FREDERICK CATHERWOOD (BRITISH, 1799-1854) PRINTS OF

FREDERICK CATHERWOOD (BRITISH, 1799-1854) PRINTS OF MAYAN RUINS, LOT OF TWO, tinted lithographs on paper, two prints total, one example titled "Colossal Head at Izamal, Mexico" (Plate XXV), and anothe

After Henry Papprill (1816-1903) hand colored print, based on original sketch by Frederick Catherwood (British, 1799-1854) "New York", taken from the North West angle of Fort Columbus, Governor's Isla

FREDERICK CATHERWOOD (British, 1799-1854)Ornament over the Principal Doorway, Casa del

Frederick Catherwood (1799-1854) "Well at Bolonchen" from the "Views of Ancient Monuments in Central America Chipas and Yucatan." Hand colored tinted Lithograph, trimmed to the image an mounted on car

Archway, Casa del Gobernador Uxmal Plate 10. Frederick Catherwood (1799-1854). From Views of Ancient Monuments in Central America, Chiapas and Yucatan. Hand-colored lithograph. London, 1844. 15 x 11 1

Frederick Catherwood (English 1799-1854), Orientalist landscape watercolor on paper depicting a tomb in the Middle East, illegible title and possibly date at lower center, also monogrammed after title

(5) Vintage hand-colored engravings of Yucatan monuments after Frederick Catherwood (England, 1799-1854), scenes to include, "Gate at Uxmal", "Door at Labnah", "Religious Monument

CATHERWOOD, FREDERICK (1799-1854) Jerusalem: two drawings, perhaps circa 1833. 12 1/4 x 18 1/2 inches (31 x 47 cm); pencil and watercolor heightened with white on watercolor paper mounted to card. Wit

THOMAS WILLSON (BRITISH, 1799-1854) ROSEWOOD AND MAHOGANY CANTERBURY, featuring finely turned barley-twist posts, pierced fretwork sides and a single full drawer at base, fitted with likely original c

FREDERICK YATES (American / British, 1854 - 1919). Spring Morning At Rydal, Oil on board. Signed lower left hand corner. Framed. - 7 x 10 inches, frame: 12 x 15 inches

after JOHN WRAY SNOW (British 1801-1854) A PRINT, "The Meet at Blagdon," LONDON, hand colored mezzotint engraving after the original, " To Sir Matthew White Ridley Bart. This Engraving from the Origi

Description: Frederick H. Evans, York Minster, North Transept, “In Sure and Certain Hope”, Print. Dimensions: 3.5" x 4" Image, 13" x 16" Overall Artist or Maker: Frederick H. Evans Medium: Print C

WILLIAM H. BARTLETT (BRITISH - AMERICAN, 1809-1854) LANDSCAPE PRINTS, LOT OF TWO, hand-colored engraving on paper (each), scenes of Washington, DC, from Bartlett's "American Scenery", including "WASHI

Title: Sabbath Day Point, Lake George. Artist: after William Henry Bartlett (1809 – 1854). Engraver: Henry Adlard (British, 1799–1893). Description: hand coloured antique steel engraving on wove p

Four hunting genre prints by celebrated British artist John Frederick Herring Sr. (1795-1865). These prints came from a Virginia estate. Each measures 17 inches x 24 inches, and each print is double m

This rare and resplendent folio lithograph is from Frederick Catherwood Views of Ancient Monuments in Central America, Chiapas and Yucatan 1844. The work was published in London by F. Catherwood in 18

This rare and resplendent folio lithograph is from Frederick Catherwood Views of Ancient Monuments in Central America, Chiapas and Yucatan 1844. The work was published in London by F. Catherwood in 18

Prosperi, Liberio "Lib" (British, 1854-1928) for Vincent Brooks, Day & Son for Vanity Fair, The Winning Post, double-page racing caricature, 1888, chromolithograph, 13 x 19, mahogany finished wood fra

Joseph Bishop Pratt (British, 1854–1910) "Portrait of Lady" published by fine arts dealer Thomas Agnew & Sons. Depicting a half-length portrait of an 18th century lady, dressed in fur trimmed robe.

Newton Fielding (British, 1799-1856) watercolor "Black Rooster", watercolor on paper, signed "Newton Fielding 1854", 4-1/4" x 6" sight, framed 10-1/4" x 11-1/4", very good condition, not inspected out

the first: John Taylor Arms (American, 1887-1953), Notre Dame de Laòn, etching, 1929, pencil signed and marked as third state lower margin; the second: John Martin (British, 1789-1854), The Approac

Copper Plates Published 1787, London for "A New, Universal and Impartial History of England" also titled "Raymond's History of England" by George Frederick Raymond. Paper Size: 13.75 x 8.5 inch (35 x

Copper Plates Published 1787, London for "A New, Universal and Impartial History of England" also titled "Raymond's History of England" by George Frederick Raymond. Paper Size: 13.75 x 8.5 inch (35 x

Seven Landscape Prints , incl. "The Narrows from Staten Island", "The Palisades - Hudson River", "Sing Sing Prison and Tappan Sea" and others, many after William Henry Bartlett (British, 1809-1854), e