Gary Hume (b. 1962), Gran, Serigraph with Collage, 2004

Lance Letscher (Amer., b. 1962), "Test your I.Q.", 2004, collage and mixed media on paper sight: 12 x 15 in., frame: 22 x 25 in. Provenance: D. Berman Gallery; Austin, Texas We happily prov

Josh Agle (aka SHAG)(b. 1962)"Red Wahine," 2004Acrylic and vinyl paint on panelSigned lower left: SHAG16" H x 9.5" W Provenance: Property from a Distinguished Palm Springs Estate

Lot 14 Lance Letscher American (b. 1962) Untitled (Tessellated Collage) collage with paper and staples on masonite 12 1/2 x 9 inches Additional Information: inscribed verso: 'Happy Birthday Howar

Lance Letscher (American, b. 1962) "Saint," 2000, collage on book cover, signed, titled en verso. Size: 21.5'' x 16'', 55 x 41 cm (book); 30.25'' x 24.75'', 77 x 63 cm (frame). Provenance: The Robert

Sunshine Reeves and Gary Reeves Diné (Navajo), (b. 1966) & (b. 1962), the first: Sunshine Reeves, a densely decorated wide silver cuff centering a stretched ovoid turquoise; the second: Gary Reev

Lance Letscher (American/Texas, b. 1962), "Water", 2001, mixed media collage on masonite mounted to board, signed and titled on reverse of mount, "D. Berman Gallery, Austin, TX" label with artist, tit

TAKASHI MURAKAMI (b. 1962) Jellyfish Eyes, USA/Japan, 2004 Offset lithograph in colors Signed, dated, and numbered 196/300 Sheet: 26 3/4" sq.

James Hiroshi Suzuki (Japanese/American, b. 1932) Collage #11 1962. Watercolor on paper. Signed and dated 'Suzuki 62' (lower right). 10 1/2 x 14 in. Martha Jackson Gallery, New York, NY. Anderson Gall

Takashi Murakami (b. 1962) "Jellyfish Eyes - Black 1" Year: 2004 Offset lithograph in colors on smooth wove paper 19-5/8 x 19-5/8 inches (49.8 x 49.8 cm) (sheet) Edition: From the edition of 300 Signe

Lot 10 James Denmark American (b. 1936) African Girl (2004) collage signed lower right sight: 5 1/8 x 7 1/8 inches Provenance: The Estate of Bruce Teleky

(lot of 2) George Herms (American, b. 1935), Burpee Seed Collages, 1962, each unsigned, each with gallery label (Ota House, Marina Del Rey, California) affixed verso, each overall (with frame): 18" x

Todd Murphy (American, b. 1962), Untitled (Dress with Dish), 1994, photo collage, oil paint, tarr emulsion, and plexiglas on canvas, gallery label (Haines Gallery, San Francisco, CA) affixed verso, ca

Donald Baechler (American, b. 1956) Gouache & Collage on Paper "Untitled, Apple", 2004. Initialed and dated in bottom right corner. Also signed to verso. Originally purchased at Philip Tifft Fine Art.

Jim Dine (American, b. 1935) Tool Box 10, 1966 Serigraph and collage on paper 23 1/2" x 18 1/2" Pencil-signed, and float-mounted behind plexiglass in a maple frame that measures 3

Three works of art; Jellyfish Eyes Black 1, 2004/2012; Offset lithograph in colors (framed); Signed and numbered 106/300; 19 1/4" x 19 1/4" (sight); Jellyfish Eyes White 1, 2006; Offset lithograph in

UNTITLED, 2004, iridescent acrylic painting on canvas, initialed and dated on verso, 20 x 30”. From the collection of Laurie Frank, Frank Picture Gallery Santa Monica.

David Harouni (American/Louisiana, b. 1962) "Untitled - Evolution of the Horse and Carriage" suite of five collage and oils on burlap with rods for hanging. each 88" x 48" Provenance: Artist has confi

Zhan Wang (Chinese, b. 1962), "Flowers in the Mirror #7 (from Beijing Series)," 2004, chromogenic print, signed and dated lower right, edition 3/8, overall (with frame): 25"h x 33"w

THE NOBLE ONE, 2004, cold painted bronze sculpture, signed and dated and numbered 3/28, size 32" tall, with marble base overall 33 1/2" tall. Provenance: Purchased directly from the artist.

Peter Max (American/German, b. 1937) Blushing Beauty serigraph signed Max in plate 37 1/2 x 29 1/2 inches (sight). Property from the Estate of Gary P. Grunau, Milwaukee, Wisconsin

Charles Fazzino (b. 1955) The Girl Can't Help It 2004 3-D Serigraph, Deluxe edition, triple-layer, Swarovski crystals, art glitter Hand Signed and numbered in pencil lower margin 8.5 inches x 9.75 inc

δ Damien Hirst (b.1965)A Small Square TableAssemblage of glass topped table with collage of printed menus, chopstick packets and business cards, 2004, signed in black felt tip pen on each of the

Emmanuel Garibay (b. 1962) Black Saturday signed and dated 1998 (lower right) oil on canvas restored by the artist himself in timefor his 2013 retrospective 72" x 60" (183 cm x 152 cm) EXHIBITEDPinto

mother of pearl, gilder's clay, and moon gold leaf on panel in twelve panels Overall: 8'8" x 18'6" Provenance: Commissioned for a Private Collection (a Michael Smith installation), with copy of invoic