George Clarkson Stanfield (British, 1828-1878)

Attributed to George Clarkson Stanfield (British, 1828-1878) The working mill in a continental medieval town, probably Saarburg, Germany oil on canvas 60.9 x 91.5cm (24 x 36in).

GEORGE CLARKSON STANFIELD (BRITISH, 1828-1878) OIL ON CANVAS, 19TH C., H 24", W 36", SCHOONER OFF THE DOVER COAST Signed lower right. Framed Measurements H 32" W 44"

George Clarkson Stanfield (British, 1828-1878), attributed, oil on board painting depicting a fishing scene. Not signed. Frame Size: 22 inches high x 28.75 inches wide. George Clarkson Stanfield was a

Attributed to George Clarkson Stanfield (British, 1828-1878), Sankt Gorshausen, Germany, oil on canvas on panel, bears signature lower left, panel: 16"h x 20"w, overall (with frame): 21"h x 25"w.

CRUIKSHANK, George (1792-1878). [Large group of clipped etchings]. Published by the artist, 1827-1828. (Various sizes). Approx. 69 etchings. A collection of etchings from the noted British caricaturis

Men-o-War and other craft on the Medway at Sunset Oil on canvas Signed lower right Size: 29 x 49 in. With The Fine Art Galleries, T. Eaton Co., stock # 20487; With The Fine Art Galleries, T. Eaton Co.

Clarkson Stanfield (British 1793-1867) "After the Storm" Signed and dated lower right, "C Stanfield R.A. 1853". Oil painting on canvas. A friendly associate of Joseph Mallord William Turner, Charles D

Attributed to Clarkson Stanfield (British, 1793-1867) Oil on Canvas Undated, unsigned, marine coastal seascape including boat and lighthouse, in seemingly original ornate gilt gesso and wood frame Pro

Clarkson Stanfield (British, 1793-1867) Oil on Board Undated, signed lower left, depicting a Mediterranean village scene, a gold painted gesso on wood frame Property from: Private Collector, Lake Fore

Clarkson Stanfield (British, 1793-1867), Ship at the Dock, 1815, oil on canvas, signed and dated lower right, canvas: 20"h x 30"w, overall (with frame): 26"h x 35.5"w

Attributed to CLARKSON STANFIELD (British, 1793-1867), Sailing Ships, watercolor, image size: 12 x 16 inches, framed: 22 x 25.5 inches. not signed. Framed Watercolor, Unsigned, Attributed to Clarkson

Clarkson Stanfield, RA (British, 1793-1867) Basilica di Santa Maria della Salute, Venice signed and dated 'Clarkson Stanfield RA 1847' (lower left) oil on board 81 x 144.5cm (31 7/8 x 56 7/8in).

'After a Storm Recovering the Mast'. Oil on canvas. Unsigned. From a Greenwich, CT estate. - Dimensions: 27" h x 32.50" w.

George Stanfield Walters (British, 1837-1924) Boats in River watercolor on paper signed G.S. Walters (lower left) 12 x 19 inches. Property from the Collection of Leonard Stark, Chicago, Illinois

George Stanfield Walters. British. 19th/20th century watercolor painting depicting extensive harbor view with multiple ships. Signed lower left with R.B.A. Framed under glass. Sight: 9.5 x 16.5in. Ove

Norwegian timber ships in Yarmouth dock Watercolour Signed & dated lower right 1906 Image size: 24.13 x 34.29cm. (9 1/2" x 13 1/2") Frame size: 35.56 x 45.72cm. (14" x 18")

William Clarkson Stanfield (1793-1867) British, A capriccio harbour view, watercolour, blue and brown wash, signed, Peter Cardiff Fine Art label verso, 9.25" x 18.5", (23.5x47cm).

After William Clarkson Stanfield (1793-1867), oil on canvas, "The Chateau Chillon", written lower left: Clarkson Stanfield, having British Heritage label on verso, 16" x 20 1/2"

George Stanfield Walters, British, 1838 - 1924, Sailing Ships, watercolor, signed and dated 1888. (ESTAN9004)[TC] Dimensions:9.5 x 13.5

Cruikshank, George (British 1792-1878), The Headache, 1835, engraving, published by Thomas McLean in 1835, image 8 x 9.75inches, frame 17.25 x 18.25 inches.

Sailing boats in an English harbour, watercolour on paper, 20 x 30 inches, signed.

George Cruikshank (British, 1792 - 1878)Monk on Donkeyswatercolor on paperLeonard Clayton, New York label on back5 3/4" x 8 1/4"

George Stanfield Walters, Grimsby sailing barge and other shipping off Whitby, watercolour on paper, signed. Giltwood frame. 11.5" x 18.5".

George Cruikshank (British 1792-1878) The Worship of Bacchus etching, 1865, after the original oil painting held at the Tate Gallery in London, signed  and annotated "First Proof' in pe