clock machinery; Germany; End of the 17th century. Ormolu. Requires restoration. Inscription "Georg

Clockwork; Germany; Late 17th century. Gilt bronze. In need of restoration. Inscribed "Georg Franz Johrde Linz". Measurements: 9.2 x 9.2 cm. Conical columns join the two round plates in the mechanism,

Carriage clock; late 19th century. Gilt bronze. 8 days winding. Aiguilles movement. Needs restoration. Measurements: 9,3 x 5,3 cm. Travel or carriage clock with a gilded bronze structure, decorated wi

Walnut veneer case. Decorated with marquetry of birds and flowers.Ir requires revision. Alterations to the wood. 214 x 46 x 24 cm.

A german red tortoiseshell, ebony, silver, ormolu and paste gem mounted prunkuhr case.Late 17th Century.Of tabernacle form, modelled with a female figure to the cresting,.flanked by figures of angels

A Le Ore (Italy) handmade "Art Inlay Clock" based on a 17th century design by Giovanni Battista Foggini and Bathasar Permoser. Italian, late 20th century. Outfitted with a Franz

Europe, Austria or Germany, ca. 17th century CE. An impressive wooden, iron-bound chest that instantly conjures adventure and intrigue. Flanked by a pair of heavy iron handles, the exterior of the rec

Europe, Austria or Germany, ca. 17th century CE. An impressive iron chest that instantly conjures adventure and intrigue. Flanked by a pair of heavy iron handles, the exterior of the rectangular vesse

**First Time At Auction** Europe, Germany, ca. 17th century CE. A heavy Wiebelhausen brand broad axe head, made of iron, with a maker's mark "WIEBELHAUSEN G.M.B.H." and a bottom line that is difficult

Huge ceramic Sicilian vase (Albarello of cylindrical form), Italy end of 17th Century, Diameter: cm 29, H: cm 43 (Diameter: 11,4 inch, H; 16,9 inch)

An exceptional tower monstrance, Germany, 16th and 17th century. Late gothic period.  the monstrance is an assembly of a younger base (17th C) and an older top (16th C, or earlier). During the 19

FWM 1693 - Hand Wrought Posts with Brass Cut-Outs on Top. Hinged Gate. Size 5 1/4" x 6 1/4"

Colonial School. Cuzco. Peru. End of the 17th century. "Devil" Oil on canvas. This could be a devil from the allegory of the "Torment of the Evil Tongues"53 x 66 cm.

Centerpiece in the shape of a deer Sibiu at the end of the 17th century, hallmarked JO (Johannes ONG(J)ERT junior, 1689-1734) silver, gilded, cast, embossed, chased, engraved; Coral. This piece was de

Venetian school from the end of the 17th century, beginning of the 18th century. "The Bonaventure. Oil on canvas. Re-coloured. Size: 115 x 90 cm; 138 x 113 cm (frame). The theme of the good fortune ha

Germany, Bavaria, 16th to 17th century. Large pair of turned brass "pricket" candlesticks. Each resting on 3 recumbent lions with tiered sections, large upper pan and central pricket to hold the actua

**Originally Listed At $500** Western Europe, Germany, near Cologne, ca. 17th century CE. A lovely pottery jug which was fired at a relatively high temperature - hence the name "stoneware" - and decor

Germany, most likely Bavaria, 17th century CE (and we think dated 1686). Wonderful rectangular "strong" box, probably used for collecting alms within the church, with scalloped sides, turned feet and

**Originally Listed At $500** Northern/Central Europe, Germany, ca. 17th to 18th century CE. A fine pitcher built from blue-glazed white pottery known as westerwald stoneware with a flared foot and a

**Originally Listed At $300** Western Europe, Germany, ca. 17th to 18th century CE. A collection of 6 lithographs depicting conflict and military conquest of Europeans, likely Germans, against what mi

Rotterdam: Abraham Migoen, 1610. Small 4to, second edition, many woodcut illustrations (no volvelles are called for in the second edition), 17th century vellum, early ownership inscription (dated 1676

An interesting oak trestle-end table Late 16th / early 17th century The twin plank top with rounded ends, on trestle end supports united by two later stretchers, 167cm wide x 79cm deep x 74cm high, (6

17th century, in ebony case, signed Fromanteel, 8-day movement with anchor escapement and seconds pendulum, striking mechanism on 2 bells, with 3 gilded wooden spheres on the hood, 229 cm. tall.

A late 17th century walnut longcase clock John Knibb Oxford The flat-topped cornice over a blind fret on gilt-brass mounted Doric columns over a 42 inch long door with circular lenticle, on a panelled

EDWARD NORRIS, LONDINI FECIT. A LATE 17TH CENTURY 10Ó LONGCASE CLOCK MOVEMENT IN LATER BURR WALNUT CASE the hood with moulded pediment and pierced frieze above a glazed door flanked by barley twist s