Francisco de Goya Nadie Nos Ha Visto Engraving

After Francisco de Goya (Spanish, 1746-1828), "Nadie Nos Ha Visto Engraving" plate 79 from Los Caprichos series. Together with a Francisco de Goya self portrait etching "Franco Goya y Lucientes Pintor

Francisco de Goya 1746 _ 1828 Nadie Nos Ha Visto Engraving. Professionally framed and matted period engraving by Francisco de Goya. Shown in the artist's catalogue raisonne. Measures 15 x 12 inches. T

Francisco De Goya Y Lucientes, Spain, 1749-1828, No one has seen us (Nadie nos ha visto.), Plate 79 from Los Capricos, etching with aquatint, circular embossed blind stamp right corner (CNEW60)(MM) Di

Artist: Francisco Goya Title: Nadie nos ha visto Year: c. 1803 Dimensions: 11.5in. by 8.25in. Edition: From the rare limited edition Suite: Los Caprichos

Title is Disparate Furioso or Furious Folly. 11 3/4" by 16 3/4". Francisco Jose De Goya Y Lucientes (1746 - 1828) was active/lived in Spain, France. Francisco Goya Y Lucientes is known for Figure, por

El Caballo Raptor or Abducting Horse. 11 3/4" by 16 5/8". The artwork is from of the second edition of the famous series Los Proverbios edited in 1875 by the Real Academia of Fine Arts in San Fernando

Francisco De Goya (Spanish 1746-1828)- ''Tauromaquia - Pl. 37'' (Delteil 260)- engraving, 4th edition. 8 x 13''

Francisco de Goya (Spanish, 1746-1828) Engraving, Ya es Hora (It is the hour), Plate 80 of Los Caprichos. Measures 8 3/8"x 5 7/8". In Frame 21.50"x17.50"x1". Weight 5 pds. From the 7th Edition of 110

Francisco de Goya 1746 _ 1828 Por Que Engraving. Professionally framed and matted period engraving by Francisco de Goya. Shown in the artist's catalogue raisonne. Measures 10.5 x 12 inches. This work

(Spanish, 1746-1828) Margarita de Austria, Reina de España, 1778, posthumous edition, engraving on laid paper, 14-5/8 x 12-1/4 in. (plate), 18-3/8 x 15-3/4 in. (sheet); gilt wood frame,. Condition: f

Francisco Jose De Goya Y Lucientes, Spanish (1746 - 1828) Two Framed Etchings Consisting of "Y Aun No Se Van!" and "Si Amanece; Nos Vamos". Plate number on top right margin. Each showing signs of toni

Francisco De Goya (Spanish 1746-1828) Amarga Presencia (Bitter Presence) Engraving, Plate 13 from the Disasters of War. Measures 6.60"x8". In Frame 21.5"x17.50". Weight 4 pds. From the 4th Edition of

Francisco de Goya y Lucientes (Spanish, 1746-1828) Donde va Mama, from Los Caprichos, 1892 engraving, plate 65 signed within print Plate 8 1/8 x 6 1/2 inches. Estimate $300-500 No condition issues to

Francisco de Goya y Lucientes (Spanish, 1746-1828) Ensayos, from Los Caprichos, 1892 engraving, plate 90 signed within print Plate 8 1/4 x 6v 1/4 inches. Estimate $300-500 No condition issues to note,

Framed etching and aquatint, "Si Amanece, nos vamos", by Francisco Jose de Goya (Spanish 1746-1828), edition unknown, from "Los Caprichos", originally published in 1799, plate 71, H106, paper has been

FRANCISCO JOSÉ DE GOYA Y LUCIENTES 1746 Fuendetodos - 1828 Bordeaux No hay quien nos desate? (Blatt 75 aus 'Los Caprichos') Aquatintaradierung auf 'José Guarro'-Bütten mit Wasserzeichen ('José' un

FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828). No hay quien nos desate? (Can't Anyone Untie Us?), First published in 1799, etching and aquatint with burnishing on laid paper. This is plate 7

A collection of antique hand colored engravings on paper. The collection includes a portrait of Dona Isabel Cobos de Porcel by Francisco Jose De Goya y Lucientes, 1746 to 1828, after the original pain

FRANCISCO GOYA (1746-1828) De que mal morira Engraving on paper 16" x 12" sheet

"Esto es lo peor!" 19th century, engraving. From "Los Desastres de la Guerra." Lewis #168. Dimensions: (Frame) H 12.25" x W 15.25", (Sight) H 7.5" x W 9" Condition: Good impression. Printed with plate

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

DESCRIPTION: Francisco Goya (Spanish, 1746-1828). Etching with drypoint on laid paper. "Tristes Presentimientos do lo que ha de Acontecer (Sad Forebodings of what is going to happen)". Plate 1 of Los

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828). "Portrait of Charles IV. Oil on canvas. Re-retouched. It presents repainting, old restorations and a Car