Frank S. Thayer, "New Orleans- The Crescent City from

Frank S. Thayer, "New Orleans- The Crescent City from Late Photographs," 1901, book of photographic prints, softcover.

"New Orleans-The Crescent City-Lake Pontchartrain in the Distance, December 13, 1884," large Harper's Weekly print, framed, H.- 22 in., W.- 31 5/8 in.

"New Orleans-The Crescent City-Lake Pontchartrain in the Distance, December 13, 1884," large Harper's Weekly print, framed, H.- 22 1/4 in., W.- 31 5/8 in.

Knute Heldner (1875-1952, Swedish/New Orleans), "Singing by the Mississippi River," oil on canvas, signed lower right, presented in a wood frame, H.- 39 3/4 in., W.- 31 1/2 in., Framed H.- 43 1/2 in.,

School of Pietro Bazzanti (184201881, Italian), "Baby Moses in Basket," 19th c., Carrara marble sculpture, originally from the Saenger Theater, New Orleans, removed in the late 1960's, signed at rear

Turkish Oushak Carpet, 13' x 16' 2. Provenance: Talebloo Oriental Rugs, New Orleans.

American Rococo Mahogany Full Tester Bed, mid 19th century, of the type crafted for the antebellum New Orleans market, the projecting cyma-molded cornice on tapered octagonal column posts supporting a

William Hemmerling (1943-2009. Illinois/Louisiana), "New Orleans," 2004, oil on canvas, signed and dated en verso, unframed, H.- 29 3/4 in., W.- 40 in. Provenance: Property from Gentleman Collector, L

Eugene Daymude (1925-1995, New Orleans), "Continental Street Scene," 1970, oil on canvas, signed and dated lower left, presented in a gilt frame, H.- 70 1/2 in., W.- 127 in. Note: This painting hung f

Maria Laredo (New Orleans, 20th Century), "1976 New Orleans Jazz Fest Poster, Fats Houston," 1976, Festival Edition, signed in print lower right, numbered "801/1000" in pencil lower right margin, edit

Josephine Sacabo (1944-, New Orleans/Mexico), "Juana and the Falcon," 2018, AP original tintype from "Structures of Reverie Series," signed and titled en verso, H.- 12 1/2 in., W.- 9 3/4 in., Framed H

American Rococo Rosewood Full Tester Bed, mid 19th c., of the type crafted for the antebellum New Orleans market, the projecting ogee cornice on tapered cluster column posts supporting a paneled headb

Alexander J. Drysdale (1870-1934, New Orleans), "Bayou Scene With Moss Draped Oak and Water Lilies," 1915, oil wash, signed and dated lower left, presented in an antique ebonized oak frame, H.- 19 1/2

Mario Villa (New Orleans, 1953-2021), pair of wrought iron and brass barstools, 20th c., the curved U-shaped iron back rest joined by brass ribbons to the sides, over trapezoidal salmon velvet cushion

Louise Guidry (American/Louisiana, b. 1930) "Crescent City Connection" acrylic with collage on gallery-wrapped canvas signed lower right, signed and titled en verso. 48" x 48"

Roy Ferdinand (1959-2004, New Orleans), "Voodoo Priestess in a Cemetery," 20th c., mixed media on paper, unsigned, presented in a gilt frame, H.- 27 in., W.- 21 in., Framed H.- 35 in., W.- 29 in. Prov

Alexander J. Drysdale (1870-1934, New Orleans), "Moss Draped Oaks," early 20th c., oil wash, pencil signed lower left, the back inscribed in crayon "D. H. Holmes," with several shipping labels from Ne

Rolex Two-Tone Lady's Oyster Perpetual Datejust Wristwatch, with an 18K yellow gold bezel, and a stainless steel and 18K gold band. Provenance: Property Seized by the New Orleans Police Department, an

Alexander J. Drysdale (1870-1934, New Orleans), "Moss Draped Oaks," early 20th c., oil wash, pencil signed lower left, presented in a gilt frame with a wide velvet mat, H.- 19 3/4 in., W.- 29 1/2 in.

Large Carved Cypress Hutch, 20th c., New Orleans, the ogee crown over two pair of mullioned glazed doors, on turned tapered supports to a base with two pullout slides above two pair of fielded panel c

Arthur Silverman (1923- , New Orleans), "Untitled," 1997, patinated steel abstract sculpture, on a steel and formica base, signed and dated on one edge, the bottom with a card dated February 16, 2001,

Eugene Daymude (1925-1995, New Orleans), "French Quarter Patio," 1965, oil on board, signed and dated lower right, presented in a gilt and gesso relief frame, H.- 23 3/8 in., W.- 17 1/2 in.

Carved Gilt Wood Table Top Eagle, 19th c., the spread wing bird on an integral wood octagonal base, H.- 16 1/4 in., W.- 10 1/2 in., D.-6 in. Provenance: The Estate of John Peter Eaves, New Orleans, Lo

George Rodrigue (American/New Orleans, 1944-2013), "Li'l Blue Dog: Black," 1998, silkscreen, signed lower left, numbered "4/70" lower right, presented in a black wood frame, H.- 10 1/2 in., W.- 9 1/2