Isidor Ascheim (German/Israeli, 1891-1968) - Women,

Isidor Ascheim (German/Israeli, 1891-1968) - Landscape, Pencil and Pastel on Paper, 1936. Signed and dedicated. 47x30cm.

Isidor Ascheim (1891-1968) Polish/Israeli1947 watercolor – view of Jerusalem – signed, titled and datedOverall size: 24 1/2 x 31 in.Sight size: 16 1/4 x 22 1/2 in.

John Wesley Hardrick Indiana (1891 - 1968) Still Life with Peonies, 1945 oil on board signed and dated lower right. Highly important African-American painter from Indianapolis. Hardrick studied at the

Rebecca Salsbury James(1891 - 1968)Shell in Landscapepastel on paper19 1/2 x 25 1/2 in. (49.53 x 64.77 cm.), Frame: 23 x 29 x 3/4 in. (58.42 x 73.66 x 1.91 cm.) A Private Family Foundation**All procee

John Wesley Hardrick1891-1968Indiana River Landscapec. 1930-1940Oil on board42 x 30 inchesSigned

Roberto Montenegro (Mexico, 1885-1968) "Women" signed and dated oil on canvas of two women. Signed in the upper right "R. Montenegro" and dated '51. Frame measures 25.5" x 2" x 31.5" Measurements: 17.

John W. Hardrick (IN, 1891-1968) 24x30 , O/B , Unsigned , Creek Landscape 28.5" x 34.5" size as framed

Tunis Ponsen (1891-1968), oil on canvas, Town on Coast Landscape, signed lower left: Tunis Ponsen, 36" x 32"

John Wesley Hardrick (American, 1891-1968), Autumn Hills (Bedford, Indiana), oil on board, signed lower right, board: 22"h x 28"w, overall (with frame): 27.75"h x 33.5"w. Note: Hardrick was an influen

John W Hardrick (IN 1891-1968) 24x30 , O/B , signed lower right , Autumn Landscape , Depicting: Autumn Path & Hills , Provenance: Wickliff & Associates Auctioneers label verso Size as framed 27.5" x 3

Alberto Carosi (Italian, 1891-1968) Oil painting on canvas. Portraying a donkey walking with head low, in a barren landscape. Artist signature lower right. Housed in vintage carved wood frame. Canvas

Estella Frances Solomons HRHA (1882-1968) Woman in an Interior, Reading Oil on canvas, 43 x 53cm (17 x 20¾) Signed and dated

VICTOR GUERRIER (French 1893-1968) "Woman in Paris" Oil on canvas. 39 1/2 x 28 3/4 inches. Signed lower left: V. Guerrier.

Karel Appel (Dutch, 1921-2006) Man and Woman, , 1968 collage on board signed Appel and dated (lower right) 64 x 48 inches. Provenance: Galley Urban, New York

LUDWIG BLUM (CZECH-ISRAELI 1891-1975) Women Preparing Meals for Soldiers during the War of Independence, 1948 oil on canvas 58.5 x 71 cm (23 x 28 in.) signed and dated lower right, signed lower left

Tsuguharu Foujita (1886-1968), European woman, woodcut, 34.5X24 cm, signed on the plate. Provenance: Prof. Avraham Altman collection.Our sincere thanks to lida Ken'ichiro for his kind help with Japane

Otto Dix (1891 Untermhaus, Gera - 1969 Singen am Hohentwiel), The rooster, 1968, Colour Lithograph Technique: Colour Lithograph on paper Size: 29 3/4 x 22 1/4 in Inscription: lower left blind stamp:

Youssef, Kamal (Egyptian/American, 1926-2019), Seated Woman with Flower, 1968, oil on canvas, 50.5 x 42.5 inches, signed and dated lower right, in the original wood strip frame. Provenance: acquired f

Karl Knaths (1891-1971) Oasis, 1968 Oil on canvas Signed lower right

Roberto Montenegro (Mexican, 1887–1968), Untitled (Maya Women), 1926, aquatint, signed in ink and dated lower right, image: 13"h x 7"w, overall (with frame): 25"h x 21'w

Otto Dix, 1891-1969 Young Woman Head & Shoulders Silver Point on a prepared ground signed and dated 1932. L.R.(RANDJ1506)(WT) Measurements: 22.5" x 18.25", frame 29 1/2" x 23 1/2" Condition: vertical

Henri Gaudier-Brzeska (French, 1891-1915) Seated Woman pen and ink on paper 22 x 37cm (8 11/16 x 14 9/16in). Footnotes: Provenance With The Leicester Galleries, London With Sarah

ARTIST: Julio Moises Fernandez de Villasa (Spanish, 1888 - 1968) NAME: Spanish Woman with Fan MEDIUM: oil on canvas CONDITION: One repaired tear 5" long. Minor craquelure. Some scattered inpainting. S

Weegee (American, 1899-1968), Human Cannonball (Woman Being Fired from a Cannon), 1943, gelatin silver print, Weegee Collection stamped lower right, written in pencil verso, 10/5, FRT/600, image: 16.2