Martin Johann Schmidt, called Kremser Schmidt

Martin Johann Schmidt, called Kremser Schmidt (1718-1801)-attributed, Scene with three female saints and a priest, surounded by angels, a dog and other items, in front of dark background; oil on canva

Illustration, Bill Schmidt, "No Place Called Home", unsigned, 29.75" by 20"

Johann-Karl Schmidt, Fritz Winter, 2000, Johann-Karl Schmidt, Fritz Winter, Ostfildern 2000.,

161177 TALES OF SUSPENSE#66-1ST APP.+ ORIGIN OF RED SKULL Tales of Suspense#66. Marvel Comic Book. Includes: Tales Of Suspense#66: 1st appearance of Red Skull, Johann Schmidt, in the Silver Age.Origin

[SCHMIDT (JOHANN ANDREAS)] Leib-Beschirmende und feinden trotz-bietende Fecht-Kunst, 84 full-page engraved illustrations (2 with some surface abrasion), lacking title, portrait and final 30 pages of

7 Original Photos by the famous Chicago Photographer Schmidt, who was WWII Photographer and studied with Ansel Adams | Photos are 8 x 10

Pair of candlesticks. [Breslau (today Wrocław, Poland), ca. 1746-1758]. Silver (marked. Maker: Johann Gottlieb Schmidt?). Pair of candlesticks on a wide base. A dedication from 1813 is engraved

A Nuremburg engraved goblet, first quarter 18th century In the manner of Johann Wolfgang Schmidt, the round funnel bowl wheel-engraved with a hunting scene, the unfortunate stag and doe together with

169 Dogon. Meisterwerke der Skulptur Chefs-d'œuvre de la statuaire Dogon Schmidt, Johann-Karl (Hg.) Jahn, Andrea Stuttgart: Galerie der Stadt Stuttgart (1998?). ISBN: none German and french text 132

Richard Schmidt, Hugh Garden and Edgar Martin (German, 1865-1958 | Canadian, 1873-1961 | American, 1871-1951) Prairie School Window from the Madlener House, ChicagoLinden Glass Co., US, 1902 leaded gl

A late 18th century Austrian bracket clock by Johann George Weltz of St. Poelten. Three train movement with fusee on time train only, crown wheel escapement, quarter-hour strike, with "rat tail" pendu

A late 19th century Long Running Vienna Regulator floor clock by Johann Salfer, Wien. High quality 120-day weight movement with deadbeat escapement and maintaining power, a two part porcelain dial wit

A turn of the century Austrian hall clock by Johann Salfer, Wien. 30-day time only movement with engraved Brass dial, Silvered chapter ring with Roman numerals and subsidiary seconds dial marked "J. S

A mid 19th century American banjo clock marked "Martin Kingsbury, Dedham, Mass, No. 8" on the movement. 8-day time only movement with painted iron dial and Roman numerals. Mahogany case with a Brass s

Henry Martin Gasser, American, 1909-1981. Watercolor on paper rural landscape. Features farmhouses with mountains in the distance. Signed "H. Gasser" lower left. Some toning and light fading, small ma

An early 19th century British Grandfather clock. 8-day time and strike movement with engraved Brass dial and Roman numerals, subsidiary seconds and date aperture marked "Will. Martin, Glasgow". Mahoga

An Art Nouveau Ceramic Tile, Carl Sigmund Luber (1896-1934) for Johann von Schwarz. Rectangular, depicting a young woman in profile, holding a basket of flowers, standing in a landscape setting with p

A mid 19th century English needlework sampler. Attributed to a former student at a London orphan school called the "Raines Asylum". Multi-color silk embroidery on linen, depicting florals and birds wi

Giovanni Battista Piranesi, Italian, 1720-1778. Etching on laid paper titled "Tempio detto Volgarmente di Giano" (The So-Called Temple of Janus) from the "Vedute di Roma" (Views of Rome) series. Signe

Three 19th and 20th century cityscape prints. Includes two 19th century chromolithographs by Joseph Martin Kronheim titled "Geneva" and "Zurich", and a 20th century hand-colored etching by J.M. Hallid

Martin Barooshian, American, b. 1929. Intaglio color etching, entitled "All Seeing Eye", in shades of purple and dark orange. Signed "M. Barooshian" lower right, numbered 10/50. Toned overall. Paper s

Martin Barooshian, American, b. 1929. Intaglio color etching, entitled "Black Magic", in shades of dark red and blue. Signed "M. Barooshian" lower right, numbered 10/50. Toned overall. Image 10 x 8 3/

New Jersey, ca. 1927. Victoria labels. Early large auditorium size, just under 15 inches wide. Original pyramid bridge; parts; tuners. Some repairs and split. 26.5"l. Original Geib/Martin case (3/32-L

Signed 'F. Schmidt' lower left, oil on board 24 x 30 in. (61x76.2cm) Provnenace Estate of Sydney F. Martin, Doylestown, Pennsylvania and Amelia Island, Florida.