James Ward (1769-1859) Poultry Market

Charles Turner (1774-1857) after James Ward (1769-1859) RALPH JOHN LAMBTON ESQR., HIS HORSE "UNDERTAKER" AND HOUNDS Hand-colored engraving, 1821; Together with J. Harris after John Frederick Herring S

Manner of James Ward (1769-1859), 19th century, Oil on canvas, A portrait of a horse and a dog in a landscape with a church tower beyond. Approx. 19 3/4" x 29 3/4"

James Ward (England, 1769 - 1859) Interior scene. Oil on canvas. Signed lower right. Sight Size: 15 x 13 in.

James Ward (British, 1769-1859) "Mare and Foal" oil on cradled wood panel Frame with artist plaque. 18-3/4" x 21-3/4", framed 25-3/4" x 30" Provenance: Bruce McCashin Collection.

James Ward (British, 1769-1859) "Scenes from the Country Life" collection of three oils on panel the two smaller examples signed lower left, the larger monogrammed lower left. All framed alike. smalle

James Ward attributed (English 1769 - 1859) original pencil wash sketch of deer in meadow. Unsigned. Toning, 7"x 10.25". From the estate of Robert Goodwin, Colgate University Professor, longtime colle

AFTER JAMES WARD COLORED ETCHING H 15", L 20" "POULTRY MARKET":Framed and matted under glass, 15 1/2" x 20 1/2". For a high resolution photo CLICK HERE

BRITISH CANINE SPORTING PRINTS, LOT OF FOUR, engraving on paper (each), including two examples engraved by Henry Richard Cook (19th century), one "Bloodhound", after James Ward (1769-1869), and the ot

James McNeil Whistler (American, 1834-1903) etching of market at dock scene with figures and boats, "Billingsgate Market"; signed in plate, label to reverse, 1859. Provenance: From the Museum Gallery

DOYLE, Arthur Conan (1859–1930). A Study in Scarlet. London: Ward, Lock & Bowden, 1895. 8vo. Illustrations by James Greig. Original publisher’s pictorial wrappers printed in red and black

Lions and leopards fighting in a landscape. Apparently unsigned. In a fine period frame. Frame with attached label concerning conservation work done to the painting. Dimensions: (Frame) H 38" x W 42.5

Attributed to James Ward A Hunstman and Hounds on the Edge of a Wood Bears signature and date J. Ward/1790 (lr) Oil on canvas 20 x 26 inches (50.8 x 66 cm) Provenance: Sale, Sotheby's, London, Nov. 18

Dutch/Flemish, 18th C. Overall: 24"h x 20-1/2"w Sight: 17-3/4"h x 14-1/2"w

ADRIEN FERDINAND DE BRAEKELEER (1818-1904), BELGIANTHE POULTRY MARKET; VILLAGE POLITICS, 1861Pair of oils on panel; the first signed on the bricks lower right, the second signed and dated 1861 lower l

including: [Eighteenth Century Artists and Engravers, William Ward, A.R.A., James Ward, R.A., Their Lives and Works] by Julia Frankau, London: Macmillan and Co., 1904, signed Morrell binding, bound in

One the finest and fit for A Royal Family, taxidermy 19th century taxidermy turtle fitted with a cylinder music box by arguably one of the best regarded taxidermist of his time James Rowland Ward (184

Charles James Adams (1859 - 1931) Watercolor on paper, Signed Lower Right, Measures (20 x 14.5 inches) w/frame (27.5 x 22 inches)

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

Thomas L. McKenney (American, 1785-1859) & James Hall (American, 1793-1868). "Pesk-ke-Ie-Cha-Co, A Pawnee Chief" published in Philadelphia by J.T. Bowen in 1841 AND "No-Way-Ke-Sug-Ga, UTDE." Published

Thomas L. McKenney (American, 1785-1859) and James Hall (American, 1793-1868) History of the Indian Tribes of North America Philadelphia: D. Rice and A. N. Hart, 1855, octavo edition complete in three

James Stark (1794-1859): English Garden Park Pencil on paper on a card mount, 1857, signed 'J. Stark' and dated lower right. 14 x 16 in. (sheet), 21 x 25 1/4 in. (frame). Halcyon House Antiques, Luthe

Irish country house in a river landscape River landscape with a fishing party in a boat Oil on canvas (2) James Coy (fl. 1769-1780) was born in Dublin and commenced his artistic career at The Dublin S

After James Gwyn (1700-1769) [FENCING SCENES] Three hand-colored engravings, from Domenico Angelo's L'École des armes, 1763, framed. Plates 10 x 14 1/4 inches.; 254 x 362 mm. Frames 19 x 23 5/8 i

Details: MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868). Wa-Na-Ta, The Charger, Grand Chief of the Sioux. Philadelphia: F.W. Greenough, 1836. Hand-coloured lithograph. Image size (includi