JACQUES QUINET (1918-1992) Occasional Table1946-1948wrought iron, gilding, marble, pencil mark t...

A Grand Tour style bronze mounted painted iron and siena marble veneered occasional tablemodernheight 33 1/2in (85cm); width 37 1/2in (95cm); depth 21in (54cm)

Gustave Baumann (American, 1881-1971) The Ridge Road (The High Road), 1918 color woodcut signed in pencil with artist's Hand-in-Heart chop mark titled and numbered in pencil lower margin edition of 10

EDGAR BRANDT (1880-1960) Center Table circa 1925 wrought iron, marble top, frame stamped 'EBRANDT' and 'DESSUS No. 8441_4' height 29in (74cm); width 45 1/2in (116cm); depth 27 1/2in (70cm) Footnotes:

GEORGE NAKASHIMA (1905-1990) 'Kevin' End Table 1973 Persian walnut, American black walnut, East Indian rosewood, with butterfly joint, fissures and free edge, pencil mark 'Hart' height 20in (51cm); wi

Attributed to Raymond Subes (French, 1893-1970) Art Deco Console Table, c. 1940s iron, marble H 33 x W 47 inches.

Jean-Michel Basquiat (N.Y. 1960-1988), "Rat-Shits", oil stick and pencil on paper. Note identifying crowns under top and bottom oil stick/pencil marks. Work 8 1/2" x 11 1/2". The consignors deceased h

George Nakashima (1905-1990) for Nakashima Studio coffee table New Hope, Pennsylvania, 1959 walnut pencil marks, unsigned features two sapwood streaks as ordered by the original owner and sold with a

Yayoi Kusama (Japanese, b. 1929), "Pumpkin (Y)," 1992, screenprint, pencil signed, dated, and titled lower margin, edition 18/150, printed by Okabe Tokuzo, image: 6.25"h x 8.75"w, overall (with frame)

GUSTAVE BAUMANN (AMERICAN, 1881-1971), ORIGINAL COLOR WOODCUT, H 12 1/4", W 13", "SILVER SKY":Color woodcut with aluminum leaf. Pencil signed, title in pencil, chop mark of heart in hand. Image is 12

A Chinese Famille Rose Daoguang Baragon Tumed-style cup and bowl, each decorated with seven reserves depicting the Seven Regal Treasures. Baragon Tumed iron red marks to undersides. Cup: 2-1/2in tall

2 pear-shaped diamonds weighing 4.41 cts., 20 marquise-shaped diamonds ap. 10.00 cts., 4 round diamonds ap. .50 ct., 2 oval pearls ap. 17.4 x 13.6 and 16.8 x 14.2 mm., with maker's mark for Jacques Ti

A Chinese famille rose vase, Shende Tang Zhi mark in iron red, ???? (Hall of Prudent Virtue), Daoguang period (1821-1850), shouldered form with archaistic twin handles, relief moulded pendant and tass

Evgeni Alexandrovich (Eugene) Lanceray, Russian (1848 - 1886) "Falconer on Horseback, 1872" Bronze Sculpture Presented on a Marble Base. Foundry mark written in Cyrillic. Measures 21-1/4" x 16-1/2" x

From The Philadelphian. Carved wood. Gilt. Eagle figural. Marble top. Iron brackets on back. 32" h x 43 1/4" w x 20 3/4" d.

Isamu Noguchi (1904-1988) for Akari Horn floor lamp, model BB3-33S USA/Japan, circa 1960 bamboo, washi paper, cast iron red 'Akari' mark to shade 31"w x 9"d x 74"h

Three Chinese Yellow Ground "Peach and Shou" Cups. Tongzhi Marks in Iron Red and of the Period. Cup height 6 cm. As Is.

Three Chinese Famille Rose Yellow-ground "Butterfly" Cups.. Tongzhi Marks in Iron Red and of the Period. Cup height 6 cm. As Is.

GIO PONTI Occasional Coffee Table. Brass Marble and Glass. Original Protex Glass Top. Acquired by current owner from estate dealer who removed from a doctor's estate on Long Island NY. Original owner

CHARLES DEMUTH Daylilies. Watercolor and pencil on paper, 1918. 456x302 mm; 18x11 inches. Signed and dated in pencil, lower left recto and with an additional pencil sketch, verso. Provenance: Margaret

Iron red and gilt mark, decorated with figures and birds in landscapes. 18 x 10 in. diam.

Iron red and gilt mark, decorated with beauties, flowers and a winter scene within cartouches. 12 x 4 1/2 in. diam.

This is a three station period bank tellers cage in quartered oak and with a new finish. With marble trim and iron cages, and magnificent half-round center station. A great decorators piece with a gre

iron red four-character mark; each square, decorated on all four sides with figures in landscapes, reserved on a black floral ground; 13 inches high

Second half 19th century. Carved wooden sign in the form of a pocket watch with cast iron hanger. Layers of gilding and gold paint. Double sided with "J. Ricksecker" on one side and overpaint in gothi