CUT OVERLAY MOORISH WINDOWS ON TRIPLE-DOLPHIN BAS

CUT OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, white to ruby pyriform font, with gilt decoration highlights, translucent jade green Baroque base with gilt decoration bands, brass connector, No. 2 fi

CUT OVERLAY MOORISH WINDOWS COLOGNE BOTTLE, white to colorless, square sharp-shoulder form with pattern repeated twice on each side, panel-cut shoulder and neck, factory-polished flanged mouth, and fl

Cut Overlay Moorish Windows Kerosene Pedestal Lamp. White to ruby pyriform font, brass stem and marble base. Attributed to Boston & Sandwich Glass Co. (and others), circa 1860-1880. 18"h. overall incl

BOHEMIAN CUT OVERLAY MOORISH WINDOW AND QUATREFOIL SALT AND PEPPER SHAKERS, LOT OF TWO, opaque white to translucent blue, tall shouldered form, period lids, polished pontil marks. Second half 19th cen

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

CUT DOUBLE OVERLAY MOORISH WINDOW AND TREFOIL COLOGNE BOTTLE, deep blue to white to colorless, pyriform with punties cut around the shoulder ring and foot, tall panel-cut neck, factory-polished flange

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising three cut overlay examples, including a white to ruby Moorish Windows, a white to colorless Washington, and a ruby to colorless floral ex

BOHEMIAN CUT OVERLAY GOBLET, deep ruby to colorless, waisted bowl finely engraved with a recumbent stag and deer in a landscape, reverse cut with a Moorish window and fleur-de-lis ornament, additional

ASSORTED CUT OVERLAY COLOGNE BOTTLES, LOT OF THREE, shades of rose/ruby to colorless, including All-Over Diamond and Moorish Window and Leaf examples, two with non-original stopper. Boston & Sandwich

White Cut to Blue Overlay Oil Lamp circa 1860. White overlay on powder blue opaline with Moorish window pattern base. With period burner, engraved shade, and chimney. Ht. 25 3/8 in. The lifelong colle

SANDWICH GLASS TRIPLE CUT OVERLAY LAMPMid-19th CenturySalmon cut to white cut to clear. Original brass collar. Fluted brass stem. Double stepped marble base.Height 11.5".

An unusual example of a well known pattern, this Moorish Windows has an extra cut added to the middle part of the fancy windows. The colours contrast well and it displays on a typical brass and marble

CUT DOUBLE OVERLAY HOURGLASS WINDOW AND PUNTY COLOGNE BOTTLE, deep blue to white to colorless, waisted form with panel-cut neck, oval-cut neck ring, and flanged mouth, raised on a slight foot with pol

JOHN DEACONS (SCOTTISH, B. 1950) CUT TRIPLE-OVERLAY CLOSE-PACK MILLEFIORI STUDIO ART GLASS PAPERWEIGHT, yellow to opaque white to pink to clear, cut-faceted with thin prism cuts just below a circular

Bohemain cranberry cut glass triple overlay decanter w/stopper, 11" ht., perfect condition

Oak Plant Stand with Moorish Window style Cut-out Legs & 6 Sided Top, Measures 21" H x 16.25" W, Nice Condition.

Second half 19th century. Triple overlay cobalt and white cut to cranberry, base chips, 4.5"h. Green and white swirl with brass lid, missing interior stopper, 4"h. Paneled cut blue opalene, 4.5"h. Cra

CONTEMPORARY BACCARAT MT. RUSHMORE SULPHIDE CUT OVERLAY PAPERWEIGHT, cobalt blue base, eight cut windows to the sides, acid-stamped signature, numbered "540/1000" and dated "1976". Comes with original

CONTEMPORARY CUT OVERLAY MUSHROOM MILLEFIORI PAPERWEIGHT, with five cut windows and the base cut to clear, millefiori interior, applied latticinio snake to the top. Maker unverified. 20th century. 3"

CONTEMPORARY BACCARAT JAMES MONROE SULPHIDE OVERLAY PAPERWEIGHT, top window cut with alternating window and complex star cuttings, cut and rayed base, acid-stamped signature. Comes with original box a

BOHEMIAN CUT OVERLAY AND ENAMEL DECORATED PAIR OF MANTLE LUSTRES, opaque white to green with overall gilt decoration, each having Moorish top rims with spaced opal portraits of period men and women wi

American. 1840 -1850s. Glass, pewter. Cranberry rough cut to colourless ball shade. Triple tubed pewter fluid burner. From the Keith Dill Collection. 2 ½”D shade ring, thread size .985".

BOHEMIAN CUT-OVERLAY GLASS STEINS, LOT OF TWO, opaque white to colorless, comprising a Moorish cut cylindrical form and engraved stating "Karl Wiesekel/Bur Crinerung an Nurmberg", and a flor

BOHEMIAN CAMEO AND CUT GLASS TUMBLE-UP AND UNDERPLATE, opaque white to colorless, tumble-up with a punty and Moorish Windows motif, original stopper, each with a matching fine Vintage cameo decoration