Edward Hopper "Coast Guard Station, Two Lights, Maine"

Edward Hopper (after) "Coast Guard Station, Two Lights, Maine" lithography print, signed bottom right, numbered with pencil bottom left, limited edition 120/150, bottom left embossing stamp "Georges I

Edward Hopper (after) „Coast Guard Station, Two Lights, Maine” lithography print, signed bottom right, numbered with pencil bottom left, limited edition 121/150, bottom left embossing stam

Edward Hopper (after) "Coast Guard Station,Two Lights, Maine" lithography print, signed bottom right, numbered with pencil bottom left, limited edition 19/150, bottom left embossing stamp "Georges Isr

School of Edward Hopper (American, 1882-1967): The Light House at Two Lights. Oil on canvas board, framed, news paper clipping about Hopper's painting verso. Edward Hopper was an American realist pain

387. MARKLIN SWITCH TOWERS AND STREET LAMP | Two electric switch towers. | 16.5" l. | Guard shack missing semaphore, station w/ramps is missing, one section of fencing has electric light socket added

U.S. LIGHT HOUSE SERVICE WOOL PENNANTEarly 20th CenturyPre-dates the U.S.L.H.S. merger with the Coast Guard in 1939. Triangular flag with a blue lighthouse on a white field with red border. Hoist with

Edward Lear (British, 1812-1888), two drawings comprises: 1.) "Extensive Landscape in the Middle East". Soft pencil and light tan wash on gray/green paper. Marked "Early English drawings and watercolo

Circa. 1905 A monumental 16 Light two tiered hotel lobby fixture, restored to its original antique two tone brass finish. Rewired. Attributed to Edward Miller and Co. Found in Toronto, Ontario. 64"H x

Edward Moran (American 1829-1901), 'Cape Elizabeth Light', circa 1880, oil on canvas, nautical sunset scene depicting the lighthouse at Casco Bay, Maine during rough seas, signed to lower left, in a p

DSP. A very nice example of this great sign from Derby Gasoline. Side one shows outstanding color & gloss, with one chip in the center field, and some light surface scratches. Side two also shows outs

Edward Robert Smythe (British, 1810-1899) Two horses, a boy and his dog on the coast signed 'E.R.Smythe' (lower right) oil on canvas 61 x 91.4cm (24 x 36in). For further information on this lot please

Oil on canvas, 36.25 x 29 inches, in a period frame, 41 x 33.75 inches. Stencil of a canvas supplier Edward Dechaun, New York. Provenance: from a Wiscasset, Maine Estate.

EDWARD HOPPER Night Shadows. Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A brillian

EDWARD HOPPER Under Control. Gouache, ink and wash, and pencil on card stock, circa 1907-10. 477x374 mm; 19x15 inches. Titled in gouache, upper center recto.Provenance: Estate of the artist, New York;

EDWARD HOPPER The Creek at Hogencamps. Pen and ink on card stock, 1900. 265x196 mm; 10½x8 inches. Signed, titled and dated "June 1900" in ink, lower recto.Provenance: Estate of the artist, New Yo

oil on canvas signed painting 30" x 25" with certificate

EDWARD HOPPER The Storm. Pencil on wove paper, circa 1895-1900. 130x100 mm; 5¼x4 inches. Signed and titled in pencil, lower recto.Provenance: Estate of the artist, New York; Josephine N. Hopper,

Edward Hopper etching Night Shadows, from Six American Etchings(Series 1),1921.David's notes: Good news!We took it out of the frame and the print is in very nice condition.It is taped on one end, but

"Night Shadows" 1921. Signed in pencil l/r Sight: 6 7/8in. x 8 1/8in. Framed: 17 1/2in. x 17 1/2in.

EDWARD HOPPER Fisher Boy. Pen and ink and pencil on wove paper, circa 1900. 205x127 mm; 8¼x5¼ inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow, New

EDWARD HOPPER Street Scene with a Man Playing an Organ Grinder. Pen and ink on card stock, circa 1900. 115x117 mm; 4¾x4¾ inches. Signed in ink, lower right recto.Provenance: Estate of the ar

EDWARD HOPPER Galleon in a Storm. Pen and ink and pencil on wove paper, circa 1900-05. 153x125 mm; 6¼x5 inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow,

EDWARD HOPPER Liz. Color crayons, black chalk and pencil on stiff wove paper, 1900. 161x95 mm; 6½x3¾ inches. Signed and dated in green crayon, lower right recto, and titled in pencil, lower

Paul Jenkins (1923-2012 American) ''Phenomena Two Lights White'' 1963 Oil on Canvas 25.5''x21.25'' Image. An early abstraction painted in Paris. Signed l.r. with title on verso. Galerie Karl Flinker,