MANUEL VIOLA (1916 / 1987) "Lyrical abstraction", c.

Oil on panelSigned and dated in the lower right corner. Dedicated and signed on the back. 48 x 30 cm

Oil on canvas Signed in the lower right corner. 93 x 59 cm

Manuel Viola (Spanish, 1919 - 1987), Oil on board, abstract, paper label with title "Galerna". Signed lower right, Viola. Framed. (Approx. 26" x 19 1/4", overall: 41" x 34 1/2").

Manuel Viola (Spanish, 1919 - 1987), Oil on canvas, abstract. Signed lower right, M. Viola 58. Framed. (Approx. 36" x 28 1/2", overall: 51 1/2" x 43 1/2").

Manuel Viola (Spanish, 1919 - 1987), Oil on board, abstract. Signed lower right, Viola. Framed. (Approx. 23" x 18 1/2", overall: 39" x 34").

Manuel Viola (Spanish, 1919 - 1987), Oil on canvas, abstract. Signed lower right, Viola. Framed. (Approx. 25" x 20 1/2", overall: 40" x 36").

Manuel Viola (Spanish, 1919 - 1987), Oil on canvas, abstract. Signed lower right, Viola. Framed. (Approx. 31" x 23", overall: 47" x 39 1/2").

Manuel Viola (Spanish, 1919 - 1987), Oil on board, Woman with a rooster, signed lower right. Paper label titled "Anlequin Con Gallos". Framed. (Approx. 15 1/4" x 11 1/4", overall: 28 1/2" x 24 1/4").

Robert LeRalph Neal1916-1987Portrait of a Womanc. 1956oil on canvas40 x 29 inchessigned; signed and dated verso

Ejner Larsen and Aksel Bender Madsen (Danish, 1917-1987 | Danish, 1916-2000) Lounge Chair, model LP48, c. 1955, Ludvig Pontoppidan, Denmark leather, teak unmarked H 33 1/2 x W 26 x D 26 inches

Estate Fresh American, Pennsylvania, New York, Florida Jon Henry 1916-90 O/C Painting Titled "Dizzy Handance" 1987. PROVENANCE: Private Eastate Gainsville Fl Directly From The Family, Estate Fresh. Fr

Sam Gilliamb. 1933untitled, Hard-edge Abstractionc. 1963-1965acrylic on thick, gessoed paper18 1/2 x 18 inchessignedProvenance: Andre "Mickey" Ferrell , studio assistant to the a

John Wayne, Hondo, Lane, and Sam, 1986 Patinated bronze on a wood base Edition: 4/7 Signed, titled, dated, and numbered to base: David Manuel / (C)1986 / [arrowhead symbol] 28" H x 12" W x 12" D;

*Listing Updated 7/7/2023 * Please Note, the painting has not been formally reviewed, therefore being sold in the manner of Georges Mathieu (French, 1921-2012). A lyrical abstraction oil painting on c

Emerson Everett Glass (Kansas, 1916-1987) Apex - Twisted Pine with Shredded Clouds The study of a windswept evergreen and rose tinted clouds above purple mountains at sunset is signed lower left front

Emerson Everett Glass (1916-1987) Untitled Mountain Vista Mid 20th Century The striking view of lake, rock formations and boulders below the type of windswept pine most often associated with high alti

Emerson Everett Glass (1916-1987) (Grand Canyon Vista) Mid 20th Century The oil on panel Grand Canyon view is signed lower left and accompanied by its original, signed preliminary pen and ink study up

Antique oil painting piece, attributed to master wassily kandinsky; Russian painter of abstract art in painting and art theorist. It is considered that with it begins the lyrical abstraction and expre

Juan de Prete (Argentina 1897-1987) Abstraction, 1957, acrylic on cardboard, signed and dated lower right, signed verso, framed. 28 in. x 20.5 in. 29 .5 x 21.5 in. as framed Condition: Very goodJuan d

Charles Green Shaw Untitled (Blue and White Abstraction) c. 1940oil on canvasboard 8 h × 7 w in (20 × 18 cm) Signed to verso 'Charles Shaw'. Provenance: The

(Italian, 1916-1987) initialed "MN" and numbered 1/3 26"h x 5-1/4"w x 9-1/4"d Provenance: Property from the Estates of David and Laura Finn, Westchester County, NY

Emerson Everett Glass (1916-1987) Untitled Mountain Landscape Sunset Mid 20th Century. The work in electric color palette is signed sgraffito style lower left. Board measures 8 x 10 with a framed size

Emerson Everett Glass (1916-1987) Sunrise at Chok-Wee-Aho Mid 20th Century The view of a high altitude lake and the sun on a horizon is signed lower right and titled verso. Everett Emerson Glass is a

ALICE and MARTIN PROVENSEN (1918-2018 / 1916-1987) "The Swan Maiden." Illustration for the story by Howard Pyle, published on page 123 in The Provensen Book of Fairy Tales (New York: Random House, 197