Circle of Adolf Stademann (1824-1895) German. A Dutch

Adolf Stademann (German, 1824-1895) beautiful oil on panel depicting numerous (30+) people skating on the ice, playing with dogs, etc., windmills in the background indicate possibly Dutch setting, sig

Adolf Dehn (American, 1895-1968) Potted Palm Hour, 1924 Ink on paper 19 1/4" x 13 1/2"   Signed and dated to the bottom right, titled to the reverse. The glazed frame mea

Group of five various prints: two etchings by Johan Jongkind (Dutch, 1819-1891); lithograph by Adolf Dehn (American, 1895-1968); together with two etchings signed illegibly; 15 1/4&#34

Caspar Netscher (German,1639-1684) Circle Of. Titled: The CookDimensions: 11 3/4" X 8 1/2" and 23 1/2" X 20 1/2" framed.17th c. Dutch Golden Age period painting. German ownership, gallery and ownershi

The Franz Anton Mehlem Factory, 1895-1910. Handwritten "3901 4/11 Royal Bonn Old Dutch D. 145 Germany" in black paint, impressed shape number "2562." Height 12.75 inches, diameter 9 in

Larger 11 inch plate with German text ( not discerned) and dated 1841, white slip glaze with circle of flowers, 10 inch diameter Redware plate, under glaze decorated with lines and florals* larger pla

Gerard Adolfs (Dutch, 1898–1968) Figures in Arabic Market Signed 'Adolfs' bottom left; also signed, dated '63', numbered '783' and titled 'Ruelle à Maroc' verso, oil on canvas23 1/2 x 31 1/

Gerard Adolfs (Dutch, 1898–1968) Couleur Arabe; together with a companion (Young Boy from Madera) The first: Signed 'Adolfs' bottom left; also signed, dated '62', numbered '710' and titled verso

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Parsons and Atwater.The City of Philadelphia.Lithograph with original hand color.New York: Currier & Ives, 1875.24" x 34"

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Parsons and Atwater.The City of St. Louis.Lithograph with original hand color.New York: Currier & Ives, 1874.28 1/4" x 39

FLEISCHMANN, Adolf, (German, 1892-1968): "Toomoo 3", abstract composition Gouache/Paper, signed, titled, and dated 1960 lower right, 25.25" x 18.5", framed 33" x 26.5". Not examined out of frame.

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Durrie.Autumn in New England. / Cider Making.Lithograph with original hand color.New York: Currier & Ives, 1866.18 1/4" x

Henry Pierre Picou (French 1824-1895), Oil on canvas, The Fortune Teller. Signed Henry Picou 1872. (Approx. 24" x 31.5"). In a gilt wood frame. (Overall: 30" x 37.5").

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895).Midnight Race on the Mississippi.Lithograph with original hand color.New York: Currier & Ives, 1875.10" x 13 1/4" visible; 20 1/4

Henry Pierre Picou (French, 1824 - 1895) La Fuite Oil on canvas. Signed lower right. 28" x 20"; framed 35" x 27" Provenance: Christie's London, Sale 5813, March 23, 2005 lot 141

(1829-1895 Dutch) Portrait of elegant woman, framed oil on cradled wood panel, signed lower left, approximate image size 11 5/8" x 8 1/2", frame 19" x 17".

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Eastman Johnson and on stone by C. Severin.Husking.Lithograph with original hand color.New York: Currier & Ives, 1861.23 1

Attributed to Henri Pierre Picou (1824-1895, France), "The Lovers," 19th c., oil on canvas, unsigned, presented in a William Kent style frame, with artist plaque on bottom, H.- 30 1/2 in., W.- 23 1/4

(1829-1895 Dutch) Portrait of elegant woman, framed oil on cradled wood panel, signed lower left, approximate image size 11 5/8" x 8 1/2", frame 19" x 16".

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Eastman Johnson and on stone by C. Severin. Husking. Lithograph with original hand color. New York: Currier & Ives, 1861.

CURRIER, Nathaniel (1813-1888) and IVES, James Merritt (1824-1895), After Arthur F. Tait (1819-1905). Arguing the Point. Lithograph with original hand color. New York: Currier & Ives, 1855. 22 7/8" x

A German or Dutch late 18th century mahogany, purpleheart, ebony, plum, fruitwood and stained sycamore marquetry tric trac or games table 1775-1790 The detachable quarter veneered top with rounded ear

Adolf Humborg. German. "The forager's mishap". Large exterior genre scene of monks in a monastery observing a fallen monk being towed by a pig and basket of broken eggs. Oil on canvas. Framed. Signed

This lot consists of hand painted oil on canvas dated to the 18-20th century. The lot depicts a women portrait illustration done in the style of Rembrandt Harmenszoon van Rijn one the most important a