[Frederick Catherwood (1799-1854)]. Unsigned Ink

Frederick Catherwood (1799-1854) "Well at Bolonchen" from the "Views of Ancient Monuments in Central America Chipas and Yucatan." Hand colored tinted Lithograph, trimmed to the image an mounted on car

Archway, Casa del Gobernador Uxmal Plate 10. Frederick Catherwood (1799-1854). From Views of Ancient Monuments in Central America, Chiapas and Yucatan. Hand-colored lithograph. London, 1844. 15 x 11 1

FREDERICK CATHERWOOD (British, 1799-1854)Ornament over the Principal Doorway, Casa del

FREDERICK CATHERWOOD (BRITISH, 1799-1854) PRINTS OF MAYAN RUINS, LOT OF TWO, tinted lithographs on paper, two prints total, one example titled "Colossal Head at Izamal, Mexico" (Plate XXV), and anothe

Frederick Catherwood (English 1799-1854), Orientalist landscape watercolor on paper depicting a tomb in the Middle East, illegible title and possibly date at lower center, also monogrammed after title

(5) Vintage hand-colored engravings of Yucatan monuments after Frederick Catherwood (England, 1799-1854), scenes to include, "Gate at Uxmal", "Door at Labnah", "Religious Monument

After Henry Papprill (1816-1903) hand colored print, based on original sketch by Frederick Catherwood (British, 1799-1854) "New York", taken from the North West angle of Fort Columbus, Governor's Isla

CATHERWOOD, FREDERICK (1799-1854) Jerusalem: two drawings, perhaps circa 1833. 12 1/4 x 18 1/2 inches (31 x 47 cm); pencil and watercolor heightened with white on watercolor paper mounted to card. Wit

1854; oil on canvas; unsigned; titled and dated in ink verso, and typewritten F.R. paper label verso; Provenance: Manhattan Galleries, Pasadena, California label verso; 25 x 30 inches; 31 x 36 inches

[ART] FREDERICK "Fritz" SOLOMON (1899-1980) German Expressionist artist. Original ink drawing, unsigned, circa 1930s, approx. 9-1/4 x 4-3/4 in. plus margins. Unframed. Comes with some biographical inf

Original Watercolor with pen & ink, illustration from "The Seizure of the Aurora Borealis", unsigned, probably by Frederick Coffay Yohn (1875 - 1933), matted and framed. Visible image: approx. 18" x 8

STEWART, ALLAN [WATSON, FREDERICK] COMPLETE SET OF EIGHT ILLUSTRATIONS FOR MUCKLE JOHN ink and watercolour on paper, mostly unsigned and laid down to card(Each approximately 32 x 23cm)Muckle John by F

Maxfield Frederick Parrish ( New Hampshire, 1870 - 1966) Ink/Paper of a young girl Reading. Provenance: Alma Gilbert & Peter Smith, NH. Unsigned. Owners of Maxfield Parrish House and author of books o

(French, 1740-1811) Vues des ruines du Colisee, unsigned, ink inscriptions verso, red chalk on laid paper, 17-1/8 x 21-7/8 in.; gilt wood frame, 21-7/8 x 26-7/8 x 1 in. Provenance: Collection of Charl

(French, 1789-1861) Family Portrait, unsigned, ink cutout on cream paper with ink wash and pencil, sight 13-1/2 x 21 in.; wood and gilt frame, 22-3/8 x 29-7/8 in. Provenance: Private Collection, Middl

(French, 1844–1914)Cavalier, with another study verso, unsigned, ink wash over pencil, 8-1/2 x 5 in.; gilt wood and composition frame with sandwiched glass, 16-1/2 x 12-7/8 in. - Note: René Pierre

Oil on canvas. 5 x 6 1/2 in. Featuring an incredible level of detail in such an intimate painting, Ginger Pot, Cake, Lemons perfectly communicates the loveliness of teatime. Peto often looked at objec

Antique Ming Style Chinese Painting on Silk with color and ink, unsigned. Age related wear; trimmed from a scroll. Height 46 1/2 inches (118 cm.).

Attributed to Jean-Honoré Fragonard (French, 1732-1806) , "Rape of the Sabines after Pietro di Cortona (Italian, 1596-1699)", 1761, black chalk on paper, framing lines in brown ink, unsigned, pencil-

Frederick Samuel Dellenbaugh (1854-1935) Navajo Indian signed, inscribed and dated 'F.S. DELLENBAUGH / ARIZONA / 1884-5' (lower left) and signed and dated again, titled and inscribed 'Keam's Caño

(19th century) Conversation Scene, Two Ladies Seated at Table, unsigned, gouache and ink on cream paper, sight 9-1/4 x 11-3/8 in.; Conversation Scene, Two Ladies Seated on Couch, unsigned, gouache and

(French, 1722-1820) Monuments et tombeaux en ruines, unsigned, pen and ink, ink wash, heightened with watercolor, 10-1/8 x 15-1/2 in.; gilt wood frame, 14-3/8 x 19-1/4 in. Provenance: Collection of Ch

LIU CHUNLINChinese, 1872-1944Calligraphy couplet scroll. Signed and seal marked mid-left margin. Together with an unsigned calligraphic scroll.Inks on paper, 50” x 12”. Provenance:Hurst Ga

East Indian/Punjab School (19th century), "Hunting Cheetahs or Leopard," circa. 1850, gouache, watercolor and ink on paper, unsigned, titled in English and Persian upper left, sight: 7.5"h x 9.75"w, o