James A. Whistler Original Lithograph "Little Evelyn"

Medium: original transfer lithograph. Catalogue reference: Way 104. Executed in 1896 and issued in 1898 as the frontispiece in "Lithography and Lithographers" by Joseph Pennell; this is one of the com

Artist: James McNeill Whistler Title: La Robe Rouge Year: 1894 Dimensions: 9in. by 8.25in. Edition: From the rare limited edition Suite: The Studio M

James Abbott McNeill Whistler (American 1834-1903) "Gants de Suède" Suede Gloves, Beautiful Portrait of Ethel Birnie Philip, Way 26. Original Lithograph, 1890. Published in The Studio, 1894, with

Original 1895 stone lithograph by James McNeill Whistler "The Smith's Yard"..Full sheet Size is 8 1/8” x 11 3/8”

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895).Little Manly.Lithograph with original hand color.New York: Currier & Ives, 1874.14" x 10 1/4" sheet.Gale Number: 3961.

Hoary Marmot-The Whistler, Plate 103. John James Audubon (1785 - 1851). Philadelphia: J. T. Bowen, 1839-44. First Edition Lithograph with Original Hand Color. Imperial Folio, approximately 27 3/4 x 21

James Abbott McNeill Whistler (1834-1903) Little Court, Cloth Fair 1887 The transfer lithograph from 1887 is signed with Whistler's 'Butterfly' signature by hand in graphite just below the image. A se

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James Abbott Whistler Canal of Venice Lithograph. In black ink on wove paper after the original. Certificate of authenticity includedFrame measures 19.5 inches x 21 inches, artwork 6.5 inches x 5.5 in

Little American Brown Weasel, Plate 64. John James Audubon (1785 - 1851). Philadelphia: J. T. Bowen, 1839-44. First Edition Lithograph with Original Hand Color. Imperial Folio, approximately 27 3/4 x

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895).The Deacon's Mare, Getting the Word Go! From A Bad Little boy on Sunday Morning.Lithograph with original hand color.New York: Cur

AUDUBON, John James (1785-1851). Little American Brown Weasel, Plate 64. Lithograph with original hand color from Quadrupeds of North America. New York: J.J. Audubon, [1845-1849] & Colored by J. T. Bo

lithograph on thin wove paper, circa 1895-96, sheet verso with tri-lobed collector's mark, unframed. Levy 144. Image Size 9 1/2 x 6 1/4 in.; Sheet Size 11 1/2 x 7 3/8 in. Private Collection, Alexandri

JAMES A. M. WHISTLER Little Draped Figure, Leaning. Lithograph on warm, cream laid Japan paper, 1893. 179x146 mm; 7x5¾ inches, wide margins. Edition of approximately 48. A superb, richly-inked im

This is an original estate found etching print by American artist James Abbott McNeil Whistler (1834-1903). Titled "Little Putney Bridge", this print features Whistler's butterfly "signature" in the p

John James Audubon Little Chief Hare, Plate 83. (1785-1851). First edition large folio lithograph with original hand color. The Viviparous Quadrupeds of North America J.J. Audubon, New York, 1845-1848

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler is one of the most famous artists in history. His original 'Whistler's Mother' is a historic piece of art - one that has been parodied many times (the sign of a true Mast

James Whistler Lithograph, Katie stage door site, size 6 1/4 x 9 1/4 inches overall frame size 15 x 18 inches

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

James Abbott McNeill Whistle Lithograph Title: "Bead-Stringers, Venice" Medium: lithograph (after the pastel). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio

James Whistler Lithograph The Old Marble Hall, Venice Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by