Glen Tarnowski FL O/C Study Through To Tomorrow

Glen Tarnowski FL O/C Study Through To Tomorrow. Frame measure 15" x 13", Sight 5.5" x 3.5"

Continental school oil on canvas painting depicting a Cherub or Putti floating above the clouds with a blue garment surrounding his legs, and several more angels hovering above in a hazy pink sky. Uns

Suzanne Baker (CA, b 1939) 24x32 , O/C , signed lower right , "Study in Browns #2" , Depicting: wild horses in desert , Inscribed: SB 155 written en verso Provenance: purchased at El Prado gallery (ta

Florida River at Sunrise, signed oil on canvas. An African-Amercan landscape and skyscape painter, Livingston Roberts, as a young man in the 1950s was one of the original members of a Florida group ca

Eugene Francis Savage (Am. 1883-1978), signed lower left, estate stamp verso. Frame size: 22" high, 22" wide; sight size: 17" high, 17" wide.

Eugene Francis Savage (Am. 1883-1978), an important study for the mural at Covington, Indiana Courthouse (Savage was born in Covington), together with an unsigned charcoal/graphite on paper sketch of

Eugene Francis Savage (Am. 1883-1978), study for mural for the north wall mural in the Hall of State building completed in 1936 for the Texas Centennial Exposition in Dallas at Fair Park; depicting sc

Eugene Francis Savage (Am. 1883-1978), large unsigned study done in 1940 for Pennsylvania State Building in Harrisburg, together with an archival photo. 46" high, 72" wide. Edge losses to canvas, soil

Schlessinger "Study in Blue" Seated Figure O/C, circa 1968, unsigned. (LKRA1411)[AC] Dimensions: Sight: 33.5" x 26" Frame: 35.5" x 28" Provenance: From a Stamford, Connecticut Shoreline Home

Titled "Study in Counterpoint," signed, and dated 1965 verso. Dimensions: H 72" x W 72" Condition: Overall light surface dirt. Some rubbing along the bottom. Tape around borders of canvas coming loose

Eugene Francis Savage (Am. 1883-1978), signed lower right, study for Communication Building, New York World's Fair, 1939. Unframed: 45" high, 30" wide. Losses with tear upper left, edge losses.

18th century Spanish School oil on canvas depicting a portrait of Fray Luis de Granada (Spanish, 1504-1588), the Dominican theologian writing in his study with shelves of leatherbound books behind him

24" x 16" O/C Still Life of Grapes Titled "Study From Nature" Signed on Back- Edwin Deakin. In Ornate Gold Gilt Frame, Overall with Frame 34" x 25 1/2"

Margaret Wehrley (Wisconsin, fl. early 20th c.) oil on canvas Regionalist painting depicting a row of suburban homes with various figures illuminated by sunlight in the middle ground and a large concr

Circle of Thomas Pope-Stevens (Ireland, fl. 1765-1780) oil on canvas portrait painting of Lady Anne Dawson depicting a brunette, brown-eyed woman in a white dress with an emerald brooch, bright blue s

Margaret Wehrley (Wisconsin, fl. early 20th c.) oil on canvas WPA-era painting entitled "Rainy Day (Wisconsin)," depicting storm clouds over a road leading toward a farmstead with barn and house tucke

Glen Grant-1963 Bottled 1978 by Berry Bros. & Rudd Ltd. Labelling creased with some rubbing and minor staining. Level: into neck 26 ⅔ fl. oz., 75.7cl. Single malt, 75 degrees proof 1 bottle

Two (2) British oil on canvas equestrian portraits by Imogen Collier and Walter Wasdell Trickett. 1st item: Imogen Collier (United Kingdom, fl. 1898-1904) oil on canvas painting depicting a horse stan

Max Sinclair (British, fl. 1890-1910), "In the Gulf/Call of Man," 1883, oil on canvas, painting depicting a stormy coastal scene with a lighthouse on a cliff, signed and dated at lower right "M. Sincl

Peter Pettegrew (FL, b.1963) 30x40 , O/C , signed lower right , Low Country Dusk , Depicting: South Carolina marsh at sunset

RHODE ISLAND/GERMANY, 1854-1910 An oil on canvas portrait study painting of a lioness by Hugo Bruel. The work depicts a female lion with mouth open and exposed incisors executed in an Impressionist st

David W. Haddon (UK, fl.1884 - 1914) 30x21 , O/C , signed lower left , Monks Serving Drinks Condition: evidence of prior restoration, lined canvas

After John Verelst (fl. 1698- London 1734), late 18th or early 19th century Continental oval oil on canvas portrait of a raven-haired woman wearing a grey velvet frock and a satin wrap, inscribed 'Ion

Titled "Marathon FL XIV" 1974, signed and dated lower right, inscribed and dated verso. Dimensions: (Painting) H 14" x W 20" Condition: Unvarnished. Framing strips with separations at corners.