Dighton, Richard C1825 Caricature. A London Nuisance 01

"Passing a Mud Cart" Plate 1. Etching Published 1821-30 by Thomas McLean, London for "A London Nuisance" Series. Drawn and Etched by Richard Dighton. Paper Size: 15 x 10.5 inch (38 x 27cm) Good Condit

"One of the Advantages of Gas over Oil" Etching Published 1821-30 by Thomas McLean, London for "A London Nuisance" Series. Drawn and Etched by Richard Dighton. Paper Size: 15 x 10.5 inch (38 x 27cm) G

"A Pleasant Way to Lose an Eye" Plate 04. Etching Published 1821-30 by Thomas McLean, London for "A London Nuisance" Series. Drawn and Etched by Richard Dighton. Paper Size: 15 x 10.5 inch (38 x 27cm)

"A Heavy Fall of Snow" Plate 02. Etching Published 1821-30 by Thomas McLean, London for "A London Nuisance" Series. Drawn and Etched by Richard Dighton. Paper Size: 15 x 10.5 inch (38 x 27cm) Good Con

"One of the Advantages of Oil over Gas" Plate 03. Etching Published 1821-30 by Thomas McLean, London for "A London Nuisance" Series. Drawn and Etched by Richard Dighton. Paper Size: 15 x 10.5 inch (38

"An Unlucky Hit" Plate 06. Etching Published 1821-30 by Thomas McLean, London for "A London Nuisance" Series. Drawn and Etched by Richard Dighton. Paper Size: 15 x 10.5 inch (38 x 27cm) Good Condition

RICHARD DIGHTON A LONDON NUISANCE Aquatint of MAN 1821, inscriptions to lower bottom read BY G HUMPHREY, verso reads RICHARD DIGHTON, shows a a man pouring oil out of a watering can and onto another m

RICHARD DIGHTON A LONDON NUISANCE Aquatint of WOMAN 1822, inscriptions to lower bottom read BY G HUMPHREY, verso reads RICHARD DIGHTON, shows a woman who being startled by a man carrying a huge box th

RICHARD DIGHTON A LONDON NUISANCE Aquatint of WOMAN 1822, inscriptions to lower bottom read BY G HUMPHREY, verso reads RICHARD DIGHTON, shows a woman who has been startled after some kind of explosion

A LONDON NUISANCE Aquatint of Man 1821, inscriptions to lower bottom read BY G HUMPHREY, verso reads RICHARD DIGHTON, shows a man getting his eye getting poked, measures 13 3/4 x 16 inches, gilt wood

A LONDON NUISANCE Aquatint of Man 1821, inscriptions to lower bottom read BY G HUMPHREY, verso reads RICHARD DIGHTON, shows a man getting snowed on, measures 13 3/4 x 16 inches, gilt wood frame, surfa

"The Piccadilly Nuisance" Folio Etching Published C1835, London. Drawn and Etched by George Cruikshank. Paper Size: 13 x 9 inch (33 x 23cm) Mounted to modern paper (Stuck down) Margins slightly trimme

A pair of silver pheasant table ornaments Richard Comyns, London 1967 Realistically modelled as a cock and hen with feather-effect chasing, length 34.5cm and 22.5cm, weight 38oz. (2)

A novelty silver owl cruet set Richard Comyns, London 1967 Modelled as standing owls with glass eyes, comprising a salt, pepper and mustard pot with a spoon formed as mouse hanging from the owl's mou

Hamilton, RichardSwingeing London 67 - Poster. 1967-1968. Farboffsetlithographie auf Fabriano. 68 x 46 cn (70 x 50 cm). Signiert. Verso mit typographischer Nummerierung sowie Werks- und Editionsangabe

Third quarter 19th century. Nicely cast finial, handle, legs and feet with brightwork engraving. Monogrammed. Date mark for 1852-53. 16"h. Approx 58 ozt.

Ken Howard R.A. (British, born 1932) Artist and Model signed 'Ken Howard' (lower right) oil on canvas 183 x 152.5cm (72 1/16 x 60 1/16in). Painted in 2002 Footnotes: Provenance

George Wright (British, 1860-1942) GOING OUT Oil on canvas, 22" x 36" Signed Provenance: Richard Green, London

Frank Moss Bennet (1874-1953): Les Litterateurs, the Plantin Museum, Antwerp Oil on canvas, 1951-2, signed 'FM Bennet' and dated lower right, with label from Richard Green, London, lined. 15 x 20 in.,

Oil on canvas, signed and dated 1794 lower left Overall: 33"h x 41"w Sight: 27-1/4"h x 35-3/4"w Provenance: Richard Green, London; Property from the Collection of Mimi Adler

A JAMES II SILVER MONTEITHPOSSIBLY ISAAC DIGHTON (DEIGHTON), LONDON 1688With a shaped border, later engraved with an armorial and scrollwork and on a circular foot26cm (10 1/4in) diameter878g (28.25 o

(British, 1810-1865), 'Over the Brook' and 'Over the Hedge', oil on canvas Each 11-3/4"h x 17-3/4"w overall, 9"h x 14"w sight Provenance: Richard Green, London; Property from the Collection of Mimi Ad

Bodo Sperlein, 'Contour' desk, 2009, H. 74 x 191 x 90.5 cm. Made by Bodo Sperlein Studio, London, in 2015. Smoked oak, CNS shaped (handmade). Marked: Bodo Sperlein London F0-01.

A PAIR OF QUEEN ANNE SILVER CANDLESTICKS by Richard Syng, London 1702, with slightly tapering stop-fluted columns above an embossed slanted gadrooned flange with canted corners, raised on a stepped, d