Harpers Weekly Engraving Hand Colored Sacramento Street, San Francisco

Sacramento Street, San Francisco. Discoloration from previous mat. Approx. 10 1/8 x 7 in.

Mechanics Industrial Fair Building, S.F., Ca. Approx. 6 1/4 x 10 7/8 in. 5 3/4 in. horizontal tear lower right. Tape residue on back. Discoloration throughout. Provenance: Argosy Book Store

City of San Francisco (from Second St. above Folsom). Approx. 9 1/2 x 15 3/4 in. Discoloration from previous mat. Wear to edges. Tape residue on top edge of back. Folded along bottom edge. Provenance:

Sicilian and Italian Fishermen's Dock, San Francisco. Approx. 13 1/4 x 19 3/4 in. (image). 16 x 22 in. (paper) Discoloration from previous mat. Wear to edges. Areas missing form corners and edges. Tap

View of the Plaza or Public Square, San Francisco, Ca. Approx. 7 3/4 x 11 in. (paper). Discoloration from previous mat. Tape residue at fold. Provenance: Argosy Book Store

Smelting Ore in Colorado, May 30, 1874. Approx. 15 1/2 x 21 3/4 in. (paper). Dry mounted to paper backing. Discoloration from previous mat. Light wear to edges. Small area missing lower right corner.

Driving Cattle into a Corral, Sept. 11, 1875. Approx. 16 x 21 3/4 in. (paper). Discoloration from previous mat. Dry mounted to paper backing. Tape residue on back. Provenance: John Barbier, Seaside, C

A Tornado in the Rocky Mountains, Sept. 19, 1885. Approx. 15 5/8 x 22 in. (paper). Discoloration from previous mat. Light wear to edges. Small paper loss lower right corner. Dry mounted to paper backi

Behind Time, August 30, 1890. Approx. 15 3/4 x 22 in. (paper). Discoloration from previous mat. Wear to edges. Tear on right edge. Dry mounted to paper backing. Provenance: John Barbier, Paper Collect

Behind Time, August 30, 1890. Approx. 15 1/2 x 21 3/4 in. (paper). Discoloration to edges from previous mat. Dry mounted to paper backing. Provenance: John Barbier, Paper Collectibles, Seaside, Ca.

On the Way to New Diggings, May 1, 1875. Approx. 15 3/4 x 22 1/4 in. (paper). Wear and loss to edges. Discoloration from previous mat. Foxing throughout. Dry mounted to paper backing. Tape residue on

Irrigation in Colorado - letting water into a side sluceway. Approx. 16 3/4 x 11 5/8 in. (paper). Discoloration from previous mat. Wear, tears and paper loss to edges. Light foxing. Dry mounted to pap

An Indian Funeral - Off for the Happy Hunting Grounds. Approx. 13 1/2 x 19 3/4 in. (image). 13 3/4 x 21 3/4 in. (paper) Tape residue and tear repair on back. Discoloration from previous mat. Provenanc

A Deer Drive in the Texas 'Cross Timber', 1874. Approx. 17 x 23 in (paper). Discoloration from previous mat. Light wear to edges. Tape residue on back. Dry mounted to paper backing. Provenance: Old Pr

Felling the Redwood Trees of California. Approx. 16 3/8 x 23 1/4 in. Discoloration from previous mat. Wear to edges. Small tears and paper loss to edges. Provenance: J. Pocker & Son

Felling the Red-wood-Trees of California. Approx. 16 1/4 x 22 1/4 in. (paper). Discoloration from previous mat. Dry mounted to paper backing. Provenance: Old Print Gallery, Washington, D.C.

"THE UNIVERSITY REGATTA FOR 1873", appearing in Harper's Weekly, wood engraving and hand-colored. Measures approximately 20-1/2" x 26-1/2"; matted and wrapped in Good Condition with the center binding

Betty Guy Hand Colored Engraving of San Francisco. Professionally framed. Signed. Titled. Measures 15 inches x 17 inches.

Hand Colored Engravings. All of New York City scenes, framed as one. Of Impressive Size. Sight size: 38"h x 49-1/2"w

Original hand-colored engraving from HARPER'S WEEKLY, illustrated newspaper. Double Page, dated March 11, 1876 "Gone!". -Scene in London Railway. Departure of Immigrants for Liverpool.

4 19thC Original Wood Hand Colored Engravings from Harper's Weekly, including Emigrant Scenes and Central Park, NYC. All are matted and have information on the back about the subject. Largest measures

Five Antique Golfing Printsto include a hand-colored wood engraving from Harpers Weekly (1880); to also include four early-20th century mechanical prints after J. C. Dollman; each presented in similar

Original hand colored wood engraving from Harper's Weekly, August 10, 1878. Print shows vacationers enjoying themselves on the beaches of Coney Island, the camera obscura. Dimensions: 27 3/4" x 21" Sh

Antique hand-colored wood engraving from Harper’s Weekly after drawing by T. De. Thulstrup, 1886. Displayed in wood frame with linen mat and UV protective glass. Dimensions: 15.5" L x 0.5" W x 19.75