Mark W. Clark Signature - Inscribed to William P. Yarborough

Desirable ink signature and inscription, "To: Colonel William Yarborough, one of the finest combat commanders I have ever served with. Mark W. Clark, General U.S.A., Austria—Nov. 1, 1945,”

Fascinating display honoring the United States Fifth Army and its commander, General Mark W. Clark, which includes an ALS, a pair of four-star rank shoulder insignia, an embroidered patch of the Unite

William Couper, white marble bust, William Couper (American, 1853-1942), "Evangeline", white marble, inscribed signature "Wm Couper", "Bellman & Ivey, London" studio mark, 17.5"h x 14.5"w (bust), 21.5

The 1936 Howitzer yearbook for the United States Military Academy at West Point, 455 pages, 9.5 x 12.5, signed on the front cover in black felt tip, “W. C. Westmoreland, ‘36,” and on

William H. Turner (1953- ) Blue Heron Medium: bronze, 25/25 Dimensions: 28 1/2 x 23 x 16 Framed/base dimensions: 30 1/2 x 23 x 18 Signature: inscribed: W. H. Turner 1985 25/25 Provenance: From a Priva

As shown w/ signature on back P H Sheridan - Nice image w/ some crease marks.

William P. McDonald (1882-1931) for Rookwood Pottery Double Vellum handled vase with floral decoration, #63 Cincinnati, Ohio, 1925 matte yellow glazed ceramic impressed marks 4 3/8"w x 3 3/4"d x 4 1/4

Early Goebel Porcelain Birds Figurine. Marked with Goebel early mark W.G (William Goebel) and the artist's signature - Rocher. Height: 14.5cm.

A large William Moorcroft flambe 'Big Poppies' pattern vase, circa 1930, blue inscribed signature, impressed factory marks and number 216, 24cmCondition report: No obvious faults.

19th C portrait of Ellis Clark, noted clockmaker, oil on canvas, no visible signature, inscribed on back "Ellis Clark, Clockmaker, Philadelphia, 1821", 33-1/2" x 27", framed 41-1/2" x 35-1/2", poor co

William Moorcroft (1872-1945), Claremont toadstool two handled bowl, England, polychrome glazed ceramic, painted signature, impressed marks, 11"w x 3"h

William Moorcroft (1872-1945), Pomegranate and Leaf and Fruit jardiniere, England, polychrome glazed ceramic, painted signature, impressed marks, 12"w x 8.5"h

Henrique Medina de Barros, drawing of Wm. Clark, Henrique Medina de Barros (Portuguese, 1901-1988), Portrait of William A. Clark, 1933, graphite on paper, inscribed "A Monsieur Charles W. Clark - H. M

Sterling silver handled mug, in the Renaissance Revival taste, by William Vanderslice & Co, active 1858-1908, San Francisco. Inscribed, "Elise". Marks: STERLING / W.K. VANDERSLICE & CO / 136 / SUTTE

Two Moorcroft Vases. 1. Anemone / Poppy vase. Circa: 1930. Dimension: 5 7/8 in. Painted signature: W. Moorcroft with impressed factory mark, Potter to H.M. The Queen. 2. IRIS vase. Circa: 1930. Dimens

Large 19th C Francis Hall Engraving of William Powell Frith's The Railway Station. Pencil signed on lower corners by artist and engraver. Image within plate marks measures 24 inches H x 47 W, oak and

A William Moorcroft Flambe Leaf and Blackberry Vase, 20th Century, Impressed marks and facsimile signature. H: 6 W: 6 in.

Desert mountain landscape with cacti oil on canvasboard signed and dated lower right: Wm. P. Krehm - 1956, inscribed verso: A.M. Study 12" H x 16" W Notes: Framed size: 18" H x 22" W x 2" D.

William P. McDonald for Rookwood Pottery Nubian Black production Rook bookends, pair USA, 1922glazed porcelain 5.125 h x 5.25 w x 3.25 d in (13 x 13 x 8 cm) Impressed manufacturer's mark, date

Lorinda Epply (1874-1951) for Rookwood Pottery, plaque, Cincinnati, OH, 1912, Vellum glazed ceramic, impressed marks on back, inscribed signature on side, image: 5.5"w x 7.5"h; frame: 9.5"w x 11.5"h

Standard glaze basket with pansy decoration painted by William P. McDonald in 1892. Marks include the Rookwood logo, which indicates the date, shape 360 B, an impressed W for White clay, an incised L

Rookwood Pottery porcelain dog paperweight in white, shape number 2777 Cincinnati, Ohio, 1926 matte glazed ceramic impressed factory marks designed by William P. McDonald (1864-1931) 3 5/8"w x 2 1/4"d

MIRAGE (W.18 pg. 153), 1981, lifetime color screenprint, signed and inscribed A/P in pencil, there were 40 artist’s proofs aside from the numbered edition 250, published by Mirage Editions, sig

LORI (W.13), 1982, color screenprint, signed in pencil and inscribed A/P (there are 15 artist’s proof), aside from the numbered edition 90, sheet 36 x 29 ½”, discardable frame.