Ferdinand Schmutzer (Austrian 1870-1928) dry point

Ferdinand Schmutzer (Austrian 1870-1928) dry point etching of the Austrian actor Josef Kainz as Hamlet circa 1906

(Austrian, 1870-1928) 1901, etching and drypoint, signed in pencil l.r.c. Overall: 29-1/2"h x 31-1/4"w Sight: 20-7/8"h x 22-1/4"w Literature: Weixlgartner 42

Ferdinand Schmutzer (Austrian, 1870-1928). This etching of a violin player from the Joachim Quartet is pencil signed lower right. It is housed in a carved gilt frame with an off-white and red mat. The

FREUD, SIGMUND. 1856-1939. SCHMUTZER, FERDINAND. 1870-1928.[after] Portrait of Sigmund Freud. Photogravure, framed, from a drawing, now in the Freud Museum, London, commissioned by Freud's colleagues

Ferdinand Schmutzer (Austrian, 1833-1915) , "Woman Mending", etching, pencil-signed lower margin, 10 5/8 in. x 7 1/2 in., unframed. Condition: Overall fair condition.

George J. Zachary Constant New York / Greece (1892-1978) city scene with bridge, ca. 1928 dry point etching Pencil signed lower right. Biography from the Archives of askART: George Constant (1892-1978

BERNARD BUFFET (1928-1999) DRY POINT ETCHING STREET SCENE , MARKED ON BACK OF PAPER WITH WATERMARK - 8" x 10" ; 17 1/2" x 19" FRAMED OVERALL (FROM THE ESTATE OF A PROMINENT FRENCH - AFRICAN DIPLOMAT K

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

Nathan Oliveira (American, 1928-2010), "Dancer", 2004, drypoint with color aquatint, pencil-signed, dated, blind-stamped and inscribed "TPC" lower margin, "Crown Point Press, San Francisco, CA" label

Francesco ClementeItalian, (1928-1983)Music, 1981drypoint, ed. 4/10Published by Crown Point Press, signed and numbered in pencil, unframed.22 1/2 x 14 7/8 inches (sheet)

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

A lithograph and original drypoint etching by Marcel Vertes (Hungarian-Jewish origin) ex-Ferdinand Roten Galleries, Baltimore, Maryland. Dry point 13 inches x 9 ¾ and lithograph is 14 x 10 &fra

Nathan Oliveira (American, 1928-2010), "Missing Link," 1998, drypoint etching with spit bite aquatint in colors, pencil signed and dated lower right, edition 9/10, Crown Point Press blindstamp lower r

BERNARD BUFFET, (French, 1928-1999) "Le Sacre-Cour, Montmartre", 1985 dry point etching, aquatint with color signed Bernard Buffet, l.r., inscribed indistinctly, pub. Maurice Garnier, 1985, l. l.Inscr

Nathan Oliveira (American, 1928-2010), "Stairs to the Stars," 2004, drypoint etching with aquatint, pencil signed and dated lower right, edition 17/30, printed at Crown Point Press (San Francisco, CA)

Nathan Oliveira (1928-2010) Angel Rocker, 2005 Aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 14/40 (there were also 6 artist's proofs), with the blindstamp of the

Original dry point "abandon" by Warren Davis (1865 - 1928), signed lower right, 5.75"x7.7"

NO RESERVE French Art.- Mauclair (Camille) Henri Le Sidaner, with 2 original dry-point etchings, tipped-in plates, illustrations, original pictorial wrappers, uncut, glacine wrapper, Paris, 1928 &#167

Louis Icart (French, 1888-1950) Faust dry-point and etching in colors on paper Signed in pencil Louis Icart lower right. Copyright 1928 by L. Icart and numbered E174 and with Blind Stamp. 21 x 13 inch

Helen Frankenthaler(1928 - 2011)Broome Street at Night, 1987etching aquatint and drypoint, edition 40 of 68signed and dated lower right: frankenthaler 87editioned lower left: 40/6827 x 28 1/4 in. (68.

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower Suite''- set of 22 drypoint etchings from the Cleveland Series, 1928-32, all signed in pencil, 6 have mat burn, otherwise all in very good con

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

Friedensreich Hundertwasser (Austrian, 1928-2000) Regentag (portfolio of 8 works), 1971 color silkscreens with metal imprint, together with portfolio signed and numbered 02117/3000 in colored pencil o