Harriot Herrick’s Linsey Woolsey Sampler, c. 1820

This highly developed sampler is laden with various motifs of spotted deer, lion & leopard, sheep , birds, trees, flowering plants, basket of flowers, etc mostly as mirror images. It also has upper an

Ann Maria Lovell at age 10 worked this unframed sampler featuring a Religious verse, a center-hall house flanked with stylized lawn, fence and trees with birds, dogs, and a person within. The sampler

This graphic Scottish spot motif sampler, worked by Margret Malcolm, features an assortment of flowering baskets, vases, trees, and free-floating floral designs. The condition is excellent and it reta

American, 19th C., also known as a Linsey Woolsey. Property of Boscobel Restoration, Inc., Garrison, New York. Deaccesioned by Action of the Board of Directors. Proceeds to Benefit Collection Acquisit

C. 1820-40 AMERICAN SCHOOL GIRL SAMPLER PHILADELPHIA, "HA VETHAKE" WITH QUEEN'S STITCH EMBELLISHMENTS

Linsey-Woolsey. 6’11” X 7’ 9”

Made by Anna Dodge (1792-1868), Beverly, Essex County, MA, dated 1803, silk on silk on "linsey-woolsey." Colorful flowers, alphabet lines, and a verse on an unusual, and distinctly New England, green

Group of 4 small needlework samplers. 1) Needlework sampler made by Elizabeth Lacy. Silk on silk. Possibly Pa. C. 1820. H 12-1/2" W 10-5/8". 2) Needlework sampler made by Mary Morriss. 1816. H 16" W 1

Anonymous. Wool Cross Medallion Quilt. c. 1870. Heavy-weight. Bars and squared work to form this quilt constructed primarily of wool and homespun blankets. One square is linsey Woolsey. Red wood squar

Anonymous. Wool Cross Medallion Quilt. c. 1870. Heavy-weight. Bars and squared work to form this quilt constructed primarily of wool and homespun blankets. One square is linsey Woolsey. Red woolsquare

Including: Caroline E. Noyes, Betsy Jaques 1817 and Susan Johnson 1820.

Attributed Ephraim Stahl (Swedish, 1768-1820), circa 1820. Set of five cream painted parcel gilt upholstered neoclassical empire armchairs, each having curved backs, and rising on tapering foliate car

Biedermeier Commode, Munich, c. 1820, cherry veneer with ebonized and gilt accents, 34"h x 42 1/2"w x 23"d (The client originally paid $13,500, receipt available and Certificate of Authenticity on req

Biedermeier Commode, Munich, c. 1820, cherry veneer with ebonized accents, 35"h x 45"w x 22"d (The client originally paid $13,500, receipt available and Certificate of Authenticity on request)

Early 19th C. French Armoire from the Normandy Region of France. Amateurs Consider this to be One of the Best Style of Armoires in All of Normandy. Made of Mesh Oak and Decorated with Exceptional Rich

Biedermeier Commode, Munich, c. 1820, cherry veneer with ebonized accents, 35"h x 46"w x 22"d (The client originally paid $13,500, receipt available and Certificate of Authenticity on request)

Nuremberg Compound Monocular Microscope, c. 1820 Box-type, hardwood, outer pasteboard tube with fishskin-patterned covering, drawtubes covered with paper, base signed with "ICR", screw-on dust caps on

An Indigo Dyed Linsey Woolsey Quilt Circa 1800 98 1/2 x 95 inches. This lot is located in Cincinnati.

Pair of English Imari palette lidded porcelain urns, Coalport or Spode, circa 1820, each of hexagonal form and having a Buddhist Guardian lion finial, gilt trim, and dolphin handles, on later gilded w

GRÖDNERTAL wood doll, 34 cm, c. 1820, hull and head were carved of one piece, carved hair with hairline painted up to the face , at the top a small coronet, stood out nose, painted eyes, jointed wood

English Regency patinated bronze tazza compotes, circa 1820, the pair with lion paw supports on tripod base; accompanied by paperwork. 11.25" H x 10.5" diameter. Wear to interiors. Provenance: Carlton

GRÖDNERTAL wood-doll, c. 1820, 33 cm, head and hull were carved of one pieces , painted hair with hairline painted up to  the face , painted eyes, pierced, slightly visible ears with origin

CHARLES HOWARTH STICK BAROMETER, C. 1820, H 33", W 39":English Regency mahogany barometer having an extending arm, made by Charles Howarth, Halifax. Suspended from a brass chain. Charles Howarth was a

14-Carat Gold Musical Pendant Fob, c. 1820 With single-air barillet musical movement, pinned spring-barrel wound clockwise through suspension loop, with stone-set stem, case decorated with repouss&#23