Eugene Gauss "Untitled (Three in Motion)" Marble

Eugene Gauss (American, 1905-1988), "Untitled (Three in Motion)"-1977, marble, signed and dated to side "GAUSS 1977". Primitivist-style sculpture depicting a figural group composed of a bearded man an

An Italian Carrara marble bust by Eugene Gauss. Signed along lower edge. 19 x 9 x 7.5 . Measurements are in inches. (Height x Width x Depth)

Eugene Gauss (American, 1905-1988), 1974, carved marble sculpture of children embracing a figure, heads down, signed and dated verso, 12 1/2" H x 7 1/2" W x 8" L.

EUGENE GAUSS MARBLE CAT SCULPTURE, WHITE AND GRAY MARBLE, SIGNED GAUSS ON BASE, 14" X 9" X 4", SKU801.03

DESCRIPTION: Eugene Gauss signed carved marble sculpture. Features two figures, one cradling the other with polished faces. Inscribed "Gauss, 1980" at base. Rests on square wood base. CIRCA: 20th Ct.

DESCRIPTION: A Marble sculpture by American Artist Eugene Gauss depicts a mother and child, signed along the base "Gauss". CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: H: 13.5" x 5" CONDITION: Great cond

EUGENE GAUSS 1905-1988 Important American Sculptor, MARBLE BEARDED MAN. Signed and dated : Gauss 1986. size: 11.25h7.5w. ASKart: Eugene Gauss (1905 - 1988) was active/lived in New Jersey. Eugene Gauss

Arturo DiModica, sculpture, Arturo DiModica (Italian/American, b. 1941), Untitled, 1989, in three parts, black marble, stainless steel, bronze, signed, dated and numbered 1/1, 13.5"h x 22.5"w Provenan

EUGENE GAUSS (American, 1905-1988), couple embracing, marble, signed and dated ''1975''. 8''h, 10''w, 4-1/2''d.

Untitled, Troika Sled with foxes Bronze on marble base Signed in cyrillic indistinctly on work 11 x 17 x 9 in. NOTE: Wear consistent with age and use

Alfred Rogoway(American, 1899-1990)Untitled (Three Figures and a Horse)oil on canvassigned Rogoway (lower right)51 1/2 x 40 1/2 inches.Property from the Collection of Tina and Simon Beriro, Aspen, Col

John Mix Stanley (1814-1872) Untitled (Three Figures) oil on paper laid on board 4 1/4 x 6 3/4 inches 9 3/4 x 12 1/2 x 2 1/2 inches (frame) Provenance: From a Private Collection

Group of three marble and onyx objects by Alma Allen, Joshua Tree, 1990s.

Hunt Slonem (American/Louisiana, b. 1951) , "Untitled (Three Bunnies)", 2015, oil on wood, signed, dated and inscribed en verso, 19 5/8 in. x 14 7/8 in., framed; accompanied by a copy of a certificate

Hunt Slonem (American/Louisiana, b. 1951) , "Untitled (Three Bunnies)", 2013, oil on wood, signed, dated and inscribed en verso, "Backwoods Studio and Gallery, Saint Francisville" label on backing pap

David Harouni (Iranian/New Orleans, b. 1962) , "Untitled: Three Faces", oil on gallery-wrapped canvas, signed lower left, 48 in. x 47 5/8 in., unframed

Louis XVI style bronze dore mounted cabinet, having three marble tops, rising on tapered supports, approx 63"h, 55"w, 16"d Start Price: $1500.00

Mary Tillman Smith (American/Mississippi, 1904-1994) , "Untitled (Three Figures)", paint on found tin, unsigned, 8 in. x 56 1/4 in., unframed

Jamini Roy (Indian, 1887-1972), Gouache on card. Signed lower right. Untitled (Three Musicians). Framed and double matted, under non-glare glass. (Approx. 12 1/2" x 17 1/4", overall: 22" x 26").

Roy Carruthers (South African, 1938-2013), Untitled (Three Figures), 1982, oil on canvas, signed and dated lower left, sight: 60"h x 48"w, overall (with frame): 62.5"h x 50.5"w

Dan Namingha Hopi/Tewa, (b. 1950), untitled (three katsina faces), 1982, monoprint on paper framed under glass, signed and dated lower left. sight: height 22 1/2in, width 27 3/4in Footnotes: Provenanc

Impressive JULES GRAUX Gilt Bronze and Marble Three Piece Garniture, late 19th century; the clock dial signed Jules Graux, Paris and the bronze figure stamped Jules Graux, Bronzier candelabra height:

A Louis XVI Style Gilt Bronze and Marble Three Piece Cocktail Table IN THE MANNER OF MAISON JANSEN Height 18 x length 55 x 29 1/2 inches. Maison Jansen The Paris based interior design firm was founded

THREE TALL MARBLE INLAID HARDWOOD STANDS First half 20th century The octagonal surfaces inlaid with central marble panels, within beaded edges, the aprons carved in openwork relief with blossoming pru