Attrib to Gainsborough Dupont (British, 1754-1797)

DESCRIPTION: Attrib. to Gainsborough Dupont (British, 1754-1797). Oil on canvas. Portrait of a mother and son. Unsigned. Old paper labels on verso marked "Att. to Gainsborough Dupont" and "#3370". In

After: Gainsborough Dupont, British (1754-1797) Antique Oil on Canvas Portrait of a Officer in Red Coat. Unsigned, Beers Brother original label en verso. Fading, canvas is stiff, minor nicks. Measures

Gainsborough Dupont. (British, 1754 - 1797). Richard, First Earl Howe. Antique engraving on wove paper after the original by master engraver John Henry Robinson (English, 1796-1871). c. 1855. Signed i

"Mrs. Lowndes-Stone Norton", portrait Oil on canvas laid to canvas Appears unsigned, titled on the frame plaque 55.5" H x 41.5" W Provenance: Private Collection, Beverly Hills, CA. Notes: Framed size:

Attributed to Gainsborough Dupont (c. 1754-1797): The Right Honorable William Pitt, Chancellor of the Exchequer Oil on canvas, unsigned, with label from Henry Graves, London. 50 x 40 in., 57 x 47 in.

Gainsborough Dupont, oil on canvas, Alfred Gainsborough Dupont (British, 1767- 1797), "Miss Bridget Power, daughter of Edmund Power, Esq.,...), no signature observed, artist name place on frame, old a

(British, 1754-1797) Portrait of a Woman, wearing a lace [fichu] and gold satin gown with green bow, unsigned, oil on canvas, 30 x 25 in.; gilt wood and composition frame, with frameplate for "Gainsbo

SHOWING A LARGE PORTRAIT OF A BRITISH ACTRESS SARAH SIDDONS (1775-1831)PAINTED BY GAINSBOROUGH DUPONT WHO LIVE IN THAT TIME.THE ORIGINAL PAINTING WAS DONE BY HIS UNCLE THOMAS GAINSBOROUGH. PLAQUE STAT

Attributed to Thomas Gainsborough (British 1727-1788). Oil on board landscape depicting a villa on a hill with figures in the foreground, apparently unsigned, framed. (Sight) approx. h. 10.75",' w. 14

Artist: British School, early 19th century, after Thomas Gainsborough (1727-1788) Title: Portrait of Grace Elliot (Scottish 1754-1823). Gainsborough painted this sitter twice - with one work now being

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prol

After Thomas Gainsborough(British, 1727-1788)Portrait of a Womanoil on canvasunsigned43 1/2 x 32 1/2 inches (sight)55 x 44 inches (frame)

Estate / Collection: Property from the Collection of John J. Caliolo Portrait of a Military Officer Oil on canvas 30 1/8 x 25 1/8 inches (76.5 x 63.8 cm) Frame 38 1/2 inches x 33 3/4 inches (97.8 x 85

after: Thomas Gainsborough, British (1727-1788) Oil on Canvas, "Portrait Of Sara Siddons" Unsigned. Antique relining, restoration, antique condition. Measures 48-1/2" x 38-3/4", frame measures 56-3/8"

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Roger Hilton (1911-1975) (attrib.), British painter of German origin. The importantrepresentative of abstract art is regarded as a pioneer of abstract painting in England. He took part in documenta 2

George Webster (British, 1797-1864) Ships Waiting for the Tide oil on canvas signed "G. Webster" (lower left) 21 1/4 x 35 1/4 inches (sight) 27 1/4 x 41 1/2 inches (frame)

Late 18th century. Attributed to Thomas Gainsborough (British, 1727-1788) on adhered label on verso, oil on canvas, unsigned, 29 x 24 in., framed

18th C. English landscape with figure on horseback, oil on canvas, labeled Gainsborough DuPont, stretcher dated 1847, 19 1/4" x 23", framed 24" x 28".

(British, 1734-1797) Miss Elizabeth Carver, 1760, inscribed verso lining, oil on canvas, 50 x 40 in.; original 18th century carved and gilt wood frame, 56 x 46-1/4 in. [Old Masters] Note: See Christ

(British, 1734-1797) Reverend John C. Carver of Morthen, South Yorkshire, wearing a brocaded dark blue velvet coat, waistcoat and holding a tricorn hat, 1760, inscription verso oil on canvas, 50-1/8 x

Follower of Joseph Wright of Derby (British, 1734-1797), Boys by Candlelight, oil on canvas, unsigned, canvas: 36"h x 27.5"w, overall (with frame): 42"h x 34"w

Henry Morland (British, 1716-1797), A Connoisseur and Tired Boymezzotint, printed 1773, engraved by Philip Dawe, published in London, printed for Robert Sayer, framed. Platemark 19 3/8 x 13 15/16 in.;

Circle of Henry Robert Morland (1719-1797, British), "Country Girl," 18th c., oil on canvas, presented in a gilt relief frame, H.- 23 in., W.- 19 1/2 in.