Laurie Hogin (American, b. 1963 Harvest Red, 1993

Laurie Hogin (American, b. 1963 Harvest Red, 1993 oil on canvas signed, titled, dated and inscribed (verso) 36 x 48 inches.

Laurie Hobin (b.1963) American. Original oil painting on canvas. Art depicts an out of this world species of monkey in vivid various colors, with a pair of human skulls. Artwork titled "The Color of M

Peter Wegner (American, b. 1963), "Reds Between Greys," 2004, gloss household enamel on MDF, unsigned, gallery label (Griffin, Santa Monica, CA), affixed verso, overall (unframed): 4"h x 96"w x 2"d

Brad Howe (American, b. 1959) Red/Black, 1993 cut and painted metal kinetic sculpture signedBrad Howeand dated to base Height 17 1/2 inches. This lot is located in Palm Beach. Property from the Collec

Lawrence Laske (American, b.1963- ), circa 1993. A "Saguaro Cactus" table designed for Knoll Studio with circular slate top raised on a polished aluminum rod issuing four arc form legs, Model 80TR 20.

Pat Steir (American, b. 1940) Red/Blue Berlin Waterfall, 1993 screenprint signed and numbered 100/108 in pencil 38 x 36 inches.

Mark Anthony Mulligan (American/Kentucky, b. 1963), "Southwest _ Louisville _ FIND", 1993, marker and ballpoint pen on paper, signed and dated upper left, titled upper center, 17 in. x 14 in., unframe

Laurie Kaplowitz (American, b.1951) "Transit of the Moon", 1993 Surrealist Acrylic Painting. 2 panel acrylic on canvas painting in the surrealist style. Signed "LK" in bottom right corner. Originally

Romero Britto (Brazilian/American, b. 1963); Acrylic wall sculpture titled 'The Hug', with three-dimensional features. Signed and dated 1993 in the plate. Measures approx. 19" x 62".

Victor Matthews (American, b. 1963) "Untitled" abstract composition in yellows, tans and browns with some red, titled and signed "Victor Matthews NYC" and dated "2009" along bottom, framed under glass

ARMSTRONG, Z. B. (American, 1911-1993). Vertical Doomsday Calendar. Circa 1970s-1993. Red and blue marker on wood, built with nails. 19 x 8 ¼”. Some wear, wooden piece on top broken in half

Romero Britto (1963-Present) Brazil , American. Original mixed media pop art oil painting on wood panel. Titled "Red Pride". Artwork depicts couple poised for a kiss on red ground. Created with oil pa

Red Grooms (American, b. 1937) "Corner of Canal", 1993, lithograph in colors, signed and numbered, from an edition of 115. Framed. Size: 22'' x 30'', 56 x 76 cm (sheet); 28.5'' x 36.25'', 72 x 92 cm (

Red Grooms (American, b. 1937) signed in plate lower right, titled above and below, New York 1993. Signed in ink “To Herbert Nass, Best, Red Grooms, 6/12/93”. Published by Two One Two, Inc., m

RED THUNDER, SEDONA ARIZONA, 1993, acrylic painting on canvas, signed lower right, signed and dated and titled on verso, 36 x 24”, frame 44 ½ x 32 ½ x 3”.

John Beardman (American, b.1937) Oil and Graphite on Paper 1963, signed and dated lower right, depicting an abstract composition in purple, teal, red and yellow, matted

Native American sterling silver concho belt, Geraldine Yazzie (Navajo/ Dine, b.1963), twelve stamped conchos set with various stones, including turquoise, lapis lazuli, opal, and red coral, on a black

ARMSTRONG, Z. B. (American, 1911-1993). Two paper Doomsday Calendars. Circa 1970s-1993. Two paper calendars, decorated in red and black marker. 9 ½ x 2 ½” and 6 ¼ x 5”. Both

Damian Rojo (Cuban American, born 1963). An original painting on found object wood. An abstract naive folk art depicting images of a house and a bride, painted in a bold red and green palette. Artist

ARMSTRONG, Z. B. (American, 1911-1993). Three cardboard Doomsday Calendars. 1989. Three cardboard calendars, decorated in red and black marker. 9 ¼ x 7 5/8 (largest). All double-sided. Unframed.

ARMSTRONG, Z. B. (American, 1911-1993). Four cardboard Doomsday Calendars. 1988-1989. Four cardboard calendars, decorated in red and black marker. 11 x 9 (largest) All double-sided. Unframed.

Bruno Surdo (American, b. 1963) Interface, 2008 oil on canvas stretched over board signed Bruno Surdo (lower right) 78 x 83 3/4 inches. Provenance: Ann Nathan Gallery, Chicago Literature: Bruno Surdo

Preston Singletary (American, b. 1963) "Raven Wing", USA, 2005 Blown, sandcarved, and cased glassSigned to underside: "Preston Singletary 2005"(H: 16 1/2, W: 10 1/2, D: 6 in)Qty: (1)Provenance

Daniel Merriam (American, B. 1963) The High Wheeler. Oil on board, signed lower left. Together with a hardcover book 'The Art of Daniel Merriam: The Impetus of Dreams' including an artist autographed