Martin Lewis (American, 1881-1962) Sporting Gentleman Etching, circa 1927, on Orebro wove paper,...

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

Lewis, Martin (American, 1882-1962). "Self-Portrait with Etching Equipment." c.1953. Roulette and drypoint printed in brown ink on wove paper. Edition of 25 to 50. Plate: 5 3/8" × 8 3/8" Framed: 15 1

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Lot 16 Martin Lewis Australian/American (1881-1962) Hi-Li Tournament (1937) drypoint pencil signed lower right plate: 8 3/8 x 13 1/4 inches Provenance: Property from the Estate of Eleanor Jacobs The O

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

(American, 1881-1962)Politics (Mc. 118), 1936, trial proof no. 6 of 11 artist's proofs from a total edition of 27, signed lower left in pencil "Martin Lewis" and in plate lower left, inscribed in penc

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

circa 1932 etching on paper signed lower right, ed. of 135 image size 8 1/4 x 8 3/4 inches

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

Giorgio Morandi (1890-1964) Natura morta con il panneggio a sinistra (Vitali 31; Cordaro p.35) Etching, 1927, on wove paper, the second, final state, signed, dated and numbered 32/40 in pencil, with w

CHARLES WHITE (American, 1918ñ1979), "Cat's Cradle," 1972, etching on cream wove paper, plate: 23.375 x 26.5 inches; sight: 24.875 x 28 inches; overall with frame: 35.5 x 38.5 inches, pencil sign

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

Elizabeth O'Neill Verner (American, 1883-1979), The Unemployed, Charlestonetching, 1934, on wove paper with Vidalon watermark, pencil signed, titled, and numbered 27/80, unframed. Image 10 x 8 in.; Sh

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

The complete set of one aquatint, one lithograph and one woodcut in colors on wove papers USA, 1990 Alex Katz (b. 1927) – American New York School artist Each signed in pencil lower right ‘Alex Ka

JOHN MARIN Downtown, New York. Pencil on cream wove paper, circa 1920. 305x228 mm; 12¼x9 inches. Signed in pencil, lower right recto.Provenance: Estate of Patrick Roberts, founder of the American

Untitled (circa 1970) Colour lithograph on wove paper Signed and numbered 61/95 in pencil Size: 29.5 x 43.5 in. Provenance: Albert White Gallery, Toronto; stock no. C-51; Private Collection, Toronto,

DOROTHY HOOD (American/Texas 1919-2000) A DRAWING, "Queen Plant," CIRCA 1965, pen and ink on wove paper, signed L/R, "D. Hood," titled on reverse, "Queen Plant;" 26" x 20", framed 26 3/4" x 20 1/2". P

δ Pablo Picasso (1881-1973)347 Series Untiled (Bloch 1725)Etching, 1968, signed in pencil, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on wove paper, with full margi

Francis Bruguière (American, 1879-1945), Cut Paper Abstractionwarm-toned gelatin silver print (mounted), negative circa 1927, likely printed circa 1940s, framed. This print is accompanied by a sig