Etching of Man With Woman by Francisco de Goya.

An Etching by Francisco de Goya showing a man flirting with a woman. The Title reads "Ni asi la ditingue", which translates to, "Even thus he can not make her out". This piece was sort of a social com

The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions. The prints are not dated, but they are belie

Francisco de Goya Y Lucientes or Goya. El Agarrotado (The Garrotted Man) (The Executed Man). Antique hand pulled copper plate etching on laid paper after the 1778/1780 original by renowned master engr

Lithograph depicting Francisco De Goyas Blind Man buff. Depicting a group of people holding hands with a woman with a blind fold on in the center with a wooden spoon. Framed in gold toned wooden frame

Francisco de Goya, Los Caprichos etching, Francisco de Goya Lucientes (Spanish, 1746-1828), Plate 1, "Self Portrait", likely a later impression, on smooth wove paper, glued into mat along left edge of

Francisco de Goya, etching, Francisco de Goya (Spanish, 1746-1828), "Donde va Mama", from Los Caprichios, etching, signed in plate lower left, 8"h x 6.5"w (to plate mark), unframed

Two etchings after Francisco de Goya (Spanish, 1746-1828): Felipe IV Rey de España; and Margarita de Austria, Reyna de España; executed 1778 but printed later, both likely 3rd st

Francisco Goya, (3) etchings, Francisco Jose De Goya Y Lucientes (Spanish, 1746-1828), "Para eso habeis nacido" and "Espiro sin remedio" from the series "Disasters of War", 1863 (later edition), one s

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

FRANCISCO DE GOYA , ETCHING & AQUATINT, H 8 1/2", W 6", "CAPUCHOS":Framed and matted under glass.

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

FRANCISCO DE GOYA (SPAIN, 1746-1828), ETCHING ON PAPER, H 8.5", W 12.75", "LAS EXHORTACIONES, PL.16" Matted and framed under glass. Number 16 in upper right. Unsigned. Frame measures H 21" x L 24.25".

After Francisco Goya - Etching -Man in Chains. measures approx. 4 x 3-3/4 inches overall framed 15 x 13-1/2 inches

Francisco Goya etching: Cogida de un moro estando en la plaza (A Moor caught by the bull in the ring). Etching approximately 13 1/2" x 9 1/2"

Francisco Jose De Goya, Spanish, 1746 to 1828, etching and drypoint on paper, Obsequio a El Maestro, from Los Caprichos, a set of 80 aquatint prints created by Goya in 1797 and 1798, and published as

Francisco De Goya etching Los Caprichos Plate 57 La Filiacion. Image size 8 3/4" x 6", framed dimensions 22 3/4" x 20".

Framed Francisco Goya Etching Print 'Men in Sacks'. Francisco Goya Spanish artist (1746-1828). Etching and aquatint on paper. Measures 16 inches high by 19.5 inches wide.

FRANCISCO DE GOYA, POSTHUMOUS PRINTING, ETCHING & AQUATINT, WOVE PAPER, C. 1881-1886, PLATE: 8 1/2" X 5 3/4", "ALL WILL FALL":"Todos Caeran"; plate #19 from Los Caprichos; framed. For a high resolutio

Francisco Goya [1746-1828] Etching. Size: 12.5 in. x 10 in.

"Los Chinchillas" from "Los Caprichos", unknown edition. Dimensions: Sight is 8 1/4" x 6 1/4", the frame 15" x 13".

"Aveugle Enleve sur les Cornes d'Un Taureau", circa 1810, printed by Delatre, Paris. Published by the Gazette des Beaux-Arts, Paris. Framed. Plate: approx. 6 3/4" x 8 1/2". Frame: approx. 14" x 16 1/2

Francisco Jose De Goya Y Lucientes, Spanish (1746 - 1828) Two Framed Etchings Consisting of "Y Aun No Se Van!" and "Si Amanece; Nos Vamos". Plate number on top right margin. Each showing signs of toni

Pair of etching depicting bullfighting scenes after Francisco de Goya y Lucientes (Spanish 1746-1828). Each mounted to board and measures approx 7" x 4 3/4" + 1 1/2" frame.

This lot consists of a gentleman portrait on canvas painting dated to the 18th-19th century. The lot depicts the portrait of an important man in the style of Francisco Goya. The painting could be one