JAMES MALTON PRINT

After JAMES MALTON (British 1761-1803) "Vue de l'Arsenal et de la Fonderie dans la Litinie a St. Petersbourg" and "Vue de Champ de Mars et du Jardin d'Ete de St. Petersbourg" Hand colored engraving. S

James Malton, Irish, 1761-1803, "Marine School, Dublin, Looking Up the Liffey", 1796, aquatint. (BPIE1008) {TC} Property Title:From the Collection of Charles E. Pierce Jr., Director Emeritus, Morgan L

James Malton (Irish, 1761-1803), 1800, engraving on paper depicting a view of Stonehenge from 1796, 10 3/4" x 17" image size, 15" x 19 3/4" framed.

The custom House Dublin Ireland, James Malton 1803 Engraving National Gallery of Ireland. Artwork is framed with a custom gallery frame. Ready to hang and enjoy. Approximate frame size 18 x 22

Signed lower left, on plate. James Milton Sessions (American, 1882-1964). From a Larchmont, NY storage. - Dimensions: Sight: 17.5" high x 21" wide.

Nigerian Marketplace" edition 106/850. Dimensions: (Frame) H 24.5" x W 24.5

Wellington Ward Jr. “The Chesapeake Bay Skipjack”, pencil signed & numbered,approx. 17” H x 31” W sight, 25” H x 39” W framed. James Kendrick III, “Captain James”, print, signed & numb

Artist: JIM JAMES Print Title: San Francisco, c1986 Medium: Duotone Photoengraving Printed in: Germany 1990’s Image size (inches) approx. 9 x 6” Note: COAs included. Reserve: $30.00 Shipp

Artist: F.G. JAMES Print Title: Cathedral Stairway Medium: Sheet-fed Gravure Printing Date: 1950's Printed in England Image Size approx.: 4.75 x 6.5 inches Reserve: $30.00 Shipping: Domestic: Flat

James Rosenquist, print, James Rosenquist (American, 1933-2017), "Stars and Stripes at the Speed of Light, 3rd state", 2010, lithograph on Rives paper, signed titled and numbered 46/53 on lower margin

James Rizzi (American, b. 1940), "Smell the Flowers," 1985, 3D serigraph on paper, signed lower left, titled lower center, edition 144/150, overall (with frame): 16"h x 14.5"w. Provenance: Estate of S

AFTER ANDY WARHOL (1928-1987) James Dean Print in colors on wove paper 38" x 38"

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

Large book, "The Modern Japanese Print", James A. Michener, with 10 original prints, Charles Tuttle Company, Rutland Vermont, Tokyo Japan, with original wood sleeve, good condition.

James Rosenquist (American, 1933–2017), "Pale Lamps," 1978, etching in colors, pencil signed and dated lower right, titled lower left, edition 12/78, image: 17.5"h x 35.5"w, overall (with frame): 30

James Rosenquist (American, b. 1933), "Highway Trust," 1978, lithograph in colors, pencil signed lowe right and dated, titled lower left, edition 16/78, published by Multiples, Inc. (New York, NY), im

James Rizzi (American 1950-2011) ""A Toast to Love "" 1992 screenprint pencil signed and dated lower right edition number 18 overall (with frame): 16.5""h x 17.5""w

James Abbot McNeill Whistler (American, 1834-1903), "Chelsea Bridge," 1871, etching, state VI/VII, unsigned, image: 4"h x 6.5"w, overall (with frame): 12.75"'h x 15.25"w. Reference: Glasgow 102; Kenne

From 1978 a First State (original issued) etching and aquatint titled "Spring Cheer" Part of a numbered 23 out of 78. Hand signed in pencil and dated, with roller brush blindstamp (lower right), title

James Abbott McNeil Whistler (American, 1834-1903), "The Long Balcony," 1894, lithograph, gallery label (George Krevsky Gallery, San Francisco, CA) affixed verso, ref: Way 49; Levy 80, overall (with f

A James Knox Polk print and a piece of a pen-signed document. Print: 10-1/2in x 8in. Document: 2in x 5in. Frame: 23in x 14-1/2in. | Local and NYC curbside delivery details and international third-part

From 1978 a First State (original issued) etching and aquatint titled "Hot Lake" Part of a numbered 22 out of 78. Hand signed in pencil and dated, with roller brush blindstamp (lower right), titled an

James Rizzi (1950-2011, American) 1994 print of 3D Silkscreen titled "Lost in a Concrete Jungle" numbered 4/350,1990.Characterized niches of NYC life. Labeled on bottom and produced by John Szoke Grap

James Rosenquist (American, 1933–2017), "Music School," 1971, lithograph in colors, pencil signed and dated lower right, titled lower left, edition 35/70, sheet: 34.5"h x 30"w, overall (with frame):