Original 1895 stone lithograph by James McNeill Whistler "The Smith's Yard"

Original 1895 stone lithograph by James McNeill Whistler "The Smith's Yard"..Full sheet Size is 8 1/8” x 11 3/8”

James Abbott McNeill Whistler (American, 1834-1903) The Smith's Yard, 1895 lithograph blindstamp lower right 10 1/8" x 7 3/4"

JAMES A.N. WHISTLER LITHOGRAPH "SMITHS YARD" 1895 9.5" X 8" SHEET

Lithograph, The Smith's Yard", James Abbott McNeill Whistler, 7.75" by 6.5"

James A. M. Whistler (American 1834-1903)- ''The Smith's Yard'' (Way 88)(Levy 126); ''Firelight: Joseph Pennell, No. 1'' (W. 104)(L. 152)- 2 lithographs, 1895, 1896, '..Yard' as published in ''The Stu

Black framed lithograph by James McNeill Whistler, titled "The Smith Shop". Not numbered. [Art: 9" H x 7" W; Frame: 14 1/2" H x 12 1/4" W]. In good condition.

Artist: James McNeill Whistler Title: La Robe Rouge Year: 1894 Dimensions: 9in. by 8.25in. Edition: From the rare limited edition Suite: The Studio M

DESCRIPTION: James Whistler lithograph on paper titled: "The Smiths Yard" features two figures with stable and horses. Embossment at lower middle, mounted in a gilt wood frame. Label from: "Harbor Gal

After James Abbott McNeill Whistler (American, 1834-1903) The Doctor, 1895 lithograph unsigned 6 1/2" x 9"

James Abbott McNeill Whistler (American, 1834-1903) The Doctor - Portrait of My Brother, 1895 lithograph 7 x 5 inches. Provenance: Greggie Fine Art, Atlanta, Georgia Provenance: Greggie Fine Art, Atla

James Abbott McNeill Whistler (American 1834-1903) "Gants de Suède" Suede Gloves, Beautiful Portrait of Ethel Birnie Philip, Way 26. Original Lithograph, 1890. Published in The Studio, 1894, with

James Abbott Mc Neill Whistler (America 1834-1903) "The Fifth of November" (1895) Lithograph, 6-1/2" x 6-1/2" signed with the butterfly, framed

Transfer lithograph by famed American artist James Abbott McNeill Whistler (1834 - 1903). Entitled "The Shoemaker", this lithograph was completed in 1895 or 1896. This lithograph is printed on a thin

James Abbott McNeill Whistler (American, 1834-1903). This lithograph is butterfly signed in stone, lower right. The full title is "Nursemaids: Les Bonnes du Luxembourg". It comes with a Certificate of

James Abbott McNeill Whistler (American, 1834-1903) "Draped Figure, Standing," 1891, lithograph, signed in the stone with butterfly monogram. Size: 9'' x 5.75'', 23 x 15 cm (image); 11.5'' x 9.5'', 29

James A. M. Whistler (American 1834-1903)- ''Smith Yard'' (Way 88); (Levy 126)- lithograph, 1864, as pbulished in 'The Studio', edition of about 3,000, paper abrasion verso on edge does not go through

JAMES MCNEILL WHISTLER (AMERICAN, LOWELL, MASSACHUSETTS 1834–1903 LONDON) LITHOGRAPH WITH SCRAPING, ON WOVE PAPER, 1895 H 11.813" W 7.875" UNFINISHED SKETCH OF LADY HADEN Bearing the butterfly monog

lithograph on thin wove paper, circa 1895-96, sheet verso with tri-lobed collector's mark, unframed. Levy 144. Image Size 9 1/2 x 6 1/4 in.; Sheet Size 11 1/2 x 7 3/8 in. Private Collection, Alexandri

The Lime House, from A Series of Sixteen Etchings of Scenes on the Thames, depicting a harbor scene with boat workers and onlookers. Signed, original proof etching, date inscribed. Plate 4.75”H

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Eastman Johnson and on stone by C. Severin.Husking.Lithograph with original hand color.New York: Currier & Ives, 1861.23 1

CURRIER, Nathaniel (1813 - 1888) and IVES, James Merritt (1824 - 1895), after Eastman Johnson and on stone by C. Severin. Husking. Lithograph with original hand color. New York: Currier & Ives, 1861.

Art book The Lithographs of James Mcneill Whistler by Martha Tedeschi. Two volumes in hardbound slipcase. Published by The Art Institute of Chicago 1998.