Jan Gordon 920 th / 21 st Century) Californian

TWIST, archival pigment print, signed and numbered 2/20 on artist’s certification, sight 17 ¼ x 25 ¾”, frame 22 ¼ x 30 ¾” with Plexiglas.

HARMONIZE, 2015, archival pigment print, signed and numbered 3/20 on artist’s certificate, sight 25 ¾ x 25 ¾”, frame 30 ¾ x 30 ¾” with Plexiglas.

STRENGTH, archival pigment print, signed and numbered 2/20 on artist’s certification, sight 17 ¾ x 25 ¾”, frame 22 ¾ x 30 ¾” with Plexiglas.

WES WALKER RANCH; ARCHALARIUS RANCH, two gelatin silver prints, each signed and titled in in pencil, sheets 20 x 16â€, some soft handling creases, some cockling in margins, otherwise both in good s

GIRL ON RAILING OF STAIRS, 1989, oil painting on canvas, initialed and dated lower left, 102 x 96”, in good studio condition.

MAX AMERICA, 2015, acrylic painting and mixed media on canvas and American flag retired from the American Legion, signed and dated lower right, titled top left edge, inscribed on verso, 59 x 71", with

BIRCH GROVE, 2000, oil painting on canvas, signed lower right, signed and dated and titled and inscribed #00135 on verso, 22 x 28”, frame 27 ½ x 33 ½”.

GREEN COLUMN, enamel painted steel sculpture, a signature not found, 85” tall. From the Collection of Laura Lee Stearns, Los Angeles.

NEVER GIVE UP (SNOOPY), 2022, acrylic painting over color print, signed lower center, 33 x 21”, frame 37 ¾ x 25 ¾” with Plexiglas.

MICKEY MOUSE, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 15 ½ x 1”, frame 19 ½ x 23 x 2” with Plexiglas.

ONE CUBITS III, welded aluminum sculpture, signed lower right, approximately 24” height 63” length and 25” deep. From the Ellie Gorman Estate.

I LOVE NEW YORK, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 23 ½ 1”, frame 19 ½ x 31 ½ x 2” with Plexiglas.

IT’S ALL GOOD (MICKEY), 2021, acrylic painting over color print, signed lower right, 34 ½ x 23”, frame with Plexiglas 39 ½ x 27 ¾” with Plexiglas.

GUITAR WITH SKULLS, acrylic painting on electric guitar wrapped with skull tack paper, signed lower left in silver ink, mounted in frame 49 x 23 x 2 ¼” overall, hangs vertical or horizont

WOMAN WITH CATS, painted torch-cut iron standing sculpture, a signature not found, 77 x 32 x 28”. Note: has weight but not extreme weight.

PACIFIC DESIGN CENTER, LOS ANGELES; 5455 WILSHIRE BOULEVARD, two acrylic paintings on canvas, each 29 ¼ x 29 ¼” framed. (2)

DANCING WOMEN, 1997, cast bronze with copper patina, signed and dated, from the numbered edition 36, size 14 x 16 x 10†including the Lazy-Susan marble base. Note: weight approximately 35 pounds.

MARILYN CHANEL No. 5, hand-painted mixed media 3-D polymorph, signed lower right side, 12 x 14 x 1”, frame 19 ½ x 21 ½ x 2” with Plexiglas.

THREE MEN AT BEACH, 1986, oil painting on canvas, signed and dated on verso, 48 x 72”.

HAPPY COW, 2008, oil painting on canvas, signed and titled on stretcher bar, 22 x 25â€, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

DOLLAR BILLS, spray paint over color print, signed in ink lower right, frame 26 x 37 ½” with Plexiglas.

NUCLEAR FAMILY, oil painting on canvas, signed lower left, 54 x 68”.

Joel Philip Myers PERFUME, 1978, clear iridescent blown glass body with fused color overlay, signed and dated at base, 5” including stopper; Together with Lisa Zerkowitz PERFUME green opaque gla

UNTITLED, red paper sculpture, signed on verso, overall 32 x 14 x 7 ¼”.