Follower of Gainsborough Dupont

Attributed to Gainsborough Dupont (c. 1754-1797): The Right Honorable William Pitt, Chancellor of the Exchequer Oil on canvas, unsigned, with label from Henry Graves, London. 50 x 40 in., 57 x 47 in.

"Mrs. Lowndes-Stone Norton", portrait Oil on canvas laid to canvas Appears unsigned, titled on the frame plaque 55.5" H x 41.5" W Provenance: Private Collection, Beverly Hills, CA. Notes: Framed size:

Gainsborough Dupont, oil on canvas, Alfred Gainsborough Dupont (British, 1767- 1797), "Miss Bridget Power, daughter of Edmund Power, Esq.,...), no signature observed, artist name place on frame, old a

Estate / Collection: Property from the Collection of John J. Caliolo Portrait of a Military Officer Oil on canvas 30 1/8 x 25 1/8 inches (76.5 x 63.8 cm) Frame 38 1/2 inches x 33 3/4 inches (97.8 x 85

SHOWING A LARGE PORTRAIT OF A BRITISH ACTRESS SARAH SIDDONS (1775-1831)PAINTED BY GAINSBOROUGH DUPONT WHO LIVE IN THAT TIME.THE ORIGINAL PAINTING WAS DONE BY HIS UNCLE THOMAS GAINSBOROUGH. PLAQUE STAT

DESCRIPTION: Attrib. to Gainsborough Dupont (British, 1754-1797). Oil on canvas. Portrait of a mother and son. Unsigned. Old paper labels on verso marked "Att. to Gainsborough Dupont" and "#3370". In

Very dark landscape with male figure on horse on lower left, and figure in red by rock on lower right. Paint losses and cracks. As is. 18 X 22" (24" X 28")"

After: Gainsborough Dupont, British (1754-1797) Antique Oil on Canvas Portrait of a Officer in Red Coat. Unsigned, Beers Brother original label en verso. Fading, canvas is stiff, minor nicks. Measures

Gainsborough Dupont. (British, 1754 - 1797). Richard, First Earl Howe. Antique engraving on wove paper after the original by master engraver John Henry Robinson (English, 1796-1871). c. 1855. Signed i

18th C. English landscape with figure on horseback, oil on canvas, labeled Gainsborough DuPont, stretcher dated 1847, 19 1/4" x 23", framed 24" x 28".

Follower of Thomas Gainsborough (British, 1727-1788), Portrait of a Young Man in a Red Coat, oil on canvas, unsigned, overall (with frame): 37"h x 32"w

Late 18th-early19th century. Young Woman Reading, unsigned," 30 x 24 1/2 in., framed.; Inscription adhered to verso "This painting belongs to Mrs. Joan R. Bleest, Thomas Young Sr.

Follower of Thomas Gainsborough, A lady in a landscape, charcoal with white heightening, bears initials, 8" x 5.5", (20x14cm) (unframed).

Thomas Gainsborough (English, 1727-1788) Attributed: Study for the Honourable Mrs. Graham,Oil on board, unsigned, framed. Perhaps one of Thomas Gainsborough's most intricate and recognizable compositi

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

Follower of CANALETTO (Italian, 1697-1768), The Grand Canal, Venice, oil on canvas (laid to board), canvas: 26 x 35 inches, framed: 27.75 x 37 inches, not signed.

Follower of Antonio David (Italian, 1698-1750) "Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788)", ca. 1730-1745 oil on canvas unsigned, painted after the original commissioned in Rom

Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) The Madonna oil on canvas, possibly a fragment 48.4 x 37.8cm (19 1/16 x 14 7/8in). Footnotes: Provenance Priva

Follower of Neri di Bicci (Italian, 1418-1492) Follower of Neri di Bicci (Italian, 1418-1492) Madonna and Child enthroned egg tempera on panel with later oil additions, gilding and punchwork to the de

(Italian, 1648-1729) Still Life with Flowers in a Gilt Vase and Wood Box, with parrot and dishes of fruit, unsigned, oil on canvas, 39-1/3 x 35-1/2 in.; gilt wood frame,. Condition: lined with wax and

《 The woman wear a blue coat 》 Oil on canvas （ 1727-1788 ， UK, by Thomas Gainsborough ）

Flemish school. Follower of EL BOSCO, XVI century."Temptations of St. Anthony"".Oil on panel (seamed).Measures: 75,5 x 106 cm.; 101 x 130 cm. (frame).The story of the Christian monk who decided to wit

Follower of Bernard van Orley (Flemish, ca. 1488-1541). Madonna and Child Old Master painting on panel. Mary, richly dressed in flowing garments, cradles the infant Jesus, who plays with her headwrap.

Follower of Horace Vernet (French, 1789-1863)Portrait of a Moor in traditional robesoil on lined canvas25 x 20in (63.5 x 50.8cm) Provenance:The Collection of the Marquis & Marquise de Ra