Great Ultra Handkerchief Change. New Haven: Petrie &

Great Ultra Handkerchief Change. New Haven: Petrie & Lewis (P&L), ca. 1940. Device allows a visible, slow transformation of a handkerchief from one color to another. At the conclusion of the effect, t

Ultra Card Box (Thin). New Haven: Petrie and Lewis (P&L), ca. 1935. Cupro-silver box approximating the look of a cigarette case makes possible the vanish, production, or change of objects that fit ins

Three Change Bags. New Haven: Petrie and Lewis (P&L), ca. 1940. Set of three P&L change bags including the small Spirit Bag, standard and Jumbo Zipper Change Bags. One hallmarked. All three show wear,

Ultra Four Ace Effect. New Haven: Petrie & Lewis, ca. 1940. Mechanical stand crafted from metal. The special construction facilitates the well-known four-ace assembly trick. 13" tall. Claw feet. Near

Ultra Card Rising Reel. New Haven: Petrie & Lewis, ca. 1940. Compact vest reel aids in the levitation of chosen cards from one hand to the other above it. 1 ¼ x 3/8". Hallmarked. Very good, boxed wit

Mechanical Passe Passe Bottles. New Haven: Petrie & Lewis (P&L), ca. 1949. Comedy effect in which a bottle and glass change places underneath two separate metal tubes. Three-bottle "repeat" model, wit

Card Box. New Haven: Petrie & Lewis (P&L), ca. 1930s. Cupro-silver box fashioned after a cigarette case, facilitating the vanish, production, or change of thin objects fitting inside. Hallmarked. 4 x

Passe Passe Bottles. New Haven: Petrie & Lewis (P&L), ca. 1940. A bottle and glass magically change places underneath two separate metal tubes. Uncommon yellow paint variant, likely produced for Kante

[P&L] Dream Tube trick. New Haven, Petrie & Lewis (P&L) for Steen, ca. 1932. Handkerchiefs or a billiard ball are produced from an empty tube. Objects can also vanish or be changed when placed in the

Bogert Tube. New Haven: Petrie & Lewis (P&L), ca. 1930. Water is poured into a metal canister, which is capped with a drumhead and set in a nickel plated stand. Dry silk handkerchiefs are then produce

Card Tripod. New Haven: Petrie & Lewis (P&L), ca. 1930s. Nickel-plated tiered stand changes one card for another. 4 ¼” tall. Hallmarked base. A single unobtrusive dent on the lid, else very good.

Card Tripod. New Haven: Petrie & Lewis (P&L), ca. 1930. Copper stand changes one card for another. 4 ½" tall. Hallmarked. Very good.

Salvador Dali (Spanish, 1904-1989) "The Persistence of Memory", 1974 from Changes in Great Masterpieces color lithograph published by Phyllis Lucas Gallery, New York, New York pencil-signed and number

A card holder similar in style to a cigarette case can be used to switch, vanish, restore or make appear a card. Cupro Silver, paint showing on hinge. What makes these boxes great are that they can be

A Time of Change, The Great Fake Book, The Finishing School, New and Selected Poems Robert Penn Warren, Little Wilson & Big God, Blues. Leather stamped in gilt, Franklin Library

A Time of Change, The Great Fake Book, The Finishing School, New and Selected Poems Robert Penn Warren, Little Wilson & Big God, Blues. Leather stamped in gilt, Franklin Library

PERSISTENCE OF MEMORY (74-2A) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 146/150, published by Phyllis Lucas New York, sight 25 ½ x 27 ¼

REMBRANDT SELF PORTRAIT (74-2E) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 123/150, published by Phyllis Lucas New York, sight 29 ¼ x 21

VERMEER THE LETTER (74-2F) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 76/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼”,

RAPHAEL THE MARRIAGE OF THE VIERGE (74-2C) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 98/150, published by Phyllis Lucas New York, sight 3

VELASQUEZ LAS MENINAS (74-2D) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 5/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼��

VELASQUEZ THE SURRENDER OF BREDA (74-2B) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 37/150, published by Phyllis Lucas New York, sight 24

Antique map of California, Nevada, Utah, Colorado, New Mexico, and Arizona. Published during a great time of expansion and change in the U.S. West, as well as during the Civil War. Here Utah displays

Authentic vintage map of California, Utah, Nevada, Colorado, New Mexico, and Arizona. Created during a great time of expansion and change in the western United States while the Civil War was still rag