FRANCISCO JAVIER ORTEGO Y VEREDA - Girls

Francisco Javier Ortego Y Vereda ( Spain 1833-1881); "Temptation" Oil on canvas of a Monk and a Courtesan in period frame. Good condition with light age related wear to painting, the frame with small

Title: Untitled (Asleep in the Garden)Subject: Genre SceneType: PaintingMaterials: Oil on BoardMarkings & Inscriptions: Signed & dated bottom leftDate: 1875Maker: Francisco Javier Ortego y Vereda (Spa

(lot of 2) Framed oil paintings on panels, Peeping Monks, signed lower left Ortego 78 (Francisco Ortego Y Verada, Spanish, 1833-1881), one panel marked Alexis Ottoz on verso, minor paint loss on edges

Peña, Francisco Javier de la. Puebla Sagrada y Profana. Puebla: JosE Maria Campos, 1835.

FRANCISCO JAVIER TEJEDA JARAMILLO, El helicóptero, Firmado y fechado 2015,Óleo sobre tela sobre madera, 122 x 122 cm, Con certificado

Oil on canvas Signed in the lower left corner. It is presented in a vintage frame in carved wood and gilded with a cartouche with the author's name and the title Bibliography: Francisco Javier Perez R

Oil on canvas.Restored and relined. 168 x 109 cm; 177 x 119 cm (frame).

ARTIST: ATTRIBUTED TO Francisco Miralles Y Galup (Spanish, French, 1848 - 1901) TITLE: Billiards Scene MEDIUM: oil on board CONDITION: Few horizontal surface cracks. Some small paint losses. Minor cra

Francisco Goya, Y Esto Tambien Etching With Certificate, H: 8 in. W: 9.5 in. frame H: 26 in. W: 28 in.

FRANCISCO DOMINGO Y MARQUES , (SPANISH 1841-1920) , "THE CARDPLAYERS" OIL ON BOARD, SIGNED AND IDENTIFIED ON FRAME. 1871. BOARD IS 4" X 5" . 11" X 12" FRAMED. CRACKLURE AND CHIPPING CONSISTENT WITH AG

Acquaforte, mm. 200x128. Firmato in lastra in basso a sinistra.

Francisco Goya y Lucientes (Spanish, 1746-1828). A rare 18th Century antique aquatint etching on laid paper. Titled, "Linda Maestra" ("Pretty Teacher"), produced circa 1799 as plate 68 of the "Los Cap

GOYA Y LUCIENTES (FRANCISCO DE) [Caprichos], ninth edition, 80 etched plates with aquatint, printed on wove paper, mounted on guards, some foxing to margins throughout (occasionally heavy or straying

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828). "Portrait of Charles IV. Oil on canvas. Re-retouched. It presents repainting, old restorations and a Car

Francisco de Goya Y LucientesFuentetodos 1746 - 1828 Bordeaux, circleAchilles & HectorOil on canvas, relined30 x 47 cm (with frame 50 x 67 cm)The painting (30x47cm) in oil on canvas depicts an ambiguo

FRANCISCO DE GOYA Y LUCIENTES (Zaragoza, 1746 - Bordeaux, 1828). Folder with 15 etchings on paper, based on paintings by DIEGO VELÃZQUEZ (Seville, 1599 - Madrid, 1660). Published by the Calcografí

This lot consists of a gentleman portrait on canvas painting dated to the 18th-19th century. The lot depicts the portrait of an important man in the style of Francisco Goya. The painting could be one

Four (4) from "Los Caprichos". All images titled and with plate numbers within plate marks. Second or third edition. Plate 46: "Esto es Malo", sheet dimensions: 10" high x 13.2" wide, plate dimensions

FRANCISCO TOLEDO, Mujer y trángulo, Firmado, Grabado 4 / 25, 12 x 19.5 cm

Francisco Toledo (1940-2019) MUJERES Y CANGREJOS Color lithograph, on Arches paper, signed and numbered 94/100 in pencil, the full sheet, unframed. Sheet 39 1/2 x 24 7/8 inches; 1003 x 632 mm. C Colle

This lot consists of a female portrait on canvas painting dated to the 19th-20th century. The lot depicts the portrait of a female in the style of Francisco Goya. The painting could be one of the many

Francisco Toledo (1940-2019) CABALLO Y AVISPAS; HOMBRE, UN PESCADO, UNA TORTUGA Y PAJAROS Two color lithographs, 1969 and 1970, respectively, on Arches paper, signed and numbered XXXIV/LXXV and XLV/LX

De Goya Y Lucientes, Francisco José (1746-1828) Una Reina del Circo (1821/24) Description (FR): Gravure sur papier, signée dans la plaque en bas à gauche Goya Description (EN): Etching on paper, si

(Spanish, 1746-1828) [Allá vá eso] (There It Goes), from [Los Caprichos], Pl. 66, 1799, first edition (Deltiel 108), etching, drypoint and aquatint on laid paper, no watermark, with deckled edges, 8