Jean Lucebert, The Netherlands (1924-1994), Fratres

JEAN LUCEBERT (Dutch, 1924-1994), Abstract Figures, 1950, mixed media on board, (Approximate dimensions - board: 38.75 x 27 inches, framed: 41 x 29.25 inches); signed and dated lower right. Condition:

(Dutch, 1924-1994) signed and dated l.l. Lucebert '89. Sight size: 12-1/2"h x 17-1/2"w Overall: 18-1/4"h x 23-1/4"w Provenance: Property from a Private New York and Italy Collection

Signed Lucebert. 1924 - 1994. Attributed to. Two naked figures, 1969. Title: Master. Oil on cardboard. Size: 30 x H, B 20 cm. In good condition.

Attributed to Lucebert. 1924 - 1994. Two naked figures. 1969. Title: Diabolic. Oil on cardboard. Size: 30 x H, B 20 cm. In good condition.

LUCEBERT (1924-1994) -- Description : Personnage imaginaire 1960 -- Medium : Oil paper/ board -- Dimensions : 40 x 30 cm -- Signature : Signed dated lower right -- Estimate : 400 -600 Euro

Oil on canvas, framed. Featuring a portrait. Signed lucebert. on the lower left corner. Attributed to Lucebert (1924-1994, Dutch). 42.7 x 42.5 cm (16.81 x 16.73 in), Framed: 53.3 x 53.3 cm (20.98 x 20

Lucebert (Dutch, 1924-1994). Abstract mixed media on paper, signed bottom right "14 VIII '65 Lucebert". With inscription at center left, "San Royne". [Art: 30 1/2" H x 20 1/2"; Frame: 38" H x 27 3/4"

Lucebert (Dutch, 1924-1994) Drawing No. 3A, 1962 ink on paper signed Lucebert and dated (lower center) 8 1/4 x 10 5/8 inches. Provenance: Marlborough Fine Art Ltd., London Acquired from above in 1967

LUCEBERT (Amsterdam 1924 - Alkmaar 1994) Maternit,1973 Encre de chine et lavis, signe et date en bas droite 27 x 19 cm Provenance: Collection Anton Martineau

Nena Saguil (1924 - 1994) Peace & Plenty signed and dated 1950 (lower left) oil on board 25 1/2" x 19 1/2" (65 cm x 50 cm) PROVENANCE;Acquired from Ramon Villegasby the present owner, c. 1990s. Like h

Nena Saguil (1924 - 1994) Poésie de nuit (Poetry of the Night) signed and dated Paris 1956 (lower right) oil on canvas 36 1/4" x 28 3/4" (92 cm x 73 cm) PROVENANCEAcquired at auction from the Socie

Hugo Yonzon, Jr. (1924 - 1994) Triptych of Philippine Country Life: a) Sabungeros b) Vendors c) Rice Planter a.) signed and dated 1955 (lower right) oil on plywood a.) 54 1/6" x 17 7 /8" (138 cm x 45

Blue Cosmos signed and dated 1964 (lower right) watercolor on paper 24 3/4" x 18 3/4" (63 cm x 48 cm) PROVENANCE A gift from the artist to the present owner For the greater part of her artistic life,

PROPERTY FROM THE JOSE ZAIDE COLLECTION Barong-Barong signed (lower right) oil on canvas 16 1/2" x 22" (42 cm x 56 cm) PROVENANCE: Acquired directly from the artist by the present owner The image of t

A LARGE SILVER TORAH SHIELD. The Netherlands, 1924. The upper portion consists of the regal lions flanking a crown and the Decalogue. Fitted with three acorn attachments.11.5 tall.Sold Sotheby New Yor

Luce Turnier (Haitian 1924-1994) Portrait of a Woman, 1949 Oil on canvas, framed Signed and dated u.r., "Collection of Mary-Leigh Call Smart" label on verso 34 5/8" x 19 5/8" actual, 38 3/4 " x 23 3/4

This is a vintage Steuben art glass sculpture titled "Enigma" designed by artist Donald Pollard (American, 1924-1994). Donald Pence Pollard was born in Bronxville, New York, on September 3, 1924. He s

Luce Turnier (Haitian, 1924-1994). An original oil painting on board. Painted in a modernist Expressionist style, a figural portrait of a gentleman, possibly Laurent Fabius (French, born 1946), Prime

Steuben (American) 'Plum Blossom' Etched Glass Bowl, H 3.25" Dia. 7.25" | the engraved design by Linchia Li (Chinese, 1920-1978) and the glass design by Donald Pollard (American, 1924-1994). the form

Anatoly Leonidovich Nasedkin (1924-1994) ; Soviet art ; mid- 20th century ; oil on canvas / unframed ; 120 x 160 cm (47 1/4 x 63 in.) ; signed lower right corner ; Shipping to USA - DHL $450 , Nationa

KONSTANTIN MATVEEVICH LOMYKIN (UKRAINIAN 1924-1994) Still Life with apples, 1985 pastel on board 56.5 x 40.6 cm (22 1/4 x 16 in.) signed in Cyrillic and dated lower left EXHIBITED Gekkoso Gallery, Tok

Teos, milles võib näha Ülo Soosteri kaudset mõju. See avab sümbolistlik- poolabstraktsete teoste rea Malini 1950.aastate lõpu-1970.aastate alguse loomingus. Paremal keske

1960.aastate lõpust tugevneb järjest sürrealistlik suunitlus I.Malini loomingus ning 1970.aastate teiseks pooleks kujunes välja mingi teine kummaline kvaasireaalsus, mis kütke

Ilmar Malin lõpetas ERKI 1954.aastal ning esines juba 1950.aastate teisel poolel tugevate portreedega, mis sageli näitasid inimest harjumuslikus miljöös (“Ain Kaalep”,