LACE COAT attributed to EMPRESS MARIE of RUSSIA, c.

Ivory lace in a large-scale pattern of vertical floral bands having full sleeve gathered into an embroidered net and pleated pink chiffon cuff with satin bow, the neckline front and hem appliquéd w

Tapes assembled by hand in floral patterns, silk charmeuse lining, B 34", W 33", L 47", (many broken brides, missing eyes & hooks) very good.

Tape lace coat w/ needlework “buttons” & fillings, worked soutache trim, turks head knots & glands at throat & CB W, 2 soutache basket weave covered buttons at turn back reveres, open B 32

Cream cotton tapes in a floral pattern in vertical panels with inserts of appliquéd net, long sleeve gathered at the shoulder and tapering into a shaped cuff. B-36, L-44. (Few broken brides, few sm

Cream tapes worked in vining floral pattern w/ petals & brides of hand worked lace, wide angel-wing sleeves, open F & sleeves trimmed in pleated & ribbon edged chiffon, silk satin lining, L 54", (seam

Floral net lace embellished with black sequins, having over-capelet and butterfly sleeve, decorated with large, faceted paillettes and chenille tassels with jet beads, trimmed with pleated black tulle

Fitted knee length tape lace coat w/ crochet insertions, appliqués & baubles, narrow standing back collar, faux turn-back lapels & long sleeve w/ turn back cuff, B 33.5", W 28", L 39", (few small h

Silk lace in faux fillet pattern over pink silk crepe w/ free open front into draped tie at CB, lined in silk crepe, CH 44", L 40", (tearing/strain across SHs, light general staining, few spot stains

Tuleh overlaid lace evening coat, 21st c, salmon and taupe lace over gold lame, (6) hidden snap buttons,(2) interior pockets, size (4), 35"b, 14"sh, 19.5"sl, 33.5"l Provenance: From a New Canaan, CT s

Watercolor on paper. 18 3/4" x 14" Property of The Everson Museum, Syracuse, NY (sold to benefit the museum's collection fund).

Ivory lace V-neck with wide elbow-length sleeve open on the underside and single hidden button closure, decorated with crocheted tiered flowers and domed faux buttons, unlined. (Few broken brides, min

Carved hardwood bust of the Empress of Russia. Probably 19th C. Approx. 8 1/2" x 6 1/2" x 12" H.

Featuring A Foil Redfern French Advertising Lithograph. Advertising New Style Coats Patent By Empress Of Russia And Hrh The Princess Of Wales. The Background Of The Ad Is The Same As The Lithograph By

Description: Little Mother of Russia Biography of Empress Marie Feodorovna by Corrine Hall copyright 1999; Material: Paper

Sulphide cameo plaque embedded in crystal showing Empress Marie Louise of France, (1791–1847.) Octagonal crystal with beveled edge in gilt mount. Approx. 3 1/4" x 2 1/2".

A pair of Limoges Metropolitan Museum of Art hard-paste porcelain plates. These plates are a reproduction from the "Private Service" made for the empress Elizabeth of Russia at St. Petersburg c. 1760.

(15) Pottery pots and vessels to include a Hoopa pottery bowl, 4 1/2"L, (Black L), a Santo Domingo pottery pot attributed by a note to artist Marie C. Pacheco pottery, 3" dia, a San Juan pueblo bowl,

Ecru wool twill flannel w/ silk braid, silk & horsehair petal appliques w/ enhanced tape lace, silk chiffon pleated ruffles, cascades of silk covered glands, lined in silk satin, B 42”, L 38&rdq

A beige lace dress, c.1930, with cream stitched floral pattern over a satin layer, with matching bolero shawl, two-button fastening to bust, and a black crêpe day coat, c.1930, with castellated hems

(pair) Mid-century modern wall-mounted hat/ coat hooks, attributed to Willy Rizzo (Italian, 1928-2013), c.1960s-1970s, having rectangular mount, with mirrored glass accents, tubular silver-tone metal

Cream silk pongee w/ silk galloon edging, tassels wrapped w/ soutache, blue silk velvet & bobbin lace w/ crochet buttons to neckline & black silk satin W closure, “CH. Drecoll, Paris, Vienna&rdq

portrait gentleman in red coat with lace half-length oil on canvas unsigned 24 x 29 inches (sight) 30 x 35 inches (frame) Painting has been wax lined with canvas substrate and shows two small areas

GENTS BROCADE TWO-PIECE SUIT, LATE 18th C. Brown silk and cream diamond pattern with black cut velvet arrowhead figures, trimmed in metallic gold lace, buttonless cutaway coat with stand collar, angle

An 18th C. oil on canvas depicting Maria Vejuta Wallachine, a noble Spanish woman in a lace dress. Unsigned, attributed on back, and dated June 7, 1720. In a gilt wood frame. Canvas: 44in x 32in. Fram