James Abbott McNeill Whistler GREENWICH PARK (KENNEDY 35; GLASGOW 41) Etching and drypoint, framed

James Abbott McNeill Whistler (1834-1903) GREENWICH PARK (KENNEDY 35; GLASGOW 41) Etching and drypoint, 1859, on thin laid paper, Glasgow's third state of three, with good margins, framed. Plate 5 1/8

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

James Abbott McNeill Whistler (1834-1903) The 'Adam and Eve', Old Chelsea (Kennedy 175, Glasgow 182), 1878 Etching and drypoint on laid paper, Glasgow's third (final) state, published by Messrs Hogart

James Abbott McNeill WHISTLER (1834-1903): "The Little Hat". Etching with touches of drypoint printed in brownish ink on laid paper, 1887. Refs: Kennedy 335; Glasgow 366. Eight or nine impressions are

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

Mortimer Menpes (1860-1938) [WHISTLER STUDIES] Etching, signed and inscribed imp in pencil; Together with James Abbott McNeill Whistler THE MENPES CHILDREN (KENNEDY 261; GLASGOW 291), etching, circa 1

James Abbott McNeill Whistler (american, 1834-1903) Annie Seated (Kennedy 30, Glasgow 32) circa 1858, etching 5 1/8 x 3 7/8 inches Estimate $700-900 Property from the Estate of Patrick Henry Jr., Snow

Framed drypoint etching on paper, "Billingsgate," signed in plate Whistler (James Abbott McNeill Whistler, United States, 1834-1903), dated in plate 1859, from the Vincent Price collection for Sears R

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

James Abbott McNeill Whistler (American, 1834-1903) The Fiddler (J. Becquet, Sculptor) Unsigned, #8 from the Thames Set, etching and drypoint on laid paper; framed. H: 10, W: 7 1/2 in. (H: 25.4, W: 19

James Abbott McNeill WhistlerAmerican, (1834-1903)Early Morning, Battersea (Battersea Dawn) (Cadogan Pier), 1861etching with drypointsigned in plate, framed.

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower

James Abbott McNeill WHISTLER (1834-1903): "Annie (Portrait of Annie Harriet Haden)". Etching on wove paper, 1858. Refs: Kennedy 10; Mansfield 8; Glasgow 7. Signed in plate and with the etched annotat

FUMETTE; RAG PICKERS, QUARTIER MOUFFETARD, PARIS; BATTERSEA DAWN (CADOGAN PIER); OLD HUNGERFORD BRIDGE; HURLINGHAM (KENNEDY 13, 23, 75, 76, 181; GLASGOW 12, 29, 95, 76, 184) Five etchings (four with d

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states