GOODALL, George (British 19th c.)

G. Hunt, Temple Rangoon aquatint, George Hunt (British, 19th c.), "Inside View of the Gold Temple on the Terrace of the Great Dagon Pagoda at Rangoon", c.1825, 12"h x 15.75"w (sight), 18.25"h x 22"w (

Framed 19th c. Large English Watercolor by George Sykes (b.1863). West Yorkshire pastoral stream and village landscape. George Sykes was active and lived in Huddleston, West Yorkshire in the United Ki

After George Romney (British, 1734-1802) 19th Century Lady Albinia Cumberland oil on canvas 30 x 24 1/2 inches. Property from the Estate of Ruth Lippman, Phoenix, Arizona

A Set of Eight Hand-Colored Engravings After George Edwards (British, 1694-1773) LATE 19TH CENTURY from A Natural History of Uncommon Birds. Plate 9 1/4 x 7 1/4 inches; framed 15 1/4 x 12 3/4 inc

GEORGE HOUGHTON (19th c. British) - (2) Coastal Naval Engagements, oil on canvas, featuring longboats pulling away from a Royal Navy topsail schooner, which is firing a gun; and a Canadian Brig, which

Barn, Oil On Canvas In 19th C. Bird's Eye Maple Frame, Canvas 12 X 12, Frame 16 X 16, Signed Lower Right, Excellent Condition, No Repairs, From Rue 770 Collection,no Reserve

19th c. British textile after George Morland- ''Morland's Cottager''- gouache and embroidery on silk, several tears. 19 1/4 x 16 1/4''

In the manner of George Henry Harlow (British, 1787-1819), early 19th century English oil on canvas, depicting a portrait of a gentleman wearing a dove grey coat with fur collar, 27"h x 22"w, overall

GEORGE CLARKSON STANFIELD (BRITISH, 1828-1878) OIL ON CANVAS, 19TH C., H 24", W 36", SCHOONER OFF THE DOVER COAST Signed lower right. Framed Measurements H 32" W 44"

AN IRISH REGENCY STYLE CARVED MAHOGANY SETTEE, 19TH CENTURY, BRITISH ISLES, in the George II taste, the canted rectangular back over a cushioned bench seat, within outwardly scrolled arms on sloping s

George L Seymour (19th C British) Painting, Seascape. 5 X 10 Inches. Signed Lower Right.

Single Draw Long Glass, circa 1820, with 1 1/2" objective, sliding eyepiece cover, original mounting clamp, the draw engraved "G. Bradford, 99 Minories near Tower Hill, London, Day or Night", 19" clos

British, 19th century, three oyster plates, two with impressed English Registry and Minton mark, 9 in.,  and one with conjoined "GJ" for George Jones, 10-1/2 in., minor wear; two matching Minton

British, early 19th century, upper case with glazed doors opening to adjustable shelved interior, lower case with finely fitted satinwood lined desk interior over three long drawers, 91-1/2 x 47-1/2 x

British, early 19th century, finely grained leather top with banded surround over four dovetailed drawers and four false drawers, pedestal base with brass casters, 29 x 42 in.

An antique late 19th-century English majolica tankard jug. Light blue body color with pastel floral ornaments. The panels on the body depict a fox and a dog. The lid is topped with a wolf figurine. Ha

British, early 19th century, upper case with dentil molded cornice over two glazed doors opening to adjustable shelved interior with fabric lined back, lower case with finely fitted desk drawer, with

George Thompson (British, 19th century), "View of English Countryside", oil on canvas, apparently unsigned. Landscape painting depicting small period rural village, possibly near Wallingford, Berkshir

Late 18th - early 19th C. cross stitch on linen map, showing all the counties of England and Wales, the "German Ocean", (so called until WW1,) Irish Sea, St. George's and British Channels, part of Sco

19th c. BRITISH LION BRASS DOOR STOP, 13"

George IV cypher cast in guard. 22 inch blade, 27 inches (overall). Together with an original brass tag #135

British, late 18th/early 19th century, folding mahogany form with leather lined steps and padded seat, 23-1/4 x 19 x 30 in., open height 47 in. Provenance: Val Jacobsen Antiques, 1988; bequest of Mr.

British, late 18th/early 19th century, shield back Hepplewhite chairs with leaf and wheat sheaf carved shield backs an over the rail upholstered serpentine seats, tapered legs with spade feet, two arm

Antique Georgian or early Victorian 19th century English traditional style horse portrait painting on canvas by George Van Arden (American or British, born 1806). A striking study of a white stallion