Felix Octavius Carr Darley

(ARTISTS.) Group of 4 Autograph Letters Signed: John Quincy Adams Ward * Felix Octavius Carr Darley (2) * Daniel Chester French. Together 7 pages, 8vo or 4to, Darley and French on personal stationery,

Return from the Hunt. Approx. 8 x 11 1/4 in. plate. Discoloration from previous mat. Tape residue on back top and side edges. Provenance: Kennedy Galleries no. 23725

Indians Hunting Buffalo from Horseback. Approx. 12 1/2 x 16 13/4 in. (paper). Mounted to paper backing. Tape residue on back top edge.

Evangeline, a Tale of Acadie, by Henry Wadsworth Longfellow (1807 - 1882). Illustrated by Felix Octavius Carr Darley(1822 - 1888). Houghton, Mifflin and Company, 1886 Boston, New York. Henry Wadsworth

DESCRIPTION: 1884 The Darley Gallery of Shakespearean Illustrations. By author Felix Octavius Carr Darley (American, 1821-1888). With selected texts. Published by J.M. Stoddart Publisher. Editor: Hora

This beautiful engraving is called "Washington Irving and His Literary Friends at Sunnyside".Engraved by Thomas Oldham Barlow after an original drawing by Felix Octavius Carr Darley. Nicely framed wit

[Original Art] Darley, F(elix). O(ctavius). C(arr). Original Illustration (Likely Claymont, Delaware, ca. 1867). Ink and wash on heavy wove paper, signed by Darley, bottom left. 11 7/8 x 18 1/2 in. (2

FELIX OCTAVIOUS CARR DARLEY WATERCOLOR PAITNING OF A WOMAN TENDING TO COWS AND DUCKS. SIGNED LOWER RIGHT. 9 1/4 X 10 3/4 INCH SIGHT SIZE.

Felix O.C. Darley (American 1822-1888), 'Oliver Perfects His Technique', 1887, original illustration for 'Oliver Twist', graphite and watercolor wash on paper, depicting a scene from the classic novel

After Felix Darley (1822-1888) - Attack of the Grizzly, 10.5" x 12.75" pen and ink. 19" x 22.5" framed size. Weighs 10 pounds. Quality hand-carved gold frame with archival framing and glass. Acquired

Washington & Henry Pendleton Going to the First Congress: 17th Century Engraving on paper. From Washington Irving's Live of George Washington. Henry Bryan Hall (1808-1884), Engraver. Felix Octavius Ca

Felix O.C. Darley. Charcoal and pastel drawing "Apache Camp in the Canyon". Apache warriors around a campfire. S.L.R. Framed. Pieces of floating paper over part of title. Sight size: 13" x 9". Overall

Drawing of crowd by Felix O.C.Darley,c.1890. 11" x 13"

[AMERICAN HISTORY]. A group of American history books, including the Revolutionary War, comprising: DARLEY, Felix O.C. Our Country: A Household History of the United States for All Readers. New York:

two oblong folio vols., cased, by Felix O C. Darley, Pub. 1848 by American Art Union, original soft covers, with 5 Darley etchings, matted

AMERICAN ART UNION FOLIOS DESIGNED & ETCHED BY FELIX O. C. DARLEY AFTER 2 WASHINGTON IRVING CLASSICS : both Published in New York: American Art Union; 1848 & 49; soft cover oblong folios; LEGEND OF SL

1664 Octavius by Minucius Felix Roman Paganism v Christianity Cicero Philosophy Marcus Minucius Felix was a 3rd-century Roman scholar who is remembered only for being an advocate of Christianity in a

Figure of "Vajrasattva" in gilded bronze seated in meditation posture "dhyanasana", with serene face, eyes and mouth closed, and with an elongated tear on the forehead or bindi. The hands are in "kara

The figure is in a static frontal pose that is softened with a slight bending of the leg at the knee, creating a subtle cadence in the posture. The face is kind with a benevolent expression, Tara "the

On the base is a six-character square seal in cobalt-blue underglaze (made in the Yongzheng reign of the Qing dynasty). Large delicately moulded vase in the form of a 'Melon Bottle' covered all over w

Gold medal. On the face of the coin, two dragons stand out, surrounding a column of four characters indicating "Royal Gold Medal", and at the top are the characters Da and Qing on both sides. sides of

Pigments on silk. It represents the effigy of a Buddhist monk, placed frontally, dressed in robe and cap, while holding a beaded necklace. On the upper right side there is a text in "manchu" script en

A vase made of celadon-glazed ceramic with a greenish-blue or sea-green moulded in the shape of a (mallet bottle with phoenix ears), which together with the handle-less shape was a recurring model in

The piece is damaged. It is covered by a cracked celadon glaze in a blue hue that is concentrated in the folds and is lighter at the ends. The bowl is perfectly molded on a circular base that expands