Louis C. Rosenberg Etching, Via Appia, The Appian Way Rome

Louis C. Rosenberg (American 1890-1983) Via Appia, The Appian Way, Rome, drypoint etching, signed in pencil lower right margin and titled Via Appia in lower right within plate, matted and framed. Di

Giovanni Battista Piranesi (1720-1778), etching, Veduta del Sepolcro di Pisone Liciniano su l'antica via Appia [View of the tomb of Licinianus Piso on the ancient Appian Way], from Vedute di Roma [Vie

Louis Conrad Rosenberg (American, 1890-1983), (3) etchings on paper, inc "Piazza de Spagna, Rome", "Ponte Fabricio" and "Via del Pianto, Rome", all pencil signed, largest 7-5/16" x 9-7/8" pl, 8-1/2" x

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower Site 1905''- etching, 1929, signed in pencil, very good condition. 7 5/8 x 11 3/8''

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower From Public Square''; ''Terminal Tower from Federal Building''; ''Terminal Tower from Wheeling Station''; ''Steel Frame of Southwest Wing of T

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower Site'' & ''Terminal From the River''- 2 etchings, 1928-29, both signed in pencil, some discoloration from previous mounting otherwise very goo

LOUIS C. ROSENBERG (American 1890-1983) "New York" Etching. Sight: 13 1/2 x 10 1/2 inches; Frame: 20 7/8 x 16 inches. Signed l/r in pencil. [CONDITION: In overall good condition there is time staining

Louis Conrad Rosenberg (1890-1983) Grande Port St. Malo The drypoint etching from an edition of only 21 prints is signed by the artist in pencil below the image lower right. Image measures 6.75 x 6.75

Herman van Swanevelt (Netherlands) c. 1600-1655. Graveyard on the Appian Way. Etching, c. 1625. Bartsch 57. Dutuit 57, ii/II. A good later (18th century) impression. Initialed in the plate and inscrib

This lot contains two etchings from Louis C. Rosenberg, each pencil signed lower right, as well as a pencil signed etching from Hedley Fitton. One of the etchings from Rosenberg depicts the Carrera de

Italian Pietra Dura Mosaics, Ca. 2000, "Via Appia And Il Duomo", H 5.25" W 3.5" 2 pcs | Hard stone mosaic view of the Appian Way. Illegibly signed in the lower left. Having a painted wood frame, H 12.

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower Suite''- set of 22 drypoint etchings from the Cleveland Series, 1928-32, all signed in pencil, 6 have mat burn, otherwise all in very good con

Giovanni Battista Piranesi (Italian, 1720-1778), Veduta del Sepolcro di Pisone Liciniano su l'antica via Appia (View of the tomb of Licinianus Piso on the ancient Appian Way), from Vedute di Roma (Vie

Giovanni Battista Piranesi (1720-1778) original 1764 etching. Veduta del Sepolcro di Pisone Liciniano su l’antica via Appia. The etching is from the “Vedute di Roma”, which is the name for a col

Etching by Giovanni Battista Piranesi, originating from "Antichita d'Albano e di Castel Gondolfo", uncolored. Rome, 1764. Reserve: $120.00 Shipping: Domestic: Flat-rate of $29.00 to anywhere within th

Louis Conrad Rosenberg (1890-1983)- French Scene  & Building of the Terminal Tower    Ralph Seymour Fletcher (1876-1966)- The Shack, Carmel & Old

Europe, Germany, Matthias Oesterreich (German, 1716-1778) etched after Piet Leon Ghezzi (Italian, Comunanza near Ascoli Piceno 1674-1755 Rome); publisher Conrado Walther of Dresden, Germany, 1750 CE.

* Al Held (American, 1928-2005) Russel's Way, 1989 etching and aquatint 35 x 44 1/4 inches. Estimate $3,000-5,000 Property from the Collection of Ann and Paul Arenberg, St. Louis, Missouri P

Artist: Louis Icart Title: Clipped Wings Year: c 1922 Dimensions: 15in. by 11.5in. Edition: From the rare limited edition Medium: Original dry point etching wit

French Louis XV gold leaf mirror, 19th c., top having carved cartouche with foliate gadroon, extending to elaborate molded frame with laurel and beaded trim, giving way to flat mirror plate, approx 79

c.1927, pencil signed, and with windmill blindstamp, numbered 100, printing annotation upper right by Graveurs Modernes, Paris, good condition (toning), image 13x20in., overall framed 22x28in., Openin

Attr. Louis C. Tiffany Company, Associated Artists (NY, 1881-1883) (3) Moorish Filigree Screens Jeweled glass and bronze-dust coated copper wire. Three rectangular panels, the center panel with oval c

Louis Comfort Tiffany for Tiffany & Co. Imperial Topaz, Emerald, 18k Yellow Gold Ring. Featuring one elongated oval-cut imperial topaz weighing approximately 15.80 cts., accented by four emerald-cut e

Louis C. Tiffany Furnaces, Inc. Tall vase with flowering vines USA, c. 1920hand-blown, padded, and wheel-carved Favrile glass 18.5 h × 5 dia in (47 × 13 cm) Etched signature and nu