Francisco de Goya (Spanish, 1746-1828) La rinde el

Francisco Jose De Goya Y Lucientes Spanish (1746 - 1828) Tan bárbara la seguridad como el Delito (The Little Prisoner) etching Published in "Gazette des Beaux-Arts" at the Imprimerie Delatre, Paris

(lot of 2) After Francisco Jose de Goya y Lucientes (Spanish, 1746-1828) "El de la Rollona" and "Cual la descanonan" etchings and aquatints on paper, plate 3 and 21 from "Los Caprichos," unsigned, ove

Francisco de Goya y Lucientes (Spanish, 1746-1828), "El sueno de la razon produce monstruos (The sleep of reason produces monsters)", as Plate 43 in "Los Caprichos", etching and aquatine on paper, fif

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (Spanish 1746-1828) AN ETCHING, "Tan Bárbara la Seguridad como el Delito," on paper. Image sight 4 1/4" x 3 1/4", sheet 6 1/2" x 9" NOTE: Tag on the back of the pa

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco de Goya (Spanish, 1746-1828), "La Filiacion" pl. 57 from Los Caprichos, etching, unsigned, overall (with frame): 16"h x 12.5"w

Francisco de Goya (Spanish, 1746-1828), "Ni Asi La Distingue," Plate 7, etching, plate mark: 7.75"h x 5.75"w, overall (with frame): 16.75"h x 15.75"w

After: Francisco Jose De Goya Y Lucientes, Spanish (1746 - 1828) Oil on Canvas "La Nevada" Signed Lower Left. Measures 40" H x 43-1/2" W, frame measures 44-1/4" H x 47-3/4" W. Condition: Some craquelu

Francisco Lucientes y Goya (Spanish, 1746 - 1828) "La Tauromaquia" - Plate 10 Drypoint Intaglio Etching on Paper. Charles V Spearing a Bull in the Ring at Valladolid. Plate Size: 9 7/8 x 13 9/16 in. O

**Originally Listed At $750** Francisco de Goya y Lucientes (Spanish, 1746-1828). Three etchings from "Desastres de la Guerra" (Disasters of War) series, executed 1810-1820, published ca. 1863. Three

Goya, Francisco de (Spanish 1746 - 1828). Plate 27 from La Tauromaquia: The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike. c.1876, 4th state printed by Loizelet. Etchi

Goya, Francisco de (Spanish 1746 - 1828). Plate 11 from La Tauromaquia: The Cid campeador spearing another bull. c.1855. 3rd edition. Etching and aquatint in sepia on laid paper. Plate: 13 5/8" x 9 5/

Two (2) posthumous etchings, Goya and Cezanne. 1st item: After Francisco de Goya Lucientes (Spanish, 1746-1828) etching and burin on laid paper titled "The Little Prisoner" or "Tan b·rbara la segur

Francisco Jose De Goya, Spanish, 1746 to 1828, etching and drypoint on paper, Obsequio a El Maestro, from Los Caprichos, a set of 80 aquatint prints created by Goya in 1797 and 1798, and published as

Francisco José de Goya y Lucientes (Spanish, 1746-1828). Plate 57 from "Los Caprichos," plate size 8 1/2 x 6 in., framed

Francisco Goya (Spanish, 1746-1828) Two plates from Los desastres de la guerra etchings 5 1/2 x 7 1/2 inches. Property from the Collection of David and Elaine Berland, St. Louis, Missouri

Francisco Goya (Spanish, 1746-1828) Etching On Paper, C. 1863, Se Aprovechan From Los Desastres De La Guerra, H 5'' W 8'' Signed in plate. Frame Measurements 12" x 15". Provenance: From the Estate of

"Si Quebro el Cantaro" from Los Caprichos. Numbered plate 25 top right-hand corner. 1797-1798. Etching and aquatint. Plate size: 8 1/8 in. x 5 7/8 in. (20.64 cm x 14.92 cm). "Que Pico de Oro" from Los

Francisco Goya (Spanish, 1746-1828), burnished drypoint etching, plate 77 titled 'Que se Rompe la Cuerda' from the 1868 publication 'Los Desastres de la Guerra'. Dimensions are: Frame size: 15 3/8 inc

"Portrait d'Alberto Foraster" by Francisco de Goya (Spanish, 1746-1828); Etching in black ink on fine watermarked laid paper. Hand pulled from the copper plate executed in Paris. Extremely rare. First

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp