (recto) 14 x 14 inches. Provenance: Magidson Fine Art Gallery,

Paul Fusco (1930-2020) Untitled (Woman with Daisies) from 'RFK Funeral Train', 1968 Cibachrome print, printed later; signed, titled, and dated in ink on the reverse, framed, a Bonni Benrubi Gallery la