L. HAACH (1813-1842), Fishermen at night, 1840, Watercolor

Adam Buck (Irish, 1759-1833) Adam Buck (Irish, 1759-1833) Portrait of a young lady, full-length seated, with a child signed and dated 'Adam Buck 1813' l.l., pencil and watercolour 36 x 28.5cm

Forster Robson (fl.1888-1906 British) ''A Midsummer's Night Dream'' 1893 Watercolor and Gouache on Board 30''x40'' Image. Museum quality pre-raphaelite composition with nymph. Signed and dated l.r. Or

Simeon Solomon British, 1840-1905 Night, 1896 Initialed and dated S S/1895 (lr) Watercolor and bodycolour on paperboard 13 1/2 x 10 1/8 inches (34.3 x 25.7 cm) C

Watercolor on paper Overall, 24" H x 30" W, window, 14” H x 20.5” W Signed l.l, Gordon Grant, Gordon Hope Grant (1875-1962)

AFTER ARTHUR RACKHAM, (BRITISH, 1867-1939) INK AND WATERCOLOR ON PAPER, H 7" W 4.75" (IMAGE) DIA TITANIA LYING ASLEEP, FROM A MIDSUMMER NIGHTS DREAM Signed and dated lower left 'L Grabham 1908' (?). P

Watercolor on paper in the manner of Pablo Picasso - The Fisherman, bearing the signature, private collection, unframed dimensions approx 9x12.

REDOUTE, Pierre-Joseph (Belgian, 1759-1840). Watercolor for plate 106: "Blue Plantain Lily", Hemerocallis Coerulea. Watercolor and graphite on vellum. Prepared for Les Liliacees ca. 1802-1816. Complet

REDOUTE, Pierre-Joseph (Belgian, 1759-1840). Watercolor for plate 3: "Plantain Lily" Hemerocallis Japonica, or Japanese Hosta Watercolor and graphite on vellum. Signed lower left: "P.J. Redoute". Prep

REDOUTE, Pierre-Joseph (Belgian, 1759-1840). Watercolor for plate 384 (tas 383): "Cardwell Lily or Christmas Lily" Pancratium amboinense. Watercolor and graphite on vellum. Signed lower left: "P.J. Re

Julian Scott (New Jersey/Vermont, 1846-1901) Union Artillery Crew in Battle Signed and dated "Julian Scott/1880" l.l. Watercolor on paper, 14 x 21 in., a molded maple frame. Condition: Area of discolo

Sir Hans Heysen (Australian, 1877-1968) Broad Landscape with Grazing Cows and Distant Hills Signed and dated "HANS HEYSEN 1938" l.l. Watercolor on paper, sheet size 12 3/4 x 15 3/4 in. (32.5 x 40.0 cm

THEODOR SCHLOEPKE 1812 Schwerin - 1878 ibid. Near Leipzig 1813 (1840) OEl on canvas. 66 x 85 cm (F. 87 x 105 cm). Monogrammed in ligature and dated lower left 'TS 1840'. Part. rest. Frame. Provenance:

Johann Georg Schütz (1755–1813), Night Landscape with Bonfire and Moonlight. Johann Georg Schütz first learned from his father, the landscape painter Christian Georg Schütz, then studi

Viktor Schreckengost (American 1906-2008) Edge of Night, watercolor on illustration board, signed lower right, matted and framed, Dimensions: 29 x 39 in. image size, 39 x 48.5 in. as framed. Conditi

Mochizuki Gyokusen (Japanese, 1834-1913), A Five-Panel Landscape Screen Depicting a mountainous river landscape, signed to right-most panel, l.r., watercolor, ink, and gold leaf on paper, framed. H: 6

"South Branch", depicting a lone fly fisherman, watercolor on paper, unsigned, in an oak molded frame, ochre mat, glazed, OS: 32" x 39", SS: 21" x 28 1/2", good condition. Provenance: From the Haynes

WILLIAM L. SONNTAG, "FISHERMAN BY A STEAM" OIL ON CANVAS (7 3/4" X 12 5/8") EX. BALTIMORE MUSEUM

《 The bay scenery 》 Oil on canvas(Constant Auguste De L'aubinie,1842-1910,France)

FINE VINTAGE GERMAN 3/4 VIOLIN SIGNED LEOPOLD WIDHALM LAUTEN NURNBERG FECIT 1813 L. 23 1/2" OVERALL; CASED Length of body is 14" and the Width is 8 1/2"

Pierre Joseph Redoute (French, 1759-1840). Original watercolor painting. A still life botanical composition depicting a central floral subject, as appeared in Enlightenment Era florilegia, pharmacopoe

Attributed to Asher Brown Durand (American, 1796-1886) "Pastoral Landscape with Cattle and Prayer Service", ca. 1840-1842 oil on canvas unsigned. Framed. 29" x 34", framed 38" x 42" Provenance: Privat

The Harbor at Concarneau. Signed P. Signac l/l, titled l/r. Watercolor on Paper. Site measuring 10.75 by 17 in., overall in a giltwood frame 21.5 by 26.5 in. Note: This painting has been submitted to

Pierre Joseph Redoute (French, 1759-1840). Original watercolor painting. A still life botanical composition depicting a central floral subject, as appeared in Enlightenment Era florilegia, pharmacopoe

WILLAM GEDNEY BUNCE (AMERICAN 1840-1916), WATERCOLOR, SUNSET VENICE, SIGNED. 14 1/4 X 10"; FINE STANFORD WHITE STYLE GILT FRAME-21 5/8 X 17 1/2"