Dane Clark (b. 1934), "Village & Blossoms"

Dane Clark (b. 1934), titled "Village & Blossoms", acrylic on canvas, framed frame: 34"h x 34"w Provenance: The Estate of Barbara "Babs" Baugh (San Antonio, Texas) We ha

Dane Clark, "Autumn Shadows", pointillism, oil on canvas, framed frame: 24"h x 30"w Provenance: The Estate of Barbara "Babs" Baugh (San Antonio, Texas) We happily provide seamless shipping services

DANE CLARK (American b. 1934) A PAINTING, "La Vita Homestead," oil on board, signed L/L. 24" x 30"

Richard Schmid (american, b. 1934) Village Near Camogli, Italy, oil on canvas, signed Schmid (lower left) 14 x 16 inches Estimate $4,000-6,000 Appears in overall good condition, light surface dirt.

Dane Clark (American/Hawaii, born 1934). "Go Red Go", acrylic on panel. Signed lower left; Breckenridge Gallery, Colorado on verso. Framed. Approx. 28.75" x 30.75" (frame), 24" x 26" (panel)

NEW YORK TIMES PORTRAIT, 1969, acrylic and collage on panel, signed and dated lower left, 24 x 18â€, framed. From the collection of Yale Udoff.

MICHAEL RAGO OCTOBER 10, 1997, watercolor on paper, signed lower right, titled upper right, 30 x 22”, frame 34 ½ x 26 ½” with glass.

SUZANNE, 1987, watercolor on paper, signed and dated and titled upper center right, 30 x 22", framed. Provenance: Gifted by the artist to the present owner and sitter.

PUERTA DEL CIELA, 1991, acrylic painting and watercolor on color screenprint (edition 150), signed and dated and inscribed Venice lower left, 14 ½ x 31”, framed, in apparently good studio condition

NEAR BAKERSFIELD, oil painting on canvas, signed lower right, 24 x 32â€, in carved gilded wood frame, in good studio condition.

CHAMBER MUSIC LOS ANGELES series, 1988-1991, two color prints, both signed in pencil, the first numbered 62/150, the second inscribed AP (artist’s proof), images, 21 ¼ x 21” & 23 &#18

HARLEQUIN, 1994, cold-painted bronze sculpture, signed and dated and titled, numbered 13/50, size 20 x 9 x 6 3/4", mounted to base overall 22 1/4" tall.

UNTITLED, painted and textured ceramic plaque artist mounted to wood, signed on the verso, 14 ½ x 10 x 2”.

UNTITLED (Flowers in White Pot), 1989, oil painting on canvas, initialed and dated lower left, 20 x 25”, welded metal frame 21 ¾ x 26 ¾”.

SMALL WOODS WHERE I MET MYSELF (final version), 1967, gelatin silver print, initialed and dated and titled in pencil on mat, sight 10 ½ x 13 ½”, frame 16 ¼ x 20 ¼”.

FOG RIVER IV, color lithograph, signed and titled and numbered 78/79 in pencil, sheet 16 ¼ x 18”, frame 24 x 25 ½”.

Jose Luis Cuevas UNTITLED, 1972, color lithograph with collage, signed in pencil, numbered 30/50, sheet 30 x 22”, published by LACMA/ Graphic Arts Council; Together with Artist Unidentified IL DIBBU

HARMONY, acrylic painting on canvas, signed lower right, 24 x 30”, frame 32 ¼ x 28 ¼ x 1 ¾”.

SNOW I from the Pond Series, 1982, painted Raku ceramic plaque artist mounted to wood, signed on verso, signed, 20 ½ x 23”.

UNTITLED, glazed Raku ceramic plaque artist mounted to wood, signed on the verso, 19 x 20”.

UNTITLED, glazed Raku ceramic plaque on two adjoining pieces artist mounted to wood, signed on verso, 20” diameter.

BALANCING MEN, a pair of fabricated metal sculptures, both signed and dated 69 & 71 respectively on wood bases, 25 ¾” & 19” tall. Provenance: acquired directly from artist by presen

Set of eight ceramic plaques, each artist mounted to wood panel, each numbered on back for hanging order, the eighth signed on verso average 10 ½ x 10 each ½”. (8)

GREEN TEAPOT, glazed ceramic lidded teapot with single handle, signed, 10 ½ x 9 x 3”; CHECKBOARD, glazed ceramic Rhombus shape vessel, signed, 3 x 12 ½ x 7”; GREEN VESSEL WIT