Clare Leighton (1898-1989), "The Net Menders,'' 1933, Wood engraving on laid paper, Image: 6.125" H

Clare Leighton(1898-1989)"The Net Menders,'' 1933Wood engraving on laid paperEdition: 136/200Signed, titled, dated, and numbered in pencil in the lower margin: Clare Leighton; with the printed ti

Clare Leighton(1898-1989)"Winnowers, Majorca," 1939Wood engraving on laid paperEdition: 68/200Signed, titled, and numbered in pencil in the lower margin: Clare Leighton; with the printed tit

Clare Leighton (1898-1989) "The Net Menders'' (Fletcher 247)- wood engraving, 1933, signed, dated, titled and numbered 105/200 in pencil, This was the 1933 Presentation Print, 4th Publication of The W

Clare Leighton (American 1898-1989)- ''The Net Menders''- wood engraving, signed, titled and numbered 79/300 in pencil. 6 3/8 x 4 5/8''

20th Century American School PrintsThree works:Clare Leighton, R.E., A.N.A. (1898-1989)"Gaspé Fisherman," 1948Wood engraving on laid paperFrom the edition of 200Signed and titled in pencil in the low

CLAIR LEIGHTON (BRITISH/AMER, 1898-1989) WOOD ENGRAVING ON PAPER, H 6.75", W 4.75", "THE BLUEBERRY PICKERS" A limited edition wood engraving on wove paper titled "The Blueberry Pickers" by Clair Veron

"Sowing" from the Farmer's Year series, unsigned and laid down. Dimensions: Sight is 9" x 10 1/2", the frame is 15" x 17".

Clare Leighton (British-American, 1898-1989) Winnowers, Majorca. Wood engraving dated to 1937, pencil signed lower right, titled, and numbered 57/200, printed on thin Japan paper, sheet measures 7 3/8

Leighton, Clare (1898-1989) I: Cutting, from the Lumber Camp Series. 1931.Wood engraving on off-white Japanese paper, copy number sixteen from the English edition of thirty, signed lower right, number

Clare Veronica Hope Leighton (1898-1989) Breaking Camp 1931 The wood engraving from Claire Leighton's Canadian Lumber Camp Series is numbered 94 from an edition of 100 prints. The artist has signed th

Claire Leighton (British/American, 1898-1989) "New York Bread Line", wood engraving, edition 17 of 100, titled and signed. Title and artist signature in pencil, lower right. Sight size: 12.375" x 8.7

Artist: Kent, Rockwell (American, 1882-1971) Title: Lovers Date: c. 1928 Medium: wood engraving on paper Dimensions: image: 6.5 x 10 inches, sheet: 13 x 15 inches Edition: 23/100 Descrip

MAURITS CORNELIS ESCHER (Dutch 1898-1972) Dragon, 1952 Wood engraving Image: 12 1/4 x 9 1/2 inches / 31.11 x 24.13 cm; Sheet: 14 3/8 x 11 3/4 inches / 36.51 x 29.84 cm Signed lower left: MC Escher. In

Pablo Picasso Le Repos du Sculpteur IV (from La Suite Vollard) 1933etching on Montval laid image: 7.5 h × 10.5 w in (19 × 27 cm) sheet: 13.375 h × 17.5 w in (34 × 44 cm) Signed to lowe

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

ALBRECHT DURER (GERMAN, 1471-1528), ETCHING ON LAID PAPER, H 12 3/4" W 8 3/4" "HERCULES AT THE CROSSROADS" Engraving, on laid paper, without watermark, with the scratches across the jawbone and the ri

HENRI MATISSE (FRENCH, 1869–1954) INK DRAWING ON LAID PAPER, 1912 H 7.25", W 10.75" (IMAGE), STUDY OF CATTLE Signed and dated lower right. Examined by Senior Vice President of Impressionist and

Paul Landacre (American, 1893-1963), Growing Cornwood engraving on Japan paper, 1932, pencil signed, titled, and numbered 60/60 lower margin, sheet bears blindstamp at lower right, unframed. Image siz

Puddle, 1952 Color woodcut on thin, laid, Japan paper under Plexiglas Signed and inscribed in pencil in the lower margin: M. C. Escher, and "eigen druk" Image: 9.375" H x 12.5" W; Sheet: 12" H x 16

Wolf Kahn (German/American, 1927-2020) "Slender Pines" pastel drawing on paper depicting a landscape scene, signed center below, housed under glass in a wood frame. Image: 22" H x 29" W; frame: 34.5"

ERIC ORR (CALIFORNIA, 1939-1998) ENGRAVINGS ON WOVE PAPER, GROUP OF 2, H 16.25-16.5" W 12.25-12.75" (IMAGE) UNTITLED On watermarked paper 'GVA RRO'. Each signed in pencil, dated '89 and numbered 6/25

Sam Gilliam Fragrance (from Tulip series) 1989collage with wood block print in colors, paint and encaustic on handmade paper with marble constructions in wood frame 48 h × 47 w × 6 d in (

David Hockney Man Reading Stendhal Ships from: London, UK 1986 Homemade print executed on an office color copy machine on 100% Rag Arches Text 120g laid paper Image/sheet: 14 x 8 1/2 in. Edition of 60

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9